Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
71 PRO X User Manual
Copy and paste rules and restrictions
• You can only copy and paste similar functions. For example, you can’t copy the
input EQ from one channel to the output EQ of another, as they are dierent.
• You can only copy and paste across similar channel types. For example,
you cannot copy from an aux and paste to a matrix.
• Copying and pasting across inputs is restricted to the input bays only.
• Channel names are not copied.
• Compressor and gate side chain listen cannot be copied.
For details of the channel parameters that are copied across, see Appendix N
“Parameters Aected By Copy And Paste”.
User library (presets)
The control centre has a user library where you can store settings, such as for the
EQ or the whole channel. For example, you may wish to store the EQ settings of a
singer who may be called upon to perform during a future show. You can then
easily recall these EQ settings to the appropriate channel, when required.
The settings are stored as presets, which are saved in a library. The library les
are managed via a Preset Manager screen on the GUI. Here, you can create new
libraries, load existing libraries, save the current library or give it a new name.
You can also delete presets from the library.
Before you can save/load a preset, you need to create a new preset library or
open an existing one. To create a new one, open the Preset Manager screen
(choose home Preset Manager) and click New. Then, after typing in the
details in the Enter new Library name window, click OK.
>> To save a preset to the user library
1. Make sure that the settings you want to save are assigned to the channel
strip, then click store preset. If the channel’s overview is displayed, all of
its settings will be saved in the preset. Otherwise, just the settings of the
displayed processing area will be saved.
2. In the Save Preset window (shown below), type in your chosen preset
name (Preset Name), your name (Preset Author) and any note (Notes)
as necessary.
3. Click OK.
>> To load a preset
1. Make sure that the channel in which you want to load the settings of the
preset is assigned to the channel strip, then click load preset.
2. In the Load Preset window, click the desired preset.
3. Click OK.
Surround panning
In addition to stereo and leftcentre- right (LCR) panning, the control centre has
three surround panning modes: quad; left, centre, right and surround (LCRS);
and 5.1 surround.
To help you visualise the surround panning envelope, the masters processing area
of the GUI channel strip has a spatial diagram (shown right) that updates in real
time when you operate the panning controls.
The surround panning modes are operated via a surround monitoring system,
which uses matrix channels 1 to 6 as the surround bus channels. The channels
are muted via six MUTE buttons in the master bay. Control centre monitor
output connections are via the surround, sub, centre and front XLRs on the
rear panel.
The 5.1 panning mode uses all six channels, while quad mode uses four (left
and right on both the front and surround). Although the LCRS mode uses ve
channels (front left and right, centre and surround left and right), both surround
channels are the same. (In an LCRS surround panning arrangement, you can have
a single surround speaker positioned directly behind the listener.)
In surround mode, the SIS button routes the channel to the surround buses in
much the same way that the ST button routes to the master buses.
Figure 18 “5.1 surround panning arrangement” shows the location of the
surround MUTE buttons and their matrix channel allocation, and shows the
allocation of the surround MUTE buttons per loudspeaker and the recommended
1
5.1 surround system conguration.
>> To select the surround panning mode
1. At a GUI screen, choose home Preferences General to open the
Preferences screen.
• Click the Show tab.
2. In the Surround Mode section, select the desired surround mode.
1 Reference - ITU-R BS.775.1, 1994. Multichannel stereophonic sound system with and without accompanying
picture. International Telecommunications Union.