Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
185 PRO X User Manual
Master controls, solo/mute and fader
Towards the bottom of each input fast strip are the masters section and
pan control, LCD select button, mute and solo, and the input fader.
Masters sections and pan control
The masters controls have extensive support on both the control surface and the
GUI. In general, there are three routing switches to the master buses and also pan
control. Pan provides master panning as three-way or two-way (depending on
SIS™ setting) and also provides two-way panning for any stereo mix groups,
subgroups etc. (When used for monitor applications, aux, mix and main buses
are controlled from the channel master pan and fader. AFL solos also operate as a
default from the main solo switch.)
Masters and pan controls for the input channels on the control surface
Item Control Function
1 SIS switch
This spatial imaging system (SIS) switch, enables SIS™ mode. This mode operates with the pan and mono level/SIS image control
knobs, and acts as an LCR master bus enable, overriding stereo and mono master bus assignments. However, their status remains in
memory, so that when SIS is disengaged, the mono and stereo settings can return. Pressing SIS alters the gradations of the mono
level/SIS image control knob on the GUI.
2 ST switch This stereo switch connects post-fader channel signal to master stereo bus via pan control.
3 pan control knob
Adjusts the relative levels sent to a left-right bus pair or the master left-centre-right (LCR) buses. In SIS™ mode, it can also control the
‘image’ to give a constant power crossfade from LCR to stereo.
4 MON switch This mono switch connects post-fader channel signal to mono master bus.
5
mono level/SIS
image control
knob
In mono mode, this dual-function control knob acts as a mono level control knob to adjust the mono signal level. In SIS™ mode, it
becomes a SIS image control knob that modies pan control knob operation to place the channel within a three-speaker system
(see “Stereo panning” in chapter 11).
On the GUI, a masters section — similar to the masters section in the channel strips —is at the bottom of the input channel overview (GUI channel strip). From here,
you can open the masters processing area, which also has a masters section with the same functionality, and in addition has mute and solo buttons, and a fader.
Input channel masters controls on the GUI
For more details, refer to “Stereo panning” in chapter 8 and “Spatial imaging system (SIS™)” in chapter 31.
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