Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
219 PRO X User Manual
PRO X main processing functions
Main input channel functions
Input channel hi pass 10 Hz to 400 Hz swept in digital domain Slope selectable 12 dB/Oct or 24 dB/Oct
Input channel lo pass 2 kHz to 20 kHz swept in digital domain Slope selectable 6 dB/Oct or 12 dB/Oct
Input channel treble
Parametric operation Frequency 1 kHz to 25 kHz swept Gain +16 dB to -16dB BW 0.1 Oct to 3 Oct
Shelf operation Frequency 1 kHz to 25 kHz swept Gain +16 dB to -16 dB Soft, classic or bright (minimum
harmonic disruption) curves
Input channel hi mid Parametric operation Frequency 320 Hz to 8 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Input channel lo mid Parametric operation Frequency 80 Hz to 2 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Input channel bass
Parametric operation Frequency 16 Hz to 400 Hz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Shelf operation Frequency 16 Hz to 400 Hz swept Gain +16 dB to -16 dB Warm, classic or deep (minimum
harmonic disruption) curves
Input channel compressor
Peak, linear, RMS and vintage modes (Corrective, Adaptive, Creative and Vintage) Threshold -50 dBu to
+20 dBu Attack 200 És to 20 ms Release 50 ms to 3s Ratio 25:1 to 1:1 Knee 4 dB, 12 dB or 40 dB Gain 0 dB
to +24 dB
Side chain source selectable + lter Frequency 50 Hz to 15 kHz swept Bandwidth 1/3, 1 or 2 Oct
Input channel gate
Peak mode Threshold -50 dBu to +20 dBu Attack 20 És to 20 ms Hold 5 ms to 2s Release 5ms to 2s
Range ∞ to 0 dB
Side chain source selectable + lter Frequency 50 Hz to 15 kHz swept Bandwidth 1/3, 1 or 2 Oct
Auxiliary input channel functions
Aux channel treble
Parametric operation Frequency 1 kHz to 25 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Shelf operation Frequency 1 kHz to 25 kHz swept Gain +16 dB to -16 dB Soft, classic or bright
(minimum harmonic disruption) curves
Aux channel hi mid Parametric operation Frequency 320 Hz to 8 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Aux channel lo mid Parametric operation Frequency 80 Hz to 2 kHz swept Gain +16dB to -16 dB BW 0.1 Oct to 3 Oct
Aux channel bass
Parametric operation Frequency 16 Hz to 400 Hz swept Gain +16dB to -16 dB BW 0.1 Oct to 3 Oct
Shelf operation Frequency 16 Hz to 400 Hz swept Gain +16 dB to -16 dB Warm, classic or deep
(minimum harmonic disruption) curves
Output channel functions
Output channel band 6
Parametric operation Frequency 16 Hz to 25 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Lo pass operation Frequency 16 Hz to 25 kHz swept Slope 6 dB/Oct or 12 dB/Oct
Shelf operation Frequency 16 Hz to 25k Hz swept Gain +16 dB to -16 dB Mode soft curve
Output channel bands 3, 4
and 5
Parametric operation Frequency 16 Hz to 25 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Output channel band 2
Parametric operation Frequency 16 Hz to 25 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Hi pass operation Frequency 16 Hz to 25 kHz swept Slope 24 dB/Oct
Output channel band 1
Parametric operation Frequency 16 Hz to 25 kHz swept Gain +16 dB to -16 dB BW 0.1 Oct to 3 Oct
Hi pass operation Frequency 16 Hz to 25 kHz swept Slope 6 dB/Oct or 12 dB/Oct
Shelf operation Frequency 16 Hz to 25 kHz swept Gain +16 dB to -16 dB Mode soft curve
Output channel GEQ
16 available in place of PEQ (above) 31 bands, 1/3 Oct, proportional Q Lo pass frequency 2 kHz to 20 kHz
swept Slope 6dB/Oct or 12 dB/Oct Hi pass frequency 20 Hz to 500 Hz swept Slope 6 dB/Oct or 12 dB/Oct
Output channel dynamic
Peak, linear, RMS, vintage and shimmer modes (Corrective, Adaptive, Creative, Vintage and Shimmer)
Threshold -50 dBu to +25 dBu Attack 200 μs to 20 ms Release 50 ms to 3s Ratio 25:1 to 1:1 Knee 4 dB,
12 dB or 40 dB Gain 0 dB to +24 dB
Side chain source selectable + lter Frequency 50 Hz to 15 kHz swept Bandwidth 1/3, 1 or 2 Oct
Eects channel functions
Stereo eects channel
8 available congurable as Stereo or mono in, stereo out Modulated delay eects Complex delay,
reverbs Advanced dynamics RTA and advanced measurements
Eects channel GEQ
32 available in place of eects (above) 31 bands, 1/3 Oct, proportional Q Lo pass frequency
2kHz to 20 kHz swept Slope 6 dB/Oct or 12 dB/Oct Hi pass frequency 20 Hz to 500 Hz swept Slope 6dB/
Oct or 12 dB/Oct