Manual

60 PRO X User Manual
Setting the high and low pass lters
Select high and low pass lters. The high and low pass lters can be switched
on/o and, when on, each has two settings. The lters are replicated on the GUI,
which also shows the value of the lter in operation.
>> To set both high and low pass lters in
1. In the gain trim section of an input fast strip (see Figure 15 “Gain and lter
sections of the input strips”), press the quick access button. This selects
the input channel and assigns its conguration processing area to the GUI
channel strip, which contains the lters section.
2. In the lters section of the input channel strip, press the lter select button
(high pass or low pass ) to switch the lter in.
3. If necessary, press the lter’s SLOPE button to set its slope (dB); its status is
shown on the GUI. For the high pass lter, in = 24dB and out = 12dB, and for
the low pass lter, in = 12dB and out = 6dB.
4. Adjust the high pass/low pass control knob to set the lter frequency (Hz).
The ranges are 10Hz to 400Hz for the high pass lter and 2kHz to 40kHz for
the low pass lter.
Input equalisation (E zone)
Use EQ to equalise the input signal via the treble, hi-mid, lo-mid and bass lters,
which are situated in the input channel strip’s E zone. Treble and bass each have
a parametric lter option and three specic shelving modes. Visual feedback for
EQ is via GUI only.
>> To EQ the input signal
1. In an input fast strip, press the quick access button of the desired EQ lter
(treble, hi-mid, lo-mid or bass). This will select the channel and open the
EQ lter’s processing area in the GUI’s channel strip. Alternatively, you can
navigate to it using the bass and treble up and down arrow buttons in the
E-zone (shown above).
2. In the input fast strip, press EQ to switch the EQ in. The EQ button’s LED will
illuminate when its EQ is switched in.
3. In the E zone, adjust the freq, width and gain control knobs to apply
EQ as desired.
4. Audition the dierent lters, including the ‘minimum harmonic disruption’
types, by scrolling through them
using the SHAPE button.
Note: The minimum harmonic disruption
lters are bright and deep, which are
available for treble and bass, respectively.
These lters use psychoacoustic phenomena
to generate steep slopes that sound natural.