Manual

ManualsBrandsMidas ManualsDigital MixersLive Digital Console Control Centre with 144 Input Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case

Table Of Contents

HD96-24 Overview
Chapter 1. Introduction
- About this Manual
- Training
- System Firmware Version
- Touchscreen
- Warranty and Registration
- Service and Support
- Commonly Used Terms and Definitions
Chapter 2. HD96-24 Overview
- Introducing the HD96-24 Digital Mixing System.
- Overview
- Key features
- Applications
- System Components
- System Busses
- Processing
- Audio Physical Connections
- Network
- mCloud Network
- HD96-24 software
- Graphic User Interface (GUI)
- System Card Expansion
Chapter 3. System Setup
- Initial set-up procedure
- Unpacking the equipment
- Ventilation
- Racking the I/O
- Connection instructions
- System components
- Powering the system
- Switching on the HD96-24
- To switch off the HD96-24 surface
- Setting up the ID of the unit(s)
- To set up the ID of a I/O unit
- I/O Box Update
- Connection to the internet
- Hardware Connections
Chapter 4. Before You Start
- Principles of operation
- Operating modes
- Hints and tips
- Setting up a User Profile
- Saving your work
- Saving a show versus storing a scene
- Shutting Down the Control Surface Correctly
- mCloud system
- mCloud support
- Initial Setup
- Setting up a User Profile
- Safe Mode
Chapter 5. About the Control Surface
- Overview of the Control Surface
- Control Surface Layout
- Channel strip layout
- Global Assignable Shortcuts
- Channel Detail Area
- Front and rear panel connections
- External interfaces and peripheral devices
Chapter 6. Navigation
- Navigating via the surface detail area
- Navigating via the GUI Menu Bar
- Side Bar Menu
- Widgets and Rotary Controls
- Workflow Modes Overview
- Overview
- Side Bar Pop Op Display
- Tags and Pops
- Clipping Channels
- Bus Setup and Outputs Management
- Meter Bridge
- Channel View
- Console View
- FOH View
- Automation View
- Navigating via Touch Screen Faders
- Navigating via the Layer Overview/Channel Strips area
- Navigation via Global Assignable Shortcuts area
- Navigation via Pinned Fader and Assignable Controls
- Flip Mode
- One Shot Pot
- Clipped Channels, fault finding a problem channel
- Console Layout Configuration (Navigation)
- Creating a Custom Layout
Chapter 7. Patching
- Introduction
- Terms used in patching:
- About the Patching screen
- Adding new I/O Devices
- Configuring the I/O rack devices
- To edit an I/O device:
- Removing I/O Devices
- Internal Patch Points
- Internal Patching Destinations
- Internal FX
- CM-1 Port Patching
- Patching tips
- Channel Detail and Action Area
Chapter 8. Basic Operation
- Scene and show management (Automation)
- Clear the Console
- Saving and Loading show files to a USB memory stick
- Saving and Loading show files to the mCloud
- Save & Mark
- Rollback
- Load Options
- Automate patching preferences:
- Naming Page
- Channel Tags
- Channel Configuration (Config)
- Setting a Pre-Amp’s input gain
- Linking & Stereo
- Patching
- Direct Output
- Options
- Configuration Pages for Outputs
- Linking & Stereo (Outputs)
- Patching (Outputs)
- Direct Input
- Options
- Oscillator (Output Widget)
- Setting the HPF and LPF
- Input equalisation
- True Audition
- Output processing
- Input Dynamics Processing (Dynamics Section)
- Using VCA & POP groups
- How to configure a VCA/POP group:
- Alternative way to assign VCA/POP groups
- Routing to master stereo outputs
- Manchino Multi Edit Page (Basic introduction)
- Security (locking mode)
Chapter 9. Stereo Linking
- Input Linking & Stereo page
- Aux Linking & Stereo page
- Linking the Master Channels
Chapter 10. Panning
- Stereo panning
Chapter 11. Soloing
- Solo Button Functions
- Using Solo A/B
- Solo Hierarchy
- VCA Solo
- Solo In Place (SIP)
- Solo Management
- Solo System Configuration
- Sources
- Summing
- Solo System
Chapter 12. Chapter 12: Muting
Chapter 13. Monitors and Shout Configuration
- Monitor Configuration (A and B)
- Delay
- Talkback Ducker and Limiter
- Talk and Oscillator Configuration Page
- Talk Osc Routing
- Oscillator
- Shout Mixer Configuration
- Matrix Mixer
- Shout Inputs
- Shout Outputs
- Assignment Page
- Presets
Chapter 14. Graphic EQ (GEQ)
- Overview of the GEQs
- Features
- Controls
- Proportional-Q Vs Constant-Q Response
- GEQ Filters
- GEQ Patching
Chapter 15. Internal Effects
- Effects overview
- Working with channel inserted effects
- Effects Browser
- Effect Rack
- Effect Sub-slots
- Effects Rack Safes
- FX Mode
- Effect Programs
- Reverbs:
- TC Electronic VSS4 Reverb
- TC Electronic VSS3 Reverb
- TC M350
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Delays:
- Midas Delay
- Stereo Delay
- TC 2290 Delay
- KT 1176 Limiting Amplifier
- KT Bus Compressor
- R-Comp
- Smart Dynamics Processor
- Dual De-Esser
- DSR De-esser
- PIE (Prime Input Expander)
- Stressor Compressor
- Dual Band & Brickwall limiter.
- Midas U Flange
- Midas U Phase
- Pitch Shifter
- Chorus
- Rotor Motor
- Distortion/Exciter:
- Enlightenment Bass
- Glow
- Tape Saturation
- UNCL.HD MULTIBAND DISTORTION
- M Harmonics
Chapter 16. Talk and Mute Groups
- Talk Groups
- Mute groups
- Using copy and paste
- Copy and Paste rules and restrictions
- Channels Versus Scenes
- Copy and Paste Parameters
- About the Assignable Rotary
- Controlling the Assignable rotary controls
- Pinned Channels
- Flip Target
- Global Assignable Shortcuts
- Assignables Types: Automation
- Assignables Types: Groups.
Chapter 19. Automation (Scenes and Shows)
- About Automation
- Master Scene
- Auto-save
- To create or manage a show:
- Automation controls
- Scene Creation and Recall
- Playlists
- Safes
- Scene Equaliser True Audition Preview
Chapter 20. Show Editor (Recall and Store Scope)
- About the Show Editor
- Parameters Mode Overview
- Recall Scope Mode
- Store Scope Mode
Chapter 21. Events (Automation)
- About Events
- About the Edit Event window
- MIDI
Chapter 22. Crossfade Events
Chapter 23. TBC
Chapter 24. File Management
- Show Manager
- Preset Manager
- Spreadsheet Import
Chapter 25. Multiple Consoles and Other Devices
- Sharing A and B mic preamp inputs
- Ultranet
- Using External USB Equipment
- Using External Displays
Chapter 26. Preferences (Console Configuration)
- Monitor Configuration
- Talk & Oscillator Configuration
- Solo Bus Configuration
- DSP Configuration
- Clocking
- Metering Preferences
- Redundancy
- Spectrum Analyser
- Hardware Configuration
- General Configuration
- License Information
- Console Registration
- Network Configuration
- Time Zone Configuration
Chapter 27. Delay Compensation (Latency)
- To access the delay compensation options
- Insert compensation
- GUI Delay Compensation Presets
- Master to Matrix Post-Processing
Chapter 28. Panel Connections
- Front Panel Connections
- Rear Panel Connections
Chapter 29. Inputs
- Input channel routing
- Input channel areas of the control surface
- Input Widget Area
- The following processing sections are available:
- Channel View Workflow
- Side Bar Area
- Channel View
- Sends Overview
- Send Detail Area
- Input channel delay
- Aux return mode
- Effects Insert
- Input Metering
- Input Inserts
- Options - Processing Order
- Safes
- Mic Amp Input Gain
- Dynamics and mode descriptions
- Compressor
- Compressor modes
- Corrective mode (exponential peak - fast)
- Adaptive mode (exponential RMS - accurate)
- Creative mode (linear peak - slow)
- Vintage mode (adaptive peak - bright)
- Compressor Graph
- Ratio
- Knee
- Gate
- Ducker
- Sidechain
- EQ
- Phase (All Pass Filter) Controls
- Mixes
- Input channel Pick Off points
- Masters Section and Pan Control
- LCD Displays
Chapter 30. Outputs
- Outputs on Channel Banks
- GUI channel strips
- Master Section on the control surface
- Output metering
- Bus trim (GUI only)
- Compressor (Dynamics)
- EQ (Equaliser)
- Mute, safes, level and solo
- Output channel name
- Output channel source/destination (GUI only)
- Stereo linking
- Output Configuration Patching
- Safes
- Insert
- Output channel delay
- Processing Order
- Mixes
- Masters
- Outputs macro interrogation control
- Flexi-Aux
Chapter 31. GUI Menu (Side Bar Menu)
Chapter 32. Configuring a virtual soundcheck
Chapter 33. Manchino (Multi Edit Page)
- Linecheck Page
- Equaliser Page
- Equaliser Multiple Select view
- Compressor Page
- Compressor Multiple Select View
- Gate Page
- Gate Multiple Select View
- Naming Page
- Manchino Sends Page
- Sends Unfold Channels
- Manchino Safes
Chapter 34. Update Manager
- Console Updater
- Surface Updater
- I/O Box & Device Updater
Chapter 35. Channel AI
- What is Channel AI?
- How to Turn Channel AI on
- How to profile a channel
- Adaptive Configuration Suggestions
- Individual component processing
- Trim suggestions
- EQ Suggestions
- Compressor suggestions
- Gate suggestions
- Spill
- Confidence
Chapter 36. Specifications

55 HD96-24-CC-TP User Manual

Navigating via Touch Screen Faders

The touch screen has a set of 16 faders which can be used to adjust any levels. Fader values are shown under the channel name. If a channel is stereo both left and right

fader levels are shown as two blocks

To change a level simply touch around the fader cap and move your nger up and down. The GUI faders are extremely responsive, highly accurate and with greater

resolution than a physical fader. An upper limit of 10 faders can be moved at any time for maximum hands on control. The touch screen faders are available in the

Home, FOH and Automation workows. The fader tray is locked down in Channel View and Console View.

When a fader is selected it is possible to tighten the accuracy of the fader by dragging your nger outwards to either side fader or faders you have held. This allows

ne adjustments of critical levels. While dragging your nger outwards the fader is locked so that accidental level changes can’t occur. This rule can be broken if you

move your nger more than the predened tolerance. Both hands can be used at once independently. This means you can move multiple faders with one hand while

tweaking a ne fader level with the other hand.

The on-screen faders, layer overview and Mute/VCA assignment page area (which all have their own icon) can be hidden using the pull-down icon revealing another 2

widget areas.

To bring input or output faders to the GUI, either use the various banks in the Console Navigation widget or use VCA or POP (POPulation) groups to allocate pre-dened

sets of channels to the surface.