Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
93 PRO X User Manual
>> To patch a source to a GEQ
1. Open the window of the GEQ.
2. Open the GEQ source drop-down list. (An unpatched GEQ will have “None”
displayed in the text eld.)
3. In the drop-down list, click the source you want. For example, “Aux Send
3”. The new patching assignment will appear in the source name eld
(as shown below) and in the border on the left of GEQ panel (see Figure 21
“Graphic EQs screen (congured for 12 GEQs)”).
4. Click CLOSE to accept the change and close the GEQ’s window.
The new GEQ patching source assignment will appear in the virtual rack
(see Figure 21 “Graphic EQs screen (congured for 12 GEQs)”).
GEQ front panel features
The front panel of the GEQ, as displayed on the GUI, represents the KLARK TEKNIK
DN370 Graphic Equaliser. It includes a graphic EQ (faders) section and a
lters section.
Thirty one faders provide ne adjustment of each frequency band.
The 31 frequency bands are spaced 1/3 octave apart on the standard ISO
266 frequency centres. All the functions of the GEQ can be bypassed via an EQ
switch, such that the output will be the same as the input.
The GEQ has one high pass lter, one low pass lter and two variable frequency
notch lters. Each lter is adjusted via a control knob on the GUI screen.
To audition the eect of the lters, use either the EQ switch (which will also
bypass the GEQ) or the individual lter switch.
3
1 3 2 4 6 5
7891011
GEQ front panel
Item Element Description
1 Fader (31-o). Adjusts signal level.
2 SLOPE button
Switches the high or low pass lter between 6dB and 12dB. Adjacent yellow LEDs indicate the
active band.
3 Low pass lter control knob Adjusts the cut o frequency, which is continuously variable from 20 Hz to 500 Hz.
4 High pass lter control knob Adjusts the cut o frequency, which is continuously variable from 2 kHz to 20 kHz.
5 EQ button
Selects the EQ. The adjacent green IN LED shows the EQ is on (illuminated) or is being bypassed
(extinguished).
6 10-segment meter
Shows the incoming signal level and is pre-EQ (but post-gain control). Clipping is post-EQ
(and postgain control), such that internal clipping due to excessive EQ, that is, if a high input level is
further boosted by the use of EQ, will also be shown. The LED functions are: two red LEDs illuminate
when signal has exceeded +20 dBu and is being clipped; two yellow LEDs illuminate when signal
level exceeds 0 dB (range is between 0 dB to +20 dB); and the top ve green LEDs encompass the
signal level range of between 0dB and -40dB, while the bottom one illuminates when the signal has
exceeded -40 dB.
7 Q button Selects proportional Q (PROP.) or constant Q (CON.) modes.
8 Notch lter control knob Adjusts the position of the notch lter within the range 20 Hz to 20 kHz.
9 IN button Switches the respective high pass/low pass/notch lter in/out.
10 Notch lter control knob Adjusts the position of the notch lter within the range 200 Hz to 2 kHz.
11 Fader group ID number See “Controlling a GEQ via the I zone” in Chapter 30.