Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
62 PRO X User Manual
Using VCA/POP groups
VCA/POP groups (bottom of the mix bay) allow simultaneous control over a
number of channels. This provides a quick method of bringing particular channels
to the control surface and saves you having to remember their name/number.
You can choose channel group associations and also congure the colour and
legend of each group’s LCD select button to make them instantly recognisable.
The LCD select button for each group is used for both group member assignment
and group recall.
Any group can have any channels (input/output) assigned to them, although in
normal practice is more likely that they will only have one or the other. Only input
channel group members are unfolded to the surface (input bays).
VCA groups include fader, solo and mute control. However, POP groups — which
have no audio function — are limited to unfolding channels (on area A or B).
POP groups let you create a group of related instruments that you need on the
control surface for some function.
>> To assign channels to a VCA/POP group
1. Press and hold down the LCD select button of the desired group (VCA or
POP). For example, “Kit” in the VCAs (as shown above). The group’s LCD
select button will start ashing when you are in group member selection
mode and the inputs will jump to program mode. Any existing input channel
group members will be unfolded to the control surface.
2. While still holding down the LCD select button, do one of the following:
• To assign an input channel to the group, press the LCD select button of the
desired input channel. Repeat for any other input channels you want in
the group. For example, “Kik 1”, “Sn1”, “Hihat” and “Tom” (shown above).
If necessary, scroll to a new bank of input channels.
• To assign an output channel to the group, press the quick access button
of the desired output channel. Repeat for any other output channels you
want in the group. If necessary, navigate the desired output channels
to the control surface. The quick access buttons of any output channels
that are at the control surface and are group members will illuminate.
Individual output select buttons will ash if their bank contains a member
of the current group.
3. Release the group LCD select button. The group now contains the channel
members you have just assigned and the group will be selected.
4. To exit the group, quickly press the group LCD select button.
To quickly see which channels are in a particular VCA group, press its SOLO button
on and o. Monitor this action on the Meters display (master bay GUI). Only the SOLO
buttons of channels that are group members will be aected.
Conguring VCA/POP groups
The default name and associated colour of a group, which appear on its LCD select button and on the GUI, can be congured to suit your own preference. You can also
globally change the colour of the group members to match the group colour. Conguration is carried out at the Group Sheet screen (see Figure 16).
Figure 16: VCA/POP group elds on the Group Sheet screen