Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
423 PRO X User Manual
Drag: A method of GUI operation, mainly for control adjustment. Also used for
selecting blocks of patch connectors during patching.
DSP: Abbreviation for “digital signal processing” or “digital signal processor”.
Anysignal processing done after an analogue audio signal has been
converted into digital audio. Can be used to create, for example, compression,
equalizationetc., of a digital signal. A digital signal processor is a piece of
equipment specically designed for carrying out signal processing.
E
E zone: Section in the input channel strip for controlling EQ parameters.
Eect: One of a number of audio processes that can be applied to a signal to
modify it, such as reverb, anging, phasing, delay etc.
Eects rack: A virtual rack of internal processors. See Virtual rack.
Envelope: 1. How a sound or audio signal varies in intensity over time.
2.Thevisual representation of such, usually shown on a graph in a GUI
channelstrip.
EQ: Abbreviation for “equaliser” or “equalisation”.
Equalisation: Adjusting the frequency response so that the levels
of all frequencies are equal or the same. Bass and treble controls are
equalizationcontrols.
EtherCon®: A cable connector for data transfer interconnections, which is more
robust than the basic RJ45.
F
Fader: Slider-type device for precise adjustment of signal level or volume
ofachannel.
Fast strip: One of the strips in the input, mix and output fast zones. See Input
fast strip, Mix fast strip, Output fast strip and Fast zone.
Fast zone: An area on a bay that contains quick controls. See Input fast zone,
Mixfast zone, Output fast zone and Fast strip.
FB: Abbreviation for “front-back”. A term used in surround panning.
Feedback: See Acoustic feedback.
Filter: A device for removing frequencies above or below certain levels.
FOH: Abbreviation for “front of house”. Thearea in a theatre used by the public.
Used to describe a control centre being used to control the sound that the
audience will hear (and not the performers’ monitor system).
Frequency: The number of times that a sound wave’s cycle repeats within
onesecond.
Fricative: A consonant, such as “f” or “s”, produced by the forcing of breath
through a constricted passage.
From section: The leftmost area of the patching screen that contains the source
patch connectors. See Patching.
G
Gain: Another term for signal level.
Gain reduction (compressor): Decrease in gain when input signal is above
threshold. See Gain.
GEQ: Abbreviation for “graphic equaliser”. See Graphic EQ.
GEQ rack: A virtual rack of GEQs. See Virtual rack.
Granularity: A measure of the size of components or a description of the
components comprising a system.
Graphic EQ: A form of EQ that has a number of faders for controlling the gain of
the audio signal. The faders are set at frequency bands that are evenly-spaced
according to octaves.
GUI: Abbreviation for “graphical user interface”.
GUI channel strip: Right section of a GUI screen that represents the processing
area of the input or output channel strip selected to the control surface.
GUI menu: A menu selectable at either GUI screen by clicking the home button
(upper-left corner).
GUI screen: One of the two PRO Series’ screens, which comprise the GUI.
H
HPF: Abbreviation for “high pass lter”. A lter that removes lower frequencies
from a signal, leaving the higher frequencies unaected.
Hum: Undesirable low frequency tone present in a signal due to grounding
problems or proximity to a power source.
Hz: Symbol for “Hertz”. A unit of frequency equal to one cycle of a sound wave
per second.
I
I zone: Area on the master bay that contains the operator-assignable
eectscontrols.
I/O: Abbreviation for “input/output”.
ID: Abbreviation for “identication”.
Ident: Scale marking, or gradation, around a control knob to help indicate the
current setting and to assist in accurate adjustment.
Impedance (Z): Opposition to the ow of alternating current in a circuit,
measured in ohms.
K
Kernel: For computers, the kernel is the central component of most
operatingsystems.
L
LCD select button: LCD button in the input fast strips and VCA groups, used for
channel/group navigation and selection, and operator feedback.
LFE: Abbreviation for “low frequency eects”. Typically, the “.1” in “5.1 surround”
is an LFE channel.
Linux: Also known as “Linux kernel”. Operating system kernel used by a family of
Unix-like operating systems. See kernel.
LS: Abbreviation for “left surround”. The left rear speaker in a 5.1
surroundsystem.
M
MADI: Abbreviation for “multi-channel audio digital interface”.
Master bay: Control area for masters, automation, comms, monitoring etc.
Alsocontains the primary navigation zone.
Masters: The three master channels (mono and stereo left and right) in the
master bay.
MB: Abbreviation for “megabyte”.
MC: Abbreviation for “master controller”.
Meter: Visual device to indicate the level of a signal.
Meters screen: One of the GUI screens. This is the default screen of the
masterbay.
Mic: Abbreviation for “microphone”.
Microphone: Device for converting sound waves into audio signals.
MIDI: Acronym for “musical instrument digital interface”. A digital signal system
standard that facilitates integration of musical instruments, such as synthesizers
and guitars, with computers.
Mix: 1. A signal that contains a combination of signals, such as a pair of stereo
signals with numerous eects. 2. The act of creating such a combination.
3.Atype of bus. See Bus.
Mix bay: Control area for outputs and groups.