Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
210 PRO X User Manual
Item Item
Input audio processing
Dual slope high and low pass lters
4-band parametric EQs (includes 8 returns)
with 3 shelf modes
4-mode creative input compressors
Input gates
Mix/output audio processing
Output 5-band parametric EQ with
shelf and multiple high and low pass modes
5-mode creative output dynamics
Assignable KLARK TEKNIK output GEQs
Assignable audio processing
8 x assignable stereo eects
(each can be recongured to generate
4 additional GEQs, making a total of
36 available on the control centre)
Mixing control assistance
8 x auto-mutes
6 x surface population groups
10 x VCA faders
10 x VCA associated population groups
1000-scene snapshot automation
Resilience
N+1 and fault tolerant modular
system with dual redundant system
interconnections
PRO X general specications
Sampling frequency 96 kHz
Latency delay <2ms input to master (no compensation)
Dynamic range 106 dB, 22 Hz to 22 kHz (no pre-emphasis)
Maximum voltage gain
80 dB inputs to subgroups and masters
86 dB inputs to aux and matrix
Crosstalk at 1kHz -100 dB physically adjacent input channels
Crosstalk at 10kHz -90 dB physically adjacent input channels
Fader/pan cut o at 1kHz -100 dB
Fader/pan cut o at 10kHz -100 dB
Display screens 2 x 15" daylight-viewable colour screens
LCD switch 59 x RGB colour
Motorised faders 29 x touch-sensitive
Fader resolution 1024 steps
Encoders 102 x touch-sensitive
Encoder resolution 512 steps
Dimensions
PRO X Control Centre: 1300 x 1000 x 400 mm
DL251 I/O Box: 5U x 410 mm deep
DL351 I/O Box: 7U x 410 mm deep
Neutron: 7U x 425 mm deep
DL451 I/O Box: 3U x 410 mm deep
DL151 I/O Box: 2U x 380 mm deep
DL152 I/O Box: 2U x 380 mm deep
DL153 I/O Box: 2U x 380 mm deep
DL154 I/O Box: 2U x 380 mm deep
DL155 I/O Box: 2U x 380 mm deep
Net weight (standard
install)
Control centre: 120 kg
Power requirements 100-240 V a.c. ±10% 50-60 Hz
Operating temperature
range
+5 °C to +45 °C
Storage temperature range -20 °C to +60 °C