Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
148 PRO X User Manual
Table 17: Delay Compensation options
Section Option Description Recommendations Latency (ms)
Input
Channels
Insert
Time-aligns the output of all input channels,
regardless of whether or not they have an
active insert. When this option is switched
o, any input channels with inserts will be
delayed relative to those input channels that
do not have inserts.
If no inserts are used in the input channel
layer, switch this option o to reduce the
overall system latency.
If there is an insert on any input channel,
switch this option on.
1.11
Aux Sends
Monitor Mode
(Align with
Masters)
See “Monitor Mode (Align with Masters)”. N/A N/A
Aux Sends Insert
Compensates for inserts placed in aux
buses. To do this it modies the delay that
sits between the input channel outputs
and master/matrix channel inputs, so that
signals fed from inputs to masters will line
up with signals fed from inputs through
auxes to masters.
If there are no inserts on any aux channels,
switch this option o to reduce overall
system latency.
If any aux channel has an insert, switch this
option on.
If the Monitor Mode (Align with Masters)
option is selected, it is prudent to switch this
option o.
1.11
Aux Sends Send- FX-Return
This option compensates the inputs to master
and matrix paths for the signal path between
an aux through an eect, and back through a
return to the master and matrix channels.
If no eects are used between the aux and
return channels, switch this option o so that
overall system latency will be reduced.
If any eects are used between any auxes and
returns, switch this option on.
If the Monitor Mode (Align with Masters)
option is selected, it is prudent to switch this
option o.
1.11
Aux Sends Graphic EQ
This setting controls the delay compensation
that aligns aux bus outputs for channels
which do use GEQ with those that do not.
If no aux buses use GEQ, switch this option o
to reduce overall system latency.
If any aux bus has a GEQ inserted, switch this
option on to ensure all aux bus outputs are
time-aligned.
0.7
Master and
Matrix
Insert
Time-aligns the output of all the master and
matrix channels, regardless of whether or not
they have an active insert. With this option
switched o, the outputs of any master or
matrix channels using inserts will be delayed
relative to the equivalent channels not
using them.
If no inserts are used in the master/matrix
channel layer, switch this option o to reduce
overall system latency.
If Inserts are used in any master/matrix
channels, switch this option on.
1.11
Master and
Matrix
Graphic EQ
This option controls the delay compensation
that aligns master and matrix bus outputs for
channels using GEQ with those that do not.
If no master or matrix buses are using GEQ,
switch this option o to reduce overall
system latency.
If any master or matrix buses have a GEQ
inserted, switch this option on to time-align
all master and matrix bus outputs.
0.7
Monitor Mode (Align with Masters)
The default control centre bus structure is organised such that inputs can
be routed to masters and also simultaneously routed to masters and matrix
channels via the aux (aux send) buses (Figure 28) or via the aux and return
buses (Figure 27), while maintaining the same overall input to output latency in
both paths.
This may not be the desired structure if aux (aux send) and matrix outputs are
both being used for monitor mixes, where it is desirable for aux, masters and
matrix outputs to be time-aligned with the minimum possible latency.
When this switch is on, the delay element that is used to delay the paths from
input channels to master/matrix channels is removed. With all insert and GEQ
delay compensation switched o, the latency between a system input XLR and
a system output XLR being fed by an aux, master or matrix channel is 1.83ms
(Figure 29).
In this mode, it is advisable to use the same GEQ and insert compensation
settings for aux and master/matrix channels to maintain their identical
output latency.