Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
121 PRO X User Manual
Chapter 20: Scenes And
Shows (Automation)
This chapter shows you how to use scenes and shows, which are part of the
PRO X’s automation.
About automation
Automation is predominantly a GUI-only function that allows complex editing
of scenes and the creation of show les via the GUI menu. The control surface
provides limited control via the automation section, which facilitates fast store/
recall operation during show time and rehearsals.
The automation system of the PRO X can store and recall up to 1000 scenes, each
one being a snapshot of the control centre’s settings at the instant the scene was
created. By recalling scenes, users can — with certain exceptions — restore
the control centre to the state that existed at that time the scenes were stored.
This makes it ideal for multi-act tours by providing quick and accurate access of
settings for the band with a minimum of sound check time, as well as for theatre
productions, where each act requires reconguration of audio I/O.
All of the scenes for a show are contained within a show le. Show les are stored
in the PRO X, so that they can be loaded when required, and they can also be
transferred to/from external USB storage devices.
Events provide an additional scene control by which you can use the MIDI, GPIO
and ‘internal’ functions to trigger events on internal and external devices from
within the show le.
For theatre applications, channel settings can be recalled (across all scenes) from
the user library (see Chapter 24 “User Libraries (Presets)”) so that one generic
show can cope with dierent performers on a night-by-night basis, which is
common in theatres.
You can copy certain parameters through scenes by using the
Show Editor screen. For more information on the Show Editor screen and for
details on how to use it for copying and pasting throughout scenes, see “Show
editor” in chapter 9. For details of the parameters that can be copied through
the scenes, see Appendix P “Parameters Copied Through Scenes”.
Throughout this chapter, wherever scenes are mentioned this also applies to
point scenes, unless otherwise stated.
Automation controls
Although automation is supported on the master bay control surface by the
automation section, it also requires large amounts of screen support. The GUI
provides this in the form of an Automation screen that gives full scene and
show le support, and also scope and event features. Additionally, the GUI has a
Files screen for show le management and transfer.
The following diagram explains the automation section of the control surface
and shows the location of their equivalents on the GUI’s Automation screen.
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Automation controls on the control surface and GUI