Manual
Table Of Contents
- Overview
- Chapter 1: Introduction
- Chapter 2: PRO Series Live Audio Systems
- Chapter 3: About The Control Centre
- Getting Started
- Chapter 4: Setting Up The System
- Basic Operation Of The PRO Series
- Chapter 5: Before You Start
- Chapter 6: Working With The Control Centre
- Chapter 7: Navigation
- Chapter 8: Patching
- Chapter 9: Basic Operation
- Setting a mic amplifier’s input gain
- Setting the high and low pass filters
- Input equalisation (E zone)
- Input dynamics processing (D zone)
- Output processing
- Using VCA/POP groups
- Setting up a mix
- Using fader flip
- Setting up the effects rack
- Simple routing to master stereo outputs
- Scene and show management (automation)
- Configuring the inputs and outputs
- Using copy and paste
- User library (presets)
- Surround panning
- Two-man operation
- Saving your show files to a USB memory stick
- Security (locking mode)
- Security (locking mode)
- Advanced Operation And Features
- Chapter 10: Stereo Linking
- Chapter 11: Panning
- Chapter 12: Soloing
- Chapter 13: Muting
- Chapter 14: Monitors And Communications
- Chapter 15: Graphic Equaliser (GEQ)
- Chapter 16: Internal Effects
- Overview of the internal effects
- About the effect window
- Working with the effects
- Effect configuration
- Effect programs
- Delay effect
- Virtual DN780 Reverb effect
- Flanger effect
- Phaser effect
- Pitch Shifter effect
- SQ1 Dynamics effect
- 3-Band Compressor effect
- Submonster
- DN60 Spectrum Analyser
- Tape Saturation
- Variable Phase
- Dual Stereo Delay
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Stereo Graphic EQ
- Dynamic EQ
- Matrix Mixer
- Stereo Chorus
- UNCL.D
- Loudspeaker Processor
- De-esser
- TC M350
- MIDAS Spectrum Analyser
- MIDAS Automixer
- Chapter 17: Control Groups
- Chapter 18: Copy And Paste
- Chapter 19: Assignable Controls (I Zone)
- Chapter 20: Scenes And Shows (Automation)
- About automation
- Automation controls
- Automation screen
- Using the right-click menu
- Scene contents
- Point scenes
- Numbering and navigation
- Global scene
- Initial snapshot scene (safe scene)
- Date and time
- Scene cue list
- Editing scene properties
- Adding a new scene
- Copying and deleting scenes
- Changing the order of the scenes
- Overriding store scope
- Using patching in automation
- Using zoom
- Show files
- Rehearsals
- Safes
- Chapter 21: Scope (Automation)
- Chapter 22: Events (Automation)
- Chapter 23: Crossfades (Automation)
- Chapter 24: User Libraries (Presets)
- Chapter 25: File Management
- Chapter 26: Using Other Devices With The PRO X
- Chapter 27: Changing The User Settings
- Setting the meter preferences
- Configuring a virtual soundcheck
- Restoring the PRO X defaults
- Checking the PRO X build information
- Setting the configuration preferences
- Changing the user interface preferences
- Configuring the channels, groups and internal units
- Changing the default input/output names
- Adjusting PRO X illumination
- Setting the time and date
- Chapter 28: Delay Compensation (Latency)
- Description
- Chapter 29: Panel Connections
- Chapter 30: Inputs
- Mic amp input gain (preliminary input processing)
- Chapter 31: Outputs
- Chapter 32: GUI Menu
- Appendices
- Appendix A: Application Notes
- Appendix B: Technical Specification
- Appendix C: KLARK TEKNIK DN370 GEQ
- Appendix D: KLARK TEKNIK DN780 Reverb
- Technical Specifications
- Appendix E: I/O Modules
- DL443 analogue Jack I/O module
- Appendix F: Replacing A Module
- Appendix G: Troubleshooting
- Appendix H: Updating PRO X Host Software
- Appendix I: Documentation
- Appendix K: Parameters Affected By Scope
- Appendix L: Parameters Affected By Automate Patching
- Appendix M: Parameters Protected By Safes
- Appendix N: Parameters Affected By Copy And Paste
- Appendix O: Parameters Affected By Stereo Linking
- Appendix P: Parameters Copied Through Scenes
- Appendix Q: Service Information
100 PRO X User Manual
Pitch Shifter eect
The Pitch Shifter eect two independent channels that can independently shift the pitch of signals up or down to correct poor pitching or generate harmonies.
The pitch change can also be modulated as an eect.
Front panel of the pitch shifter eect
Item Control Function
1 COARSE control knob
Adjusts the pitch shifting amount in whole tones. Range is from -12 to +12, with 0 at top dead centre.
The numerical value is shown underneath.
2 FINE control knob
Fine tunes the pitch shifting in 1% increments of a whole tone. Range is from -100 to +100, with 0 at
top dead centre. The numerical value is shown underneath.
3 PREDELAY control knob Sets the delay time before the pitch shift. Range is from 1 to 500, with 22 at top dead centre.
4 FB DELAY control knob Sets the delay time on the feedback loop. Range is from 1 to 500, with 22 at top dead centre.
5 FEEDBACK control knob
Sets the amount of feedback (output fed back to input) in %. For more details, see “Feedback”
in Chapter 29. Range is from 0 to 100, with 50 at top dead centre.
6 LEVEL control knob Sets the output level of the individual channel. Range is from -40 to -10, with -20 at top dead centre.
7 PAN control knob Adjusts the position of the individual channel signal in the unit's stereo output.
8 HF DAMP control knob Adjusts the HF attenuation of delay repeats. Range is from 2k to 20k, with 6k at top dead centre.
9 HI EQ control knob Boosts/attenuates high frequencies. Range is from -12 to +12, with 0 at top dead centre.
10 OUT LVL control knob Sets the overall output level. Range is from -20 to +20, with 0 at top dead centre.
11 INPUT and OUTPUT meters Shows the input/output signal levels on dual 20-segment meters (-36dB to +21dB).
12 LF DAMP control knob Adjusts the LF attenuation of delay repeats. Range is from 20 to 400.
13 LO EQ control knob Boosts/attenuates low frequencies. Range is from -12 to +12, with 0 at top dead centre.
14 MIX control knob Controls the balance between dry signal and eect. Range is from 0 to 100, with 50 at top dead centre.
15 ON switch Switches pitch shifter eect on/o.
Feedback
The pitch shifter accepts the input signal and then delays it and plays it back at a dierent speed, so that its output is delayed and pitch shifted. When this output is fed
back into the pitch shifter, further delays and more pitch shifting occur. This can lead to some strange eects, such as feedback.
SQ1 Dynamics eect
The SQ1 Dynamics eect is an emulation of the KLARK TEKNIK Square ONE Dynamics, which is an 8-channel analogue dynamics processor. Used for the precise
manipulation of compression parameters, it also includes gating for creative and corrective applications, and channel linking for stereo/multi-channel operation.
For information on the KLARK TEKNIK Square One Dynamics, refer to its Operator Manual (part number DOC02-SQ1DYNAMIC).
Front panel of the SQ1 dynamics eect
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