Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
144 PRO X User Manual
Chapter 27: Changing The
User Settings
This chapter shows you how to change the user settings of the PRO X to suit your
own preferences and the current working environment.
The user settings are changed via the GUI menu, mainly from the tabs of the
Preferences screen (shown below) and the ‘Sheet’ screens.
>> To open the Preferences screen
At a GUI screen, choose home Preferences General.
Setting the meter preferences
The Metering section of the User tab of the Preferences screen provides
global parameter adjustment of all the meters on the control centre.
• Peak/Hold Time control knob, sets the time (in seconds) the peak LED
stays on for, in the range 0 (no peak hold) to innity (peak always on).
This only aects the meters on the GUI. Click the enable tick box below to
switch this on.
• Meter Attack control knob, adjusts the time it takes the meters to rise,
in the range 0 (no delay) to 10 milliseconds. Select the pre option to switch
the output channel meters to pre-fader.
• Meter Delay control knob, adjusts the meter delay time, in the range 0
to 0.5 seconds. For example, if the control centre is FOH, this function lets
you synchronise the meters with what you are hearing. This is because the
sound from the performers on the stage will take a certain amount of time
to reach you, whereas the meters pick up that sound at source. Click the
enable tick box below to switch on this function. You can adjust the meter
delay by using the spin buttons underneath, which display the delay time in
milliseconds (ms) and distance in metres (m).
• Meter Decay control knob, adjusts the time it takes the meters to fall, in the
range 10 to 25 milliseconds.
Conguring a virtual soundcheck
The Virtual Soundcheck Record section of the Preferences screen lets you
set the record and playback options for a virtual soundcheck.
• In the Record section:
• All Dir. Out Pre-processing — switches all the direct outputs to
pre-processing.
• Unmute all Dir. Out — unmutes all direct outputs.
• Mute all Dir. Out — mutes all direct outputs.
• Set All Dir. Out Gains to 0dB — sets all direct output gains to 0 dB.
• In the Playback section:
• Input Channel Source — lets you select the input channel source as
Normal or Tape Return.
• Enable all Tape Returns — enables all tape returns.
• Disable all Tape Returns — disables all tape returns.
Restoring the PRO X defaults
Caution:
The Restore Default Preferences button will reset all
console preferences, and must be used with great caution.
To alert you of the drastic consequences of operating this button,
a WARNING window appears.
Caution:
The Restore Default Globals button resets all console
defaults, including patching and I/O set-up, and must be
used with great caution. To alert you to the drastic consequences of
operating this button, a WARNING window appears.
You can restore console defaults by using the options in the Restore section of
the Conguration tab of the Preferences screen. However, these options must
be used with care.
>> To reset console preferences to default
Open the Preferences screen, click the Conguration tab and click
Restore Default Preferences. Acknowledge the warning window
(see Cautions above).
>> To reset all console settings to default
Open the Preferences screen, click the Conguration tab and click
Restore Default Globals. Acknowledge the warning window
(see Cautions above).
Checking the PRO X build information
This section, which is predominantly a service-only feature, shows the current
build and host software versions of the PRO X Live Audio Systems equipment.