Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
64 PRO X User Manual
>> To select the mix bus mode
1. Select the mix bus (see “To select a mix bus” in chapter 7).
2. Press the quick access button (adjacent to the lters section) to assign the
mix overview to the channel strip. For example, the aux send overview
for AuxS1.
3. Click a non-control area within one of the sections (for example, dir in) to
open the conguration processing area in the GUI channel strip.
4. Click MODE repeatedly to scroll through the mix modes (mix, group and
mix minus) to select the one you want. Group mode is fader only with no
pre-fader, and in mix minus mode all buses are initially routed — you have
to turn a bus routing switch on to take it out of the mix. Stereo mix mode
— with mix selected and LINK button on — is only accessed from the odd
numbered output channel of the linked pair. In stereo mix mode the top
control knob becomes pan adjust and the bottom one adjusts level.
When creating a stereo mix, you can use either the odd or even output to
link the two channels, but the mode of the odd channel is used on both.
>> To set up a mono aux mix
1. Making sure that the mix bus is not linked, select mix (see “To select the mix
bus mode”).
2. Select the input channel (see “To select an input channel” in chapter 7).
3. At the GUI, click within the appropriate sends section (aux or matrices) in the
overview display (see Figure 17 in chapter 9) to open its processing area.
4. In the mix (upper) section, do the following:
a) Press PRE to select pre-fader (on) or post-fader (o). Button status is
only available on the GUI (see Figure 17 in chapter 9).
b) Press ON to route the aux mix from input to aux output.
c) Adjust the level control knob to change the signal level. You have the
option to adjust them using the pan/fader controls in the input fast
zone (12-channel input bay); this is known as “ip” mode. (You can also
adjust them in the GUI channel strip — overview or processing area
— using drag.)
Mix bus routing
You can route an aux or matrix (or even master output) to an eect or output.
This is a GUI-only operation, which is done via the GUI channel strip or Patching
screen (see Chapter 8 “Patching”).
>> To route an aux or matrix to an eect or output
Do one of the following:
• In the processing area of the channel strip, click the required mix bus
destination from the drop-down list. For details of how to open the
processing area, refer to “To select the mix bus mode” in chapter 9.
• In the processing area of the channel strip, click dest (shown below). This will
open the Patching screen and the appropriate tab. For details of how to open
the processing area, refer to “To select the mix bus mode” in chapter 14.