Manual
Table Of Contents
- HD96-24 Overview
- Chapter 1. Introduction
- Chapter 2. HD96-24 Overview
- Chapter 3. System Setup
- Initial set-up procedure
- Unpacking the equipment
- Ventilation
- Racking the I/O
- Connection instructions
- System components
- Powering the system
- Switching on the HD96-24
- To switch off the HD96-24 surface
- Setting up the ID of the unit(s)
- To set up the ID of a I/O unit
- I/O Box Update
- Connection to the internet
- Hardware Connections
- Chapter 4. Before You Start
- Chapter 5. About the Control Surface
- Chapter 6. Navigation
- Navigating via the surface detail area
- Navigating via the GUI Menu Bar
- Side Bar Menu
- Widgets and Rotary Controls
- Workflow Modes Overview
- Overview
- Side Bar Pop Op Display
- Tags and Pops
- Clipping Channels
- Bus Setup and Outputs Management
- Meter Bridge
- Channel View
- Console View
- FOH View
- Automation View
- Navigating via Touch Screen Faders
- Navigating via the Layer Overview/Channel Strips area
- Navigation via Global Assignable Shortcuts area
- Navigation via Pinned Fader and Assignable Controls
- Flip Mode
- One Shot Pot
- Clipped Channels, fault finding a problem channel
- Console Layout Configuration (Navigation)
- Creating a Custom Layout
- Chapter 7. Patching
- Chapter 8. Basic Operation
- Scene and show management (Automation)
- Clear the Console
- Saving and Loading show files to a USB memory stick
- Saving and Loading show files to the mCloud
- Save & Mark
- Rollback
- Load Options
- Automate patching preferences:
- Naming Page
- Channel Tags
- Channel Configuration (Config)
- Setting a Pre-Amp’s input gain
- Linking & Stereo
- Patching
- Direct Output
- Options
- Configuration Pages for Outputs
- Linking & Stereo (Outputs)
- Patching (Outputs)
- Direct Input
- Options
- Oscillator (Output Widget)
- Setting the HPF and LPF
- Input equalisation
- True Audition
- Output processing
- Input Dynamics Processing (Dynamics Section)
- Using VCA & POP groups
- How to configure a VCA/POP group:
- Alternative way to assign VCA/POP groups
- Routing to master stereo outputs
- Manchino Multi Edit Page (Basic introduction)
- Security (locking mode)
- Chapter 9. Stereo Linking
- Chapter 10. Panning
- Chapter 11. Soloing
- Chapter 12. Chapter 12: Muting
- Chapter 13. Monitors and Shout Configuration
- Chapter 14. Graphic EQ (GEQ)
- Chapter 15. Internal Effects
- Effects overview
- Working with channel inserted effects
- Effects Browser
- Effect Rack
- Effect Sub-slots
- Effects Rack Safes
- FX Mode
- Effect Programs
- Reverbs:
- TC Electronic VSS4 Reverb
- TC Electronic VSS3 Reverb
- TC M350
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Delays:
- Midas Delay
- Stereo Delay
- TC 2290 Delay
- KT 1176 Limiting Amplifier
- KT Bus Compressor
- R-Comp
- Smart Dynamics Processor
- Dual De-Esser
- DSR De-esser
- PIE (Prime Input Expander)
- Stressor Compressor
- Dual Band & Brickwall limiter.
- Midas U Flange
- Midas U Phase
- Pitch Shifter
- Chorus
- Rotor Motor
- Distortion/Exciter:
- Enlightenment Bass
- Glow
- Tape Saturation
- UNCL.HD MULTIBAND DISTORTION
- M Harmonics
- Chapter 16. Talk and Mute Groups
- Talk Groups
- Mute groups
- Using copy and paste
- Copy and Paste rules and restrictions
- Channels Versus Scenes
- Copy and Paste Parameters
- About the Assignable Rotary
- Controlling the Assignable rotary controls
- Pinned Channels
- Flip Target
- Global Assignable Shortcuts
- Assignables Types: Automation
- Assignables Types: Groups.
- Chapter 19. Automation (Scenes and Shows)
- Chapter 20. Show Editor (Recall and Store Scope)
- Chapter 21. Events (Automation)
- Chapter 22. Crossfade Events
- Chapter 23. TBC
- Chapter 24. File Management
- Chapter 25. Multiple Consoles and Other Devices
- Chapter 26. Preferences (Console Configuration)
- Chapter 27. Delay Compensation (Latency)
- Chapter 28. Panel Connections
- Chapter 29. Inputs
- Input channel routing
- Input channel areas of the control surface
- Input Widget Area
- The following processing sections are available:
- Channel View Workflow
- Side Bar Area
- Channel View
- Sends Overview
- Send Detail Area
- Input channel delay
- Aux return mode
- Effects Insert
- Input Metering
- Input Inserts
- Options - Processing Order
- Safes
- Mic Amp Input Gain
- Dynamics and mode descriptions
- Compressor
- Compressor modes
- Corrective mode (exponential peak - fast)
- Adaptive mode (exponential RMS - accurate)
- Creative mode (linear peak - slow)
- Vintage mode (adaptive peak - bright)
- Compressor Graph
- Ratio
- Knee
- Gate
- Ducker
- Sidechain
- EQ
- Phase (All Pass Filter) Controls
- Mixes
- Input channel Pick Off points
- Masters Section and Pan Control
- LCD Displays
- Chapter 30. Outputs
- Outputs on Channel Banks
- GUI channel strips
- Master Section on the control surface
- Output metering
- Bus trim (GUI only)
- Compressor (Dynamics)
- EQ (Equaliser)
- Mute, safes, level and solo
- Output channel name
- Output channel source/destination (GUI only)
- Stereo linking
- Output Configuration Patching
- Safes
- Insert
- Output channel delay
- Processing Order
- Mixes
- Masters
- Outputs macro interrogation control
- Flexi-Aux
- Chapter 31. GUI Menu (Side Bar Menu)
- Chapter 32. Configuring a virtual soundcheck
- Chapter 33. Manchino (Multi Edit Page)
- Chapter 34. Update Manager
- Chapter 35. Channel AI
- Chapter 36. Specifications
304 HD96-24-CC-TP User Manual
Chapter 36. Specications
Processing
Input processing channels 144 exi channels
Output processing channels 96 exi aux outputs, 24 matrices,
stereo bus, mono bus
Internal eects engines 24 x eects slots (up to 96 eects)
32 x Stereo multiband compressors
96 x Stereo dynamic equalisers
Point-to-point routing matrix 622 x 652
Signal processing 64-bit oating point
D/A converter 24-bit, 96 kHz and 128 times
oversampling
A/D converter 24-bit, 96 kHz and 128 times
oversampling
Sampling frequency 96 kHz
I/O latency (surface input to output) 1.34 ms
Input audio processing Dual-slope high and low-pass lters
True phase lter control
4-band parametric EQ with
3 shelf modes
4-mode creative input compressors
Input gates or ducker
Insert point on/o with processing
order change
Direct output with adjustable level
and processing pick of point
Delay-compensated aux return mode
on inputs
5 x tap-o points per send
Output audio processing Output 4-band parametric EQ with
shelving/HP/LP options
4-mode creative output dynamics
Insert point on/o with
processing order change
Direct input with adjustable level
and processing tap-o point
Mixing control assistance 12 x talk groups
12 x mute groups
24 x surface POPulation groups
24 x VCA associated population
groups
Scene snapshot automation
Connectors
Midas microphone preamplier 8 x XLR balanced
Balanced outputs 8 x XLR balanced
Talkback connector 1 x XLR balanced
Talk connector 1 x XLR balanced
Headphone connector 2 x 1/4" TRS (stereo)
Digital AES3 input / output (XLR) 2 / 2
AES50 ports (Klark Teknik 4
SuperMAC, 100 Mbit/s)
Snake (copper) 2 x HyperMac (192 channels of
bi-directional digital audio) on
Ethercon XLR
Snake (bre) 2 x HyperMac (192 channels of
bi-directional digital audio) on
Opticon XLR
CM1 expansion slots 2 x slots (CM1 module for AES50,
DANTE, MADI and USB)
Ultranet 2 x Ultranet ports (up to 16 digital
outputs per port)
Word clock IN BNC, accepts TTL level, 96 kHz square
wave, impedance 75 Ohms
Word clock OUT BNC, provides a TTL level, 96 kHz
square wave
AES3 sync IN 1 x 3-pin XLR
AES3 sync OUT 1 x 3-pin XLR
External (Ethernet) connector Ethercon XLR
Monitor output 2 x HDMI (1920 x 1080p 59.94Hz/60Hz
16:9 & 720 x 480p 59.94Hz/60Hz
16:9 supported)
USB 3.0 type A hub 4 x 5 V ⎓ 900 mA
USB 3.0 type A 4 x 5 V ⎓ 900 mA
(fader port expansion)
USB 2.0 type A 1 x 5 ⎓ 500 mA
(front surface data)
Diagnostics Port Serial port
MIDI In, Out and Thru 5-pin MIDI
DIN sockets
Lamp 2 x 12 V DC 5 W 4-pin
IEC mains socket with power switch 2