Manual

225 PRO X User Manual
“Innite Room” eect
LEVEL control knob provides 10 level increments of signal input to the ‘innite room’. Return level to ‘0’ after use to avoid noise build-up.
REV button clears memory of unwanted eect.
Preset parameters: On selecting this eect program, level is 0. Please note that no sound will be heard until ‘level’ is increased.
Stereo mix: Innite room is a spacious, full stereo eect.
Application Notes:
• Since the ‘level’ inside the signal processor increases as fresh input is added, input level must be less than that recommended for normal use; try -15dB on the
headroom indicator. Digital overload will be indicated by the red LED illuminating on the headroom indicator.
• Remember to return level to ‘0’ immediately after used to avoid noise build-up.
“Alive”, “Non-Linear” and “Reverse” eects
PRE DELAY control knob sets the delay between the direct signal and the onset of the eect. Maximum pre-delay is 990ms.
PATTERN control knob changes the density of the reections, with 0 giving a low
density or ‘grainy’ character and 9 producing a high density eect.
DECAY control knob sets the length of the eect, from ‘1’ (short) to ‘12’ (long). The display simply shows these increment numbers and is not calibrated in seconds.
LF control knob adjusts the low frequency content of the eect.
HF control knob adjusts the high frequency content of the eect.
REV button clears memory of unwanted eect.
Preset parameters:
• “Alive” - on selecting this eect program: pre-delay is 0s; pattern is 9; decay is 8; LF is +1; and HF is +3.
• “Non-Linear” - on selecting this eect program: pre-delay is 0s; pattern is 4; decay is 5; LF is 0; and HF is 0.
• “Reverse” - on selecting this eect program: pre-delay is 0s; pattern is 4; decay is 12; LF is 0; and HF is +2.
Stereo mix: All these eects are in full stereo and are completely mono-compatible.
Application Notes:
• These three eects will nd instant application in any recording studio engaged in contemporary music production, as they allow pronounced acoustical
enhancement without the ‘muddying’ eect of longer, conventional decay envelopes. This makes possible a bright and ‘punchy’ mix. These eects work well on
most instruments, but try “Non-Linear” for explosive snare sounds and “Reverse” on vocals.
• The “Alive” program produces a more natural, live ambience, which is less coloured than the other two eects and has wide-ranging applications.