Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
44 PRO X User Manual
Pro X Centre Control
Navigating the Output Busses
The Centre Control section of the Pro X is the heart of Aux and Matrix control.
It contains 24 assignable output select LCD buttons arranged in 3 banks of 8.
The 8 faders on each bank can be sent to the output bay faders with the
“To Faders” button associated with each bank. Each of the 24 LCD output select
buttons can be either Mono, Split Stereo (where the L and R sides of a stereo
linked bus are displayed on separate and adjacent LCD screens) or Stereo.
Each output bus has a Solo, Mute and Talk button.
The Pro X has 72 Aux and 24 Matrix bus outputs which can be easily accessed by
using the Outputs ‘scroll by 24’ arrow buttons. This will page through all Aux and
Matrix buses.
Pressing the associated LCD select button will bring the selected output settings
in the GUI display and also bring which ever channels are selected in the input
fast zone to the faders if in Fader Flip mode.
A fast way of turning channel Aux or Matrix sends on is by
pressing and holding
its LCD select button for a few seconds, and then pressing the channel LCD
buttons for Inputs or Aux Returns you wish to contribute to that bus. This will
allow input channels to be turned on for the selected Aux bus instead of using the
associated mix “ON” button in the input fast zone area. The input channels which
are turned on in the chosen Aux will be highlighted in black as shown below.
If the Aux or Matrix are linked, both faders can be merged onto one fader for easy
stereo operation, depending on the global or local link settings. Both Output
names will be displayed on the LCD select button as shown in the picture
(this also has the benet of two lines of Naming text becoming available instead
of one). Each press of the Stereo Aux toggles which side of the stereo aux is
shown in the GUI and is highlighted in black. It is possible to have them as
independent faders by deselecting the COL (Collapse) button in the output detail
area (this will also decouple the Solo, Mute and Talk functionality as well,
see note below).
Note that only odd to even Aux and Matrix outputs can be paired, i.e. 1 to 2 or 3
to 4 etc. Click the Link Opt button to choose which functions are linked when in
stereo. When an output is linked in stereo and the COL button is turned on, all the
following outputs will move down, lling the 24 available LCD select buttons in
the center control section.
Please note that when two busses are linked and displayed on a single LCD
screen, the Talk, Solo, Fader and Mute for both paths are also linked and
cannot operate independently.
If you wish to have independent Solos, independent Mute control etc., then you
will need to turn o the COL button and display each side of the stereo pair on
separate LCD buttons. You can then use the LINK OPT button to make or
break those links.