Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
35 PRO X User Manual
Chapter 6: Working With The Control Centre
This chapter is intended to familiarise you with control surface and GUI controls of the control centre.
Although nearly all of the operations done via the control surface of the PRO X Control Centre can be replicated via the GUI, the emphasis in this chapter — and
throughout the manual — is on the former method. This is because, generally, control surface operation is quicker and more intuitive than using the GUI. However,
GUI methods will be included where they are anomalous or if there is no control surface equivalent.
The navigational controls, such as quick access buttons and scroll buttons, are described in Chapter 7 “Navigation”, and the ones specically for automation can be
found in “Managing the scenes”.
About the PRO X controls
Although the control centre is populated with many familiar analogue-type controls there are some that may be new to you, particularly the ones relating to
navigation, grouping and the GUI. The following table shows some of the controls that can be found on the control surface of the PRO Series.
Type Description Example(s)
Pushbutton Generally two-state, that is, on/o or enabled/
disabled, and backlit or with an integral LCD for
status indication. In all cases, an illuminated
pushbutton on the control surface (or GUI) is on/
enabled and an extinguished one is o/disabled,
unless otherwise stated.
Control knob In general, the control knobs (rotary controls) are
touch-sensitive, their adjustment being shown
on the GUI. Some control knobs are backlit to help
identify their role and what they control.
Fader The high quality motorised faders are, similarly
to the control knobs, touch-sensitive so that
their operation can be tracked and simulated on
the GUI.
LED Show status indication. An illuminated
LED shows an active (on) or enabled
condition and, when extinguished,
it indicates an o or disabled condition.
Meter All of the input fast strips, master fast strips and
monitors have a peak level meter. There are also
ones for the centre speaker and subwoofer of the
5.1 surround panning. In addition, each input
fast strip has a gain reduction meter for both the
compressor and gate.
Meters are included on a number of the GUI
screens. The ‘all meters’ display of the master
bay’s default GUI screen (see Figure 20,
“Layout of the GUI screens,”) provides an overview
of what is happening in the PRO X by displaying
meters for all of the channels (inputs, outputs,
monitors etc.).