Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
133 PRO X User Manual
Table 16: Description of all event option parameters
Parameter Description
Aftertouch
How hard a key is pressed after it has been touched, that is, it changes the pressure after the note has been hit. Typically,
aftertouch is useful for adding tremolo or vibrato eects to a sound, just as a violin can add volume or pitch changes to a
sustained note using nger vibrato or additional bowing intensity.
Parameters for Aftertouch are notes A0 to C7, with each having a possible pressure of between 0 and 127. You can also
choose between Enable MIDI Byte 1 and Enable MIDI Byte 2.
Any IO Box The trigger can be on any IO port of any IO box.
Any MIDI Channel Any of the MIDI channels.
Channel n One of the 16 MIDI channels.
Closure n Provides a contact closure that can be programmed to open or close in response to a MIDI event.
Control Change
Select the control changes that can be applied to a note in progress. For example, by altering the volume (not velocity)
or adding sustain to a note (holding it for longer).
Parameters are All Notes O and Reset All. You can also choose between Enable MIDI Byte 1 and Enable MIDI Byte 2.
FOH MIDI PORT The trigger is via the MIDI port of the FOH PRO X Control Centre.
GPIO TX Selects a GPIO event.
IO IDn The trigger is via a specic IO port.
Jump Opens a specied scene on the PRO X.
Last Opens the last (previous) scene on the PRO X. This scene is the one that would be opened if you pressed the last button.
MIDI TX Selects a MIDI event.
Next Opens the next scene on the PRO X. This scene is the one that would be opened if you pressed the next button.
Now Opens the ‘now’ scene on the PRO X. This scene is the one that would be opened if you pressed the now button.
Note O
Informs the instrument to stop playing a note at a specied pitch and velocity.
Parameters for Note O are notes A0 to C7, with each having a possible velocity of between 0 and 127. You can also choose
between Enable MIDI Byte 1 and Enable MIDI Byte 2.
Note On
Informs the instrument to start playing a note at a specied pitch and velocity.
Parameters for Note On are notes A0 to C7, with each having a possible velocity of between 0 and 127. You can also choose
between Enable MIDI Byte 1 and Enable MIDI Byte 2.
Notes Event Using this option, you can display notes that may useful at a certain point in the scene.
Pitch Wheel
Use the pitch wheel to trigger the event. The pitch wheel is a wheel type device, normally found to the left of a synthesizer
keyboard, that manipulates the pitch of a played note(s).
Pressure
Pressure applied to the key that is being pressed. This aects, for example, the vibrato of the note being played.
Parameters are between 0 and 127. You can also choose between Enable MIDI Byte 1 and Enable MIDI Byte 2.
Pressure n One of the 128 programs.
Program Change
Changes the device to a particular patch/voice/preset etc.
Parameters are 0 to 127. You can also choose between Enable MIDI Byte 1 and Enable MIDI Byte 2.
Scene Entry Triggers the event when a scene is opened.
Scene Exit Triggers the event when a scene is closed.
Scene Recall Triggers the event when the ‘now’ scene is reloaded (but not jogged to).
Scene Entry And Exit Triggers the event when a scene is opened or closed.
Scene Entry And Recall Triggers the event when a scene is opened or the ‘now’ scene is reloaded (but not jogged to).
Scene Entry, Exit And Recall Triggers the event when a scene is opened, closed or the ‘now’ scene is reloaded (but not jogged to).
Static High External device is closed/switched o.
Static Low External device is opened/switched on.