Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
107 PRO X User Manual
Snapshot manager allows dierent EQ traces to be stored allowing the user to
see at a glance the dierence in frequency response. Traces can be colour coded,
turned on and o, named and deleted in this window for future reference.
Press the camera button to store a new trace. You are allowed a maximum of
8 snapshots.
MIDAS Automixer
Overview
The Automixer will take in up to 24 channels of audio and will decide which
channels should be heard and to which degree. This can be congured by a
number of controls and options which are detailed below.
• Automixer can mix up to 24 inputs at once
• Each eect slot takes up to eight inputs
• Three Automixers can work together in adjacent FX slots
(e.g. slots 1-3, 4-6, 7-9) to create 24 simultaneous inputs
• All 24 channels are indicated at the top to the Automixer screen
• This section also indicates which bank of 8 channels is currently being
displayed below in the main Automixer section
Set-up/Patching
• Patch audio source from the insert send directly to the Automixer in the
FX slot via the Patching page
• Patch the single output from each eects slot to an appropriate channel for
output (e.g. Aux Return 1 for the return from Automixer 1, Aux Return 2 for
the return from Automixer 2 etc.)
• DO NOT patch from the eect back to the insert return.
• DO NOT route input channels to masters, instead route the
post-automixer returns to the Masters.
Features and Settings
Priority
• Highest priority gets heard rst.
• Level of priority controls level/amount of compression.
• For lowest priority to be heard, all higher priority channels must be silent.
Channel options
• Channels in Automixer can be assigned individual names – independent of
the original channel name. These names are only displayed on the Automixer
only.
• Muting a channel will remove that channel from the mix.
• Bypass will allow channel to pass through to output without being aected
by the Automixer.
Groups
• There are three groups: A, B, C
• Channels can be assigned to one of the three groups, or to no group at all
• Whole groups can be muted
• Groups can have the override function activated (see below)
Override
Absolute Priority can be given to a channel within a group by
turning on its Override.
Override must be active for both the channel and its group
e.g Channel 1 -3 are assigned to Group A
Channel 2 has Override activated
Group A has override activated
Channel 2 can be heard coming through on the mix as the only channel
in the group
Channels 1 and 3 do not come through on the mix
Channels in other groups will behave as normal
Meters and indicators
Blue meters show level of boost or attenuation being applied to a channel by
the Automixer (both small blue meters and full size blue meters)
Regular meters show output level of channel after
boost/attenuation by eect.
A green dot is displayed under each meter to indicate it is ready to receive
and process audio. This dot also changes colour to indicate other states:
Purple dot under small meters shows channel has been overridden
within its group.
Yellow dot shows channel has been Bypassed.
Red dot shows mute (either individual channel mute or as
member of muted group)