Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
217 PRO X User Manual
PRO X Control Surface
Analogue audio system inputs
Connector 3-pin XLR balanced
A/D converter 24-bit, 96k and 128 times over sampling
Connector ¼" Jack balanced
A/D converter 24-bit, 96k and 128 times over sampling
Talkback connector 3-pin XLR balanced line
Talk connector 3-pin XLR balanced mic with 48 V phantom voltage
Meters (quantity 16) 20-segment -36dBu to +21 dBu
Analogue audio system outputs
Connector 3-pin XLR balanced
D/A converter 24-bit, 96k and 128 times over sampling
Connector ¼" Jack balanced
D/A converter 24-bit, 96k and 128 times over sampling
Monitor connector 3-pin XLR balanced line
Talk connector 3-pin XLR balanced line
Headphone connector ¼" Jack (stereo)
Meters (quantity 9) 20-segment -36 dBu to +21 dBu
Digital audio system inputs and outputs
Input connector AES3 (two channels of digital audio) on 3-pin XLR
Sample rates Accepts any frequency 32 k to 96 k
Bypass Sample rate converter can be bypassed
Output connector AES3 (two channels of digital audio) on 3-pin XLR
Sample rate 48 k, 96 k or auto tracking to inputs
Bypass Sample converter can be bypassed
Word length 16-, 20- or 24-bit
System expansion connector 3 x AES50 (24 channels of bi-directional digital audio) on Ethercon XLR
Snake connector (copper) HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR
Duplicate snake connector (copper) HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR
Snake connector (bre) HyperMac (192 channels of bi-directional digital audio) on Opticon XLR
Duplicate snake connector (copper) HyperMac (192 channels of bi-directional digital audio) on Opticon XLR
Control data system inputs and outputs
System connector Ethercon XLR
Duplicate connector Ethercon XLR providing dual redundant back up
Miscellaneous inputs and outputs
Word clock IN connector BNC
Word clock OUT connector BNC
AES3 sync IN connector 3-pin XLR
AES3 sync OUT connector 3-pin XLR
External (Ethernet) connector Ethercon XLR
Monitor input connector 3-row, 15-pin D-type, analogue VGA
KVM input connection Screen 3-row, 15-pin D-type (analogue VGA) and USB keyboard/mouse
USB host connection Line I/O + Mic
Splitter
USB 2.0 full speed (12.0 Mbs) 500mA maximum load
USB slave connection Line I/O + Mic
Splitter
USB 2.0 full speed (12.0 Mbs)
USB host connection Surface USB 2.0 full speed (12.0 Mbs) 1A maximum load