Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
91 PRO X User Manual
Talk mic
The control surface has an internal talk mic that lets you talk to external
locations, and you can also be talked to from an external location.
For the input and output talk connections, see “talk section” in Appendix H.
Internal talk mic
This is located in the talk mic section, and contains the controls for both the
internal talk mic and external talkback functions, which control a talkback
microphone connected to the PRO X Control Centre. Both functions utilise the
compressor (limiter), which is in the microphone signal path immediately before
the talk level control.
The ouputs from the internal mic can be connected to the internal talk bus/talk
external XLR output (see Appendix B “Functional Block Diagrams”).
6
1
2
3 4 5
1
2
Talk mic controls on the control surface and GUI
Item Element Description
1 TALK/[TLK] switch
This talk internal switch connects the talk mic output to the control centre’s internal talk system,
while simultaneously dimming all local outputs by 20 dB to prevent ‘howl round’. The internal talk
bus can then be mixed onto any of the control centre’s buses by pressing the internal talk switches
associated with those buses, or mixed onto a group of buses by activating an internal talk group
(see “Talk osc/ routing”).
2 TALK/[TLK] switch This talk external switch connects the talk mic output to the talk external output XLR.
3 level control knob Gives continuous adjustment to the post-limiter signal from o (4) to +10 dB.
4 limiter control knob Gives continuous adjustment of the peak limiter value from 0dB to +20 dB.
5 mic gain control knob
Provides continuous mic amplier gain adjustment of the mic connected to mix bay control surface.
Range is +15 dB to +60 dB and operates in conjunction with the peak limiter.
6 Talk patching sections. See Table 25 “Navigating to the Patching screen” in Appendix J.
1. The three control knobs are used in conjunction with mic XLRs (in the screen
housing and the rear connector panel) and the two TALK routing switches
(internal and external).
>> To select the internal talk mic
1. In the talk mic section of the master bay, press TALK (internal) to switch in
the talk mic section (see “Talk mic”).
2. In the source a or source b section of the master bay, press TALK.
Your chosen section will determine which system bus (A or B) the talk
mic will be sourced from (see “Monitor output (a and b) sections” and
“source (a and b) sections”).
External talkback
The external talkback input is a mic/line input at the stage end of the system
that, when enabled in the monitor section (see “Monitor output (a and b)
sections”), can mix onto the local monitor outputs