Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
110 PRO X User Manual
POP groups
The POP groups have limited functionality (see “Using VCA/POP groups”
in Chapter 14). Each group has an LCD select button on the control surface and an
unfold and area B button on the GUI. These controls function in a similar way to
those in the VCA groups.
Working with VCA/POP groups
When you recall a group, its input channel members are unfolded to the control
surface of the 12-channel input bay. They are displayed from right to left across
the control surface in ascending order (according to channel number). When this
bay is full, population starts at the right of the 4-channel input bay. Any input
channel members remaining will not be visible, but they can be navigated to the
control surface using the navigation controls (see “To assign an input channel to
the control surface” in chapter 7).
When you deselect a VCA/POP group, its settings revert to those that were
current when the group select button was last pressed. Recalling another VCA/
POP group deselects the one currently selected.
For information on group selection and navigation, see Chapter 6 “Working With
The Control Centre” and “Navigation” in chapter 7.
>> To select another group
With a group already selected, select another group by pressing the LCD select
button of the desired group.
>> To clear group selection
Press the LCD select button of the currently selected group.
User mode for VCA and POP group re-ordering
>> To activate user mode
Navigate to the “VCA Groups” conguration page and select the “user” option for
the VCA or POP group you wish to re-order. N.B. Going into User Mode will clear
any current VCA or POP assignments
>> To reorder channels in a group
Either: select the group channels in the order you wish them to appear Or: from
the surface
1. Select and unfold a user mode VCA or POP group to the surface
2. Select and hold the channel you wish to move
3. Select the channel in the slot you wish to send the initial channel to
All channels in between the two selected positions will shift one place towards
the initially selected channel
>> To include a blank channel
Either remove a channel from the user mode group from within the conguration
page or select the rst blank channel on the surface (adjacent to the last
channel in the unfolded VCA or POP group) N.B. When in User Mode, the VCA /
POP members are displayed on the console surface left-justied, as opposed to
Standard Mode where they are displayed right-justied
For details of VCA/POP group conguration and operation, see “Using VCA/POP
groups” in chapter 9.
Auto-mute (mute) groups
You can simultaneously mute any channels you want. This is done by assigning them to an auto-mute group. You can have up to eight auto-mute groups, which are
located in the auto mute groups section (just above the primary navigation zone). A group is muted by pressing its auto-mute button.
Auto-mute groups on the control surface and GUI
1
2
3