Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
170 PRO X User Manual
Channel conguration controls
There are a number of input channel controls that are loosely termed ‘channel
conguration’ controls. These comprise:
• Input channel ID (GUI only): name and identication. Both the name
and colour of the name eld are user-congurable. For details, see “Input
channel ID (GUI only)”.
• Input channel source (GUI only): shows where the input is routed
(patched) from, that is, the physical location the input channel is notionally
getting its audio from, and provides direct access to the Patching screen.
For details, see “Input channel source select (GUI only)”.
• Gain swap: swaps from remote (stage box) gain to digital trim (console
gain), and vice versa. For details, see “Mic amp input gain (preliminary input
processing)”.
• Stereo linking: links adjacent channel for stereo operation. For details, see
“Stereo linking (GUI only)”.
• Input channel direct output: routes signal path from a selected point to
an I/O. For details, see “Direct output”.
• Input channel safes: has safe switches that protect specic controls from
being changed by the automation system. For details, see “Safes”.
• Gain and lter: mic amp input gain.
• Inserts: allows conguration of the send and return points when an
insert is used.
• Input channel delay (GUI only): user-dened delay to be added to the
input signal processing. For details, see “Input channel delay (GUI only)”.
• Processing order: selects whether the EQ or the dynamics comes rst in an
input channel’s signal path.
Their control is divided between control centre and GUI, although some are
GUI only. All of them are in the conguration processing area, with the exception
of the inserts, which have their own processing area (see Figure 34 “Processing
areas available from the input channel overview display”).
Areas on the control surface concerned with input channel conguration
Input channel ID (GUI only)
You can change the channel name in the GUI strip. This can be done in the input
channel overview or in any of the processing areas.
To change the background colour of the input channel name eld (green in the
example shown), open the Input Channels Sheet screen of the GUI menu.
On the control surface, channel ID is displayed on the LCD select button
(see “LCD select button”).
>> To change the channel name in the GUI channel strip
Click within the channel name eld and type in the new channel name (see “Text
editing” in chapter 6).
Input channel source select (GUI only)
The channel’s source is shown in the text eld; if none has been selected, it will
contain the text “Unassigned” (as shown right). You can select the source for this
channel by clicking source, which opens the Patching screen (see Chapter 8
“Patching” in chapter 127).
Also, by clicking the recorder button you can set the input source to tape
returns, (for example, for a virtual soundcheck).
Input channel delay (GUI only)
The input channel delay can only be changed via the delay section of the
conguration processing area (GUI channel strip). This section has a control knob
for adjusting the delay in the range 0ms to 50ms; this value is displayed in both
milliseconds (ms) and metres (m). You can ne tune the delay value using the
spin buttons to the left of the control knob.
The delay section lets you incorporate a time delay on an input channel, which
is used mainly for mic placements and time aligning to reduce comb ltering.
For example, on a drum kit mic set up, you may have a mic close to a snare drum
and a couple of overhead mics. In this case, setting an input channel delay on
the snare drum — to bring it more in line with the overheads — will probably
produce a better sound.
Stereo linking (GUI only)
The linking/gain swap section of the conguration processing has a LINK switch
for linking the selected input channel to the adjacent input channel on the right.
The LINK OPT. button opens a Stereo Linking Options window from where
you can choose which parameters you want to link.
For more information, see Chapter 10 “Stereo Linking” in Chapter 17.