Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
147 PRO X User Manual
Chapter 28: Delay Compensation
(Latency)
A time delay is induced in a channel’s signal by placing, for example, an insert
or GEQ in its path. This delay aects system latency and can also produce
undesirable audio eects. To overcome this the PRO Series incorporates a system
of user-congurable delay compensation parameters. These are presented to the
user in the form of button-selectable options on the GUI and can be switched on
or o to suit the current application.
Insert compensation
If a channel insert is active, it takes a nite amount of time for the signal to
be sent through an internal or external eect and returned to the channel.
Therefore, with no insert compensation, channels with inserts assigned are
delayed more than channels that don’t have an insert assigned to them. If two
correlated signals with dierent delays are mixed together, this can produce
comb ltering.
External FX
Analogue input XLR to
Input channel with
Delay
= 0ms
external insert
PEQ/
DYN
Input channel with no insert
and no compensation
Input channel without insert
and with compensation
input channel output = 2.2ms
Delay through
D/A and A/D = 1.11ms
DYN/
PEQ
Analogue input XLR to
Delay
= 0ms
PEQ/
DYN
input channel output = 1.08ms
DYN/
PEQ
Analogue input XLR to
Delay
= 1.09ms
PEQ/
DYN
input channel output = 2.2ms
DYN/
PEQ
Analogue input XLR to
Input channel with
Delay
= 0.33ms
internal insert and
PEQ/
DYN
input channel output = 2.2ms
Delay through
internal FX = 0.7ms
DYN/
PEQ
Internal FX
with compensation
To avoid the comb ltering eect, the PRO Series insert compensation works
by delaying all channels except the ones that have inserts assigned. In practice,
the actual delay used for compensation depends on the type of insert (internal/
external) and its location (stage/FOH). Each channel type or layer within the
control centre, such as, input, aux, master or matrix, has its own parameter
controlling the delay compensation for that layer. This provides the user with the
maximum exibility and allows the control centre to be congured for the lowest
latency for a given application.
GEQ compensation
Output bus channels have the ability to have a GEQ inserted into them, which
incurs an additional delay in their signal path. With GEQ compensation active, a
delay is inserted into the output buses, which is removed when a GEQ becomes
active. This ensures that all bus outputs of the same type are aligned, regardless
of whether they use a GEQ or not.
GUI Delay Compensation options
PRO Series delay compensation (latency) is congured in the
Delay Compensation section of GUI menu’s Preferences Delay screen.
For a description of the delay compensation options and details of when best to
use them, see Table 17 (below). In this table the Description column explains
what happens when the delay compensation option is selected (switched on)
and the Latency (ms) column shows the value that the overall system latency is
increased by.
>> To access the delay compensation options
At the GUI, choose home Preferences General and then click the
Delay Compensation tab