Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
197 PRO X User Manual
Item Control Function
1 Up/down buttons
These are band navigation buttons (see “Navigating the PEQ output bands” in Appendix M). They are also used in
conjunction with the blue adjacent LEDs to show which band is currently selected. Illuminated up arrow means that band 5 is
selected, and illuminated down arrow means that band 2 is selected.
2 LEDs
These four blue LEDs illuminate to show the current band selection. Used in conjunction with the up and down buttons,
they show — from the bottom LED upwards — when band 1, 3, 4 or 6 is selected.
3
gain control
Vknob
Adjusts signal gain in the range -16dB to +16dB. On the graph in the EQ processing area (GUI channel strip), causes the
envelope to move up/down, inverting as it passes the origin.
4
width control
knob
Adjusts the signal bandwidth in the range 0.1 Oct to 3.0 Oct. On the graph in the EQ processing area (GUI channel strip),
causes the base of the envelope to widen. (Not available for shelving modes.)
5 freq control knob
Adjusts signal frequency. The range is band- dependent (see “Main input channel functions” in Appendix B). On the graph in
the EQ processing area (GUI channel strip), causes the envelope to move left/right.
6 SHAPE button
Changes the shelving mode on treble and bass bands. For a description of each mode, see “Description of the output
channel EQ modes” in Appendix A.
7 Shelving symbol Diagrammatic representation of the shelving envelope.
8 Graph EQ envelope graph (see “EQ graph”). When “OFF” is displayed, EQ is switched o.
GEQ
The GEQ is similar to the ones found in the Graphic EQs screen and can also be
operated using the assignable controls. For information, see Chapter 15 “Graphic
Equaliser (GEQ)”.
>> To open the GEQ window
1. Select the output. Its ‘overview’ display will appear in the channel strip.
2. In the GUI channel strip, open the EQ processing area (see “To select a
processing area” in chapter 7).
3. Click GEQ. in the processing area.
4. Click a non-control area of the GEQ image (shown below ) to open the
GEQ window.
>> To close the GEQ window
In the GEQ window, click CLOSE.