Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
214 PRO X User Manual
PRO X system inputs and outputs
DL251 I/O Box
Analogue inputs
Connector 3-pin XLR balanced
A/D converter 24-bit, 96 k and 128 times over sampling
Analogue outputs
Connector 3-pin XLR balanced
D/A converter 24-bit, 96 k and 128 times over sampling
MIDI
MIDI connector In, out and through on 5-pin DIN
GPIO IN connector 25-pin D-type (opto isolated)
GPIO OUT connector 25-pin D-type (opto isolated)
Digital system inputs and outputs
System connector 2 x AES50 (24 channels of bi-directional digital audio) on EtherCon® XLR
N+1 connector
1 x AES50 (24 channels of bi-directional digital audio) on EtherCon® XLR providing
redundant back up
DL351 I/O Box
Analogue inputs
Connector 3-pin XLR balanced
A/D converter 24-bit, 96 k and 128 times over sampling
Analogue outputs
Connector 3-pin XLR balanced
D/A converter 24-bit, 96 k and 128 times over sampling
Digital inputs
Connector AES3 (two channels of digital audio) on 3-pin XLR
Sample rates Accepts any frequency between 32 k to 96 k
Bypass Sample rate converter can be bypassed
Digital outputs
Connector AES3 (two channels of digital audio) on 3-pin XLR
Sample rates 48 k, 96 k or auto tracking to inputs
Bypass Sample rate converter can be bypassed
Word length 16-, 20- or 24-bit
Analogue Jack inputs and outputs
Connector 16 x ¼" TRS (8 x inputs (returns) and 8 x outputs (sends))
Miscellaneous Balanced, normalising and low latency
MIDI and GPIO
MIDI connector In, out and through on 5-pin DIN
GPIO IN connector 25-pin D-type (opto isolated)
GPIO OUT connector 25-pin D-type (opto isolated)
Digital system inputs and outputs
System connector 3 x AES50 (24 channels of bi-directional digital audio) on EtherCon® XLR
N+1 connector
1 x AES50 (24 channels of bi-directional digital audio) on EtherCon® XLR providing
redundant back up