Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
106 PRO X User Manual
TC M350
This eects unit is based on the TC Electronics M350. It has 2 completely
independent stereo eects units within 1 FX slot and appears as 4 inputs and
outputs in the patching area.
Unit 1 uses input and outputs 1&2 while Unit 2 uses inputs and outputs 3&4. All
parameters are mapped to the assignable controls on the right-hand screen. To
switch between the 2 eects units, use the left and right user arrows next to the
assignable controls.
1. EFFECT SELECT KNOB - 11 types of reverb are available. Ambience, Church,
Gated, Hall, Lo-Fi, Mod, Plate, Room, Spring, Tile and Default. Turn the knob to
choose which type of reverb you require.
2. PRE DELAY - from 0 ms (min) up to 200 ms (max).
3. DECAY TIME - from 0.100 s (min) up to 20 s dependent on which
eect type is chosen.
Decay min – max (in seconds)
Ambience 0.100 – 2.000
Church 0.100 – 20.000
Gated 0.100 – 20.000
Hall 0.100 – 12.000
Lo Fi 0.100 – 7.000
Mod 0.100 – 20.000
Plate 0.100 – 20.000
Room 0.100 – 5.000
Spring 0.100 – 6.000
Tile 0.100 – 2.000
Default 0.100 – 6.000
4. COLOUR FILTER - applies a lter to the eect. Turned to the left, high end
attenuation occurs; turned clockwise to the right, low end attenuation occurs.
5. MIX RATIO – adjusts the wet/dry balance. Turn fully right for
a completely wet signal.
MIDAS Spectrum Analyser
The MIDAS spectrum analyser allows the user to see the frequency response
of any input or output in two dierent ways, spectrum or spectrogram in real
time. If follow channel mode is selected the analyser will also appear behind
the channel EQ display when the EQ detail area is called to the GUI. If follow solo
mode is selected, the analyser will follow which ever input or output is soloed
on the chosen solo bus. This function allows the user to see the EQ changes to
frequency’s in real time.
1. SPECTRUM or SPECTROGRAM mode selection.
2. SMOOTHING - adjustable between 0%-100%. Note 100% will produce a at
line response.
3. AVERAGING - adjustable between 0%-100%. Changes the average display
time of the analyser.
4. FFT SIZE - Changes the scale or resolution of the display.
5. WINDOW TYPE - choose between, Blackman, Hamming, Hanning, Harris or
Rectangular smoothing curves.
6. FOLLOW CHANNEL - When selected the analyser will be displayed in either
the left or right EQ detail area.
7. FOLLOW SOLO – When selected the analyser will follow the chosen solo bus.
You can also use the ADD button in the Monitor A and B sections to see multiple
solos at once.
8. FREQ RANGE – choose between 20-24 kHz or 20-48 kHz scale.
9. AUT – Selects whether the analyser will follow automation or not. This
operates the same way as the Channel Safe automation buttons.
10. STORE PRESET – Allows the user to store a preset of analyser settings
11. LOAD PRESET – Allows the user to load a preset of analyser settings.
12. CLOSES EFFECT – minimizes the eect unit.
13. SNAPSHOT MANAGER – opens the snapshot manager.
14. ZOOM - adjusts the scale and display of the analyser.
15. MARKERS – Markers can be placed at a chosen point for reference.
16. MARKERS RESET – Click here to reset all markers back to their default
position if they have been moved to magnify part of the display. This gives
the maximum view possible of the display.