Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
200 PRO X User Manual
Output channel ID (GUI only)
You can change the channel name in the GUI channel strip. This can be done in
the output channel overview or in any of the processing areas.
To change the background colour of the output channel name eld (green in the
example shown) and/or the channel name, open the Output Channels Sheet
screen of the GUI menu.
>> To change the channel name in the GUI channel strip
Click within the channel name eld and type in the new channel name
(see “Text editing” in chapter 6).
Output channel source/destination (GUI only)
The channel’s destination is shown in the text eld of the conguration
processing area. If no destination has been selected, it will contain the text
“Unassigned” (as shown right). You can select the destination for this channel by
clicking dest, which opens the Patching screen (see Chapter 8 “Patching”).
For routing information, see Table 25 “Navigating to the Patching screen” in
Appendix J.
By clicking the recorder button (returns only) you can set the input source
to tape returns.
Stereo linking (GUI only)
The linking section of the conguration processing area has a LINK switch for
linking the selected output channel to the adjacent (higher numbered)
output channel. The LINK OPT. button opens a Stereo Linking Options
window from where you can select the linked parameters. For more information,
see Chapter 10 “Stereo Linking”.
Gain swap (GUI only)
Only return has the gain swap facility. Clicking GAIN SWAP swaps from remote
(stage box) gain to digital trim (console gain), and vice versa. For more
information, see “Mic amp input gain (preliminary input processing)”
in chapter 30.
Mix mode (GUI only)
The mix section (aux only) has a MODE button for scrolling through the three mix
modes, that is, mix, mix minus and group.
Input mode (GUI only)
The button in the input mode section (return only) time aligns the return
channel with the input channels.
Fader linking (GUI only)
The link fader section in the Cong processing area (matrix only) has ST and
MON buttons for linking the matrix channel fader to the stereo or to the mono
master faders, respectively. Control of the stereo master faders reverts to the
highest fader.
Bus trim (GUI only)
The bus trim section (all output channels except return) has a control for ne
adjustment of the gain. Range is from -12 dB to +6 dB.
Direct input (GUI only)
The direct input section (all output channels except return) provides an internal
connection to eects etc. or an external input into the output from an eect or
line I/O unit. It lets you take a signal directly out of a dened point in the input
channel’s signal path and route it to either an internal assignable eect or to one
of the physical outputs (a physical connection at one of the line I/O boxes).
This function is optional and assigned on a channel-by-channel basis.
This section is deliberately distanced from main channel panel controls because it
is a limited resource and unused on many channels.
Selection of signal path source can only be carried out via the GUI.
This section has similar functionality to the direct output section on each input
channel, see “Direct input (GUI only)”.
For routing information, see Table 25 “Navigating to the Patching screen”
in Appendix J.