Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
127 PRO X User Manual
>> To reduce the scene view (zoom out)
In the Automation screen, click the down (bottom) Zoom List spin button.
The following diagram shows a typical Automation screen at minimum zoom.
Show les
Show les are only handled via the GUI, using the Automation and Files screens
of the GUI menu.
Managing show les
The Automation screen lets you create new shows, load existing ones and
update the current show le with the latest settings.
For details of how to use the show function buttons to create a new show,
save a show, create a new show from the current settings and load a show,
see “Managing the shows” in chapter 9.
1 2 3 4 5
7
6
Show le-related elements of the Automation screen
Item Element Item Element Description
1 NEW button For creating a new show (see “To create a new show”).
2 LOAD button
For loading a stored show by restoring all stored snapshots and associated automation data from the selected
show le (see “To load a show”).
3 SAVE button
For backing up all stored snapshots and associated automation data to the selected/current show le (see “To save
a show or create a new one from the current settings” in Chapter 16). This button changes to red when there are
show settings to be saved. We recommend that you save your show at regular intervals.
4 SAVE AS button
For creating a new show using the settings of the current one (see “To save a show or create a new one from the
current settings”).
5 STORE SCENE button See “To create a new scene using the current settings”.
6 Name eld Title of currently loaded show.
7 SHOW EDITOR button See “Show editor”.
Managing show les on the Files screen
Show les can be transferred between the PRO X and an external USB device,
such as a USB memory stick. This lets you backup and archive your show les, so
none will be lost, and also transfer them to other PRO Series systems. You can
even create templates for new shows, so that you don’t have to start from
scratch, or modify existing show les. All this is done via the Files screen; see
Chapter 25 “File Management”.
For details of how to back up/export your les and also how to import them
from an external source, see “Saving your show les to a USB memory stick”
in chapter 9.
Rehearsals
Rehearsal mode lets you skip scenes/point scenes to match the arbitrary nature
of the performance sequence during rehearsals.
>> To select a scene to ‘skip’ and to ‘unskip’ a scene
See “Editing scene properties”.
>> To carry out a rehearsal
1. Click REHEARSAL.
2. Carry out the rehearsal as necessary. (Note how the scenes selected as
‘skipped’ are missed out during the show’s rehearsal, as you use the last,
now and next buttons.)
3. To end the rehearsal, click REHEARSAL.
Safes
Important:
Safes are intended for emergency use only and are not to be confused
with scope (see Chapter 21 “Scope (Automation)”).
Safes are incorporated into the PRO X to prevent certain controls from being
recalled with a scene. Safe activation and status are provided on both the control
surface and the GUI.
There are six types of channel safe: EQ, dynamic, mic/cong., auto, mute and
fader. Although some types of safe are channel-specic, any channel can be
made safe from o-channel mute, fader and automation control. Also, solo
(for monitor areas A and B) is always out of scene on any channel.
Note: The MIC button on the outputs operates as a conguration safe, rather than
a mic safe.
All of the channel safe areas, except MIC safe, have local LEDs on the control
surface to show their in/out status, which are provided in each channel/group
fast strip and in the safes sections of the overview and processing area displays of
the GUI channel strip.
VCA groups only have mute and fader safes, and these can only be only switched
on/o via the GUI; see “VCA and POP groups” in chapter 17. Mute safe status
indication is provided both on the control surface (VCA/POP group section of
master bay) an in the GUI channel strip.
For details of which parameters are protected by the safes, see Appendix M
“Parameters Protected By Safes”.