Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
143 PRO X User Manual
Chapter 26: Using Other Devices
With The PRO X
This chapter explains how to use other external devices with the PRO X.
Using multiple digital consoles
WARNING!
CHANGING THE SYNCHRONISATION CAN RESULT IN LOUD
NOISES FROM THE SYSTEM. ALWAYS MUTE THE PA AT THE
AMPLIFIER/SPEAKER BEFORE CHANGING THE SYNCHRONISATION SOURCE
OR MASTER/SLAVE STATUS.
You can use a PRO X Live Audio System together with one or more digital
consoles, which can be other MIDAS digital consoles or indeed any digital
console. For example, you can use two PRO X Control Centres together in a dual
FOH and MON system. To do this the digital consoles must be synchronised.
The synchronisation method can be via AES50, AES3 or wordclock. If you are
connecting the digital consoles via DL431 Mic Splitters, you can synchronise using
the splitters themselves via their AES50 connections.
Synchronising the consoles
Before you start, choose which MIDAS digital console you want as master.
For information on external AES50 synchronisation between two MIDAS digital
consoles, see “External AES50 synchronisation” in chapter 9.
>> To congure system synchronisation at the consoles
1. Mute the PA at the amplier/speaker. Refer to the WARNING at the
beginning of this section.
2. On the the GUI of the master MIDAS digital console, select
home Preferences General, click the Conguration tab and then
click “Master” option under the Master/Slave Status heading.
3. Congure a slave MIDAS digital console by choosing
home Preferences General, clicking the Conguration tab and then
selecting the following options:
• Under the Master/Slave Status heading, click the “Slave” option.
• In the Synch Source panel, select which active source this console will
be; either Primary or Secondary. The choice can be made automatically
by checking the Automatic check box.
• Open the Sync Source drop-down list and select the desired
synchronisation source you want, that is, “Word Clock” or “AES3”. If
you want to sync using AES50, choose one of the eight AES50 ports as
necessary, for example, “AES50 Port 2”.
Repeat for any other MIDAS digital consoles. Congure any non-MIDAS
digital consoles as appropriate.
Sharing Mic Splitter A and B inputs
If you are using two MIDAS digital consoles with a Mic Splitter, you must
congure the consoles to use either the A or B inputs of the mic splitter.
Although it doesn’t matter which inputs each console uses, they can’t use the
same ones. Also, both consoles must be synchronised.
>> To congure two PRO Series Control Centres for use
with Mic Splitters
In a dual FOH and MON system it may be easier and more convenient to always
set the FOH control centre to master, and to use the mic splitter A inputs
for FOH and the B inputs for MON. Also, although the sync method doesn’t
matter in this case, it is easier to sync the two consoles using the Mic Splitter,
as described below.
1. Mute the PA at the amplier/speaker. Refer to the WARNING at the
beginning of this section.
2. Congure the AES50 Sync option of the Mic Splitter’s main menu to
Cable Sync A.
3. Congure the FOH control centre by selecting
home Preferences General, clicking the Conguration tab and then
selecting the following options:
• Under the Mic Splitter Inputs heading, click the “Use A Inputs” option
(shown right).
• Under the Master/Slave Status heading, click the “Master” option.
4. On the MON control centre, congure the port for the Mic Splitter
(see “Device set-up procedure” in chapter 8).
5. Congure the MON control centre by selecting
home Preferences General, clicking the Conguration tab and then
selecting the following options:
• Under the Mic Splitter Inputs heading, click the “Use B Inputs” option.
• Under the Master/Slave Status heading, click the “Slave” option.
• Open the Sync Source drop-down list and select the port that you
congured for the Mic Splitter in the previous step.
Using an external USB mouse
You can operate a GUI screen using an external USB mouse instead of its trackball
(in the primary navigation zone). To use the USB mouse, plug it into one of the
USB sockets (left of GUI screens, see “Saving your show les to a USB memory
stick” in chapter 9). The top USB socket is for the left GUI screen and bottom one
is for the GUI screen on the right. You can rest/operate the mouse in the primary
navigation zone.
Using an external USB keyboard
You can use a USB keyboard with either GUI screen. Use one of the USB keyboard
sockets at the front of the PRO X Control Centre (see “Front panel connections”
in chapter 29) as necessary.
Using an external monitor
You can use an external monitor for viewing what is displayed on either GUI
screen. Use one of the VGA output sockets on the rear of the PRO X Control Centre
(see “External monitor section” in chapter 29).