Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
41 PRO X User Manual
>> To navigate a mix bus to the control surface
Do one of the following:
• Scroll to the desired mix bus using the scroll by 1 buttons in the mix section.
Mix bus selection follows the scrolling.
• Scroll the desired bank of mix buses to the control surface using the
scroll by 8 buttons in the mix section.
• >> To select a mix bus
Do one of the following:
• Scroll buttons Scroll to the desired mix bus using the scroll by 1 buttons
in the mix section. Mix bus selection follows the scrolling.
• Touch sensitive control knobs With the desired mix bus assigned to the
mix section on the control surface, touch/operate its control knob.
>> To navigate the mix bus processing area to the channel strip
Press the quick access button in the mix section of the desired input fast strip.
This does not aect the current population of the output fast zone.
You can select an aux bus or matrix bus processing area on the GUI by clicking on
the title of the desired bank of mix buses in the input channel overview of the
GUI channel strip (see Figure 17, “Typical sends sections of the mixes in the
GUI channel strip,” in chapter 9).
Flip
Flip provides a more global approach to mix bus level control. Normally you can
only use the level control knobs in the channel strips to adjust the signal level of
the aux/matrix mix buses going to the aux/matrix channels. However, by using
ip, you have the option of controlling them from either the pan control knobs or
the faders in the input fast strips.
In Flip mode, the left/right arrow buttons in the upper channel select section
scroll across the input fast strips.
To congure the control centre for pan or fader ip:
1. At the GUI, choose HOME>Preferences>General.
2. Depending on which option you require, click the option button of one of the
following in the Fader Flip section. When an option is selected,
it will contain a red circle:
“Flip to Faders”
“Flip to Pans”
To ip mixes to input pan/fader control:
With an output selected on the control surface press ip. The button will
illuminate to show you are in “Flip” mode. The currently-selected mix bus in the
input fast strips will change to AuxS1 and, on the GUI, the background colour of
the pans and faders will change accordingly.
Also, the LCD select button in the input fast strips will display the
current bus mode.
FX
When the FX button is illuminated, if an aux or matrix bus has an eect patched
to it, the eect will be displayed on the GUI when that aux/matrix is selected.
Similarly, a selected channel with an inserted eect with also display the eect.
This makes navigation of the eects section very quick.
This mode is great when mixing FOH and you want to change eects on the y.
GEQ (Graphic Equalizer)
When an Aux or Matrix Bus has a GEQ assigned to it, it is possible to “ip” the
GEQ to the centre VCA/POP section.
1. Select the GEQ which illuminates to become active.
2. Select the Aux/Matrix bus using the LCD select buttons in the output
fast zone section.
3. Now the 8 faders in the VCA/POP section display the frequencies of the GEQ.
4. Use the arrows at either end of the VCA/POP section to change the
frequencies displayed for the GEQ.
5. You can adjust each fader of the GEQ individually. If you want to reset an
individual frequency of the GEQ to 0 dB, simply press the associated
LCD display above.
6. Reset all frequency bands by pressing and holding < > keys.
MCA (Mix Control Association)
If you are mixing in-ear monitors, this function could make the process easier.
The best way to think of MCA operation is as individual ip mode for VCA control
of Aux and Matrix sends, independent of the main VCA settings (if the input
channel contributions are set pre-fade).
MCAs allow channels assigned to an MCA to be changed by the same amount.
For example, if all the drum inputs are in an MCA, turning that MCA up in Aux 1
by +3 dB will add +3 dB of level for each channel in the MCA to that aux send.
Another good use of MCAs is to group all the keyboards or hard disk playback
channels together, giving independent single fader control within an
Aux or Matrix send for each musician.
MCAs use the same groupings as the main VCAs. To enter MCA mode,
simply hit the MCA button. The faders in the centre VCA/pop section will show
the currently-selected aux or matrix and the name of the MCA/VCA.
You don’t have to be in Flip mode to adjust an MCA level.