Manual

22 PRO X User Manual
Item Example
DL431 Mic Splitter
This is a xed
conguration I/O unit
that has 24 mic/line
inputs in a 5-way split.
DL451 Modular I/O
This gives up to 24
congurable I/Os in
a 3 x 8 XLR modular
format.
DL441 analogue
input (mic) module
This is an analogue
mic/line input
“I” card.
DL442 analogue
output module This
is an analogue output
“O” card.
DL443 analogue
Jack I/O module This
is an 8-analogue line
in and 8-analogue line
out “TRS” card.
DL444 8 analogue
mic in and 8
analogue line out
module This is an
8-analogue mic in and
8-analogue line out
“D Sub” card.
DL452 AES/EBU
input and output
module This is an AES/
EBU input and output
"D" card.
Interconnecting
cable Interconnecting
(N+1) rack Cat 5e
copper cable
N/A
Interconnecting
cable Interconnecting
(dual redundant)
gigabit HyperMac Cat
5e copper cable, 100
m long
N/A
Mains cable N/A
FOH and MON
The PRO X can be used as a front of house (FOH) or stage monitor (MON) system.
System buses
The PRO X has comprehensive system buses to suit demanding applications,
comprising:
• 6-o solo buses, routable from all locations and allowing for dual operator
and 5.1 use.
• 3-o master buses, routable from the mic/line inputs (up to 144),
24 aux inputs and 72 aux buses.
• 24 matrix buses, routable from the mic/line inputs (up to 144), 24 aux inputs,
72 aux buses and three master buses.
• 72-o aux buses, routable from the mic/line inputs (up to 144) and
24 aux inputs.
All of the bus routings provide simultaneous and time aligned mixing of all the
sources, which will be defeatable for minimum latency requirements.
For monitor mixing, the master, matrix and aux buses can all be routed directly
from the input channels, with independent level controls providing up to
99 monitor mix buses.
For traditional FOH sub group mixing, any (or all) of the aux buses can change to
operate post-channel fader and pan (that is, aux gain xed at unity).
Auxiliary inputs have two modes of operation: eects return and input channel.
In input channel mode (default) they will have aux, master and matrix routing,
insert points and EQ (like regular inputs channels), but no dynamic capability.
They are controlled like regular inputs from the input bay and channel strip, and
are time aligned to the stage like regular input channels. In eects return mode
the channels have routing to matrix and masters only and no insert or dynamic
capability. They are controlled from the aux return area and time aligned to the
eects engines.