Manual
Table Of Contents
- HD96-24 Overview
- Chapter 1. Introduction
- Chapter 2. HD96-24 Overview
- Chapter 3. System Setup
- Initial set-up procedure
- Unpacking the equipment
- Ventilation
- Racking the I/O
- Connection instructions
- System components
- Powering the system
- Switching on the HD96-24
- To switch off the HD96-24 surface
- Setting up the ID of the unit(s)
- To set up the ID of a I/O unit
- I/O Box Update
- Connection to the internet
- Hardware Connections
- Chapter 4. Before You Start
- Chapter 5. About the Control Surface
- Chapter 6. Navigation
- Navigating via the surface detail area
- Navigating via the GUI Menu Bar
- Side Bar Menu
- Widgets and Rotary Controls
- Workflow Modes Overview
- Overview
- Side Bar Pop Op Display
- Tags and Pops
- Clipping Channels
- Bus Setup and Outputs Management
- Meter Bridge
- Channel View
- Console View
- FOH View
- Automation View
- Navigating via Touch Screen Faders
- Navigating via the Layer Overview/Channel Strips area
- Navigation via Global Assignable Shortcuts area
- Navigation via Pinned Fader and Assignable Controls
- Flip Mode
- One Shot Pot
- Clipped Channels, fault finding a problem channel
- Console Layout Configuration (Navigation)
- Creating a Custom Layout
- Chapter 7. Patching
- Chapter 8. Basic Operation
- Scene and show management (Automation)
- Clear the Console
- Saving and Loading show files to a USB memory stick
- Saving and Loading show files to the mCloud
- Save & Mark
- Rollback
- Load Options
- Automate patching preferences:
- Naming Page
- Channel Tags
- Channel Configuration (Config)
- Setting a Pre-Amp’s input gain
- Linking & Stereo
- Patching
- Direct Output
- Options
- Configuration Pages for Outputs
- Linking & Stereo (Outputs)
- Patching (Outputs)
- Direct Input
- Options
- Oscillator (Output Widget)
- Setting the HPF and LPF
- Input equalisation
- True Audition
- Output processing
- Input Dynamics Processing (Dynamics Section)
- Using VCA & POP groups
- How to configure a VCA/POP group:
- Alternative way to assign VCA/POP groups
- Routing to master stereo outputs
- Manchino Multi Edit Page (Basic introduction)
- Security (locking mode)
- Chapter 9. Stereo Linking
- Chapter 10. Panning
- Chapter 11. Soloing
- Chapter 12. Chapter 12: Muting
- Chapter 13. Monitors and Shout Configuration
- Chapter 14. Graphic EQ (GEQ)
- Chapter 15. Internal Effects
- Effects overview
- Working with channel inserted effects
- Effects Browser
- Effect Rack
- Effect Sub-slots
- Effects Rack Safes
- FX Mode
- Effect Programs
- Reverbs:
- TC Electronic VSS4 Reverb
- TC Electronic VSS3 Reverb
- TC M350
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Delays:
- Midas Delay
- Stereo Delay
- TC 2290 Delay
- KT 1176 Limiting Amplifier
- KT Bus Compressor
- R-Comp
- Smart Dynamics Processor
- Dual De-Esser
- DSR De-esser
- PIE (Prime Input Expander)
- Stressor Compressor
- Dual Band & Brickwall limiter.
- Midas U Flange
- Midas U Phase
- Pitch Shifter
- Chorus
- Rotor Motor
- Distortion/Exciter:
- Enlightenment Bass
- Glow
- Tape Saturation
- UNCL.HD MULTIBAND DISTORTION
- M Harmonics
- Chapter 16. Talk and Mute Groups
- Talk Groups
- Mute groups
- Using copy and paste
- Copy and Paste rules and restrictions
- Channels Versus Scenes
- Copy and Paste Parameters
- About the Assignable Rotary
- Controlling the Assignable rotary controls
- Pinned Channels
- Flip Target
- Global Assignable Shortcuts
- Assignables Types: Automation
- Assignables Types: Groups.
- Chapter 19. Automation (Scenes and Shows)
- Chapter 20. Show Editor (Recall and Store Scope)
- Chapter 21. Events (Automation)
- Chapter 22. Crossfade Events
- Chapter 23. TBC
- Chapter 24. File Management
- Chapter 25. Multiple Consoles and Other Devices
- Chapter 26. Preferences (Console Configuration)
- Chapter 27. Delay Compensation (Latency)
- Chapter 28. Panel Connections
- Chapter 29. Inputs
- Input channel routing
- Input channel areas of the control surface
- Input Widget Area
- The following processing sections are available:
- Channel View Workflow
- Side Bar Area
- Channel View
- Sends Overview
- Send Detail Area
- Input channel delay
- Aux return mode
- Effects Insert
- Input Metering
- Input Inserts
- Options - Processing Order
- Safes
- Mic Amp Input Gain
- Dynamics and mode descriptions
- Compressor
- Compressor modes
- Corrective mode (exponential peak - fast)
- Adaptive mode (exponential RMS - accurate)
- Creative mode (linear peak - slow)
- Vintage mode (adaptive peak - bright)
- Compressor Graph
- Ratio
- Knee
- Gate
- Ducker
- Sidechain
- EQ
- Phase (All Pass Filter) Controls
- Mixes
- Input channel Pick Off points
- Masters Section and Pan Control
- LCD Displays
- Chapter 30. Outputs
- Outputs on Channel Banks
- GUI channel strips
- Master Section on the control surface
- Output metering
- Bus trim (GUI only)
- Compressor (Dynamics)
- EQ (Equaliser)
- Mute, safes, level and solo
- Output channel name
- Output channel source/destination (GUI only)
- Stereo linking
- Output Configuration Patching
- Safes
- Insert
- Output channel delay
- Processing Order
- Mixes
- Masters
- Outputs macro interrogation control
- Flexi-Aux
- Chapter 31. GUI Menu (Side Bar Menu)
- Chapter 32. Configuring a virtual soundcheck
- Chapter 33. Manchino (Multi Edit Page)
- Chapter 34. Update Manager
- Chapter 35. Channel AI
- Chapter 36. Specifications
238 HD96-24-CC-TP User Manual
To access the delay compensation options
In the GUI, choose Menu > Preferences > and then click the DSP Conguration tab.
1. Input Channel - Time-aligns the output of all input channels, regardless of whether or not they have an active insert. When this option is switched o, any
input channels with inserts will be delayed relative to those input channels that do not have inserts. A choice of 1,2 or 3 inserts can be compensated for. Tip - If
no inserts are used in the input channel layer, switch this option o to reduce the overall system latency. If there is an insert on any input channel, switch this
option on.
2. Flexi Aux Channel - Compensates for inserts placed in exi aux busses. To do this it modies the delay that sits between the input channel outputs and aux,
master and matrix channel inputs, so that signals fed from exi auxes to masters will line up with signals fed from inputs through auxes to masters. A choice of 1,2
or 3 inserts can be compensated for.
3. Aux Channel - Compensates for inserts placed in aux busses. To do this it modies the delay that sits between the input channel outputs and master/matrix
channel inputs, so that signals fed from inputs to masters will line up with signals fed from inputs through auxes to masters. A choice of 1,2 or 3 inserts can be
compensated for. Tip If no eects are used between the aux and return channels, switch this option o so that overall system latency will be reduced. If any
eects are used between any auxes and returns, switch this option on.
4. Master/Matrix - Time-aligns the output of all the master and matrix channels, regardless of whether or not they have an active insert. With this option switched
on, the outputs of any master or matrix channels using inserts will be delayed relative to the equivalent channels not using them. A choice of 1,2 or 3 inserts can
be compensated for. Tip If no inserts are used in the master/matrix channel layer, switch this option o to reduce overall system latency. If Inserts are used in any
master/matrix channels, switch this option on.
5. Number of inserts to be compensated for - A choice of 1,2 or 3 inserts can be compensated for.
6. Align All Outputs - Time-aligns the output of all the exi aux, aux, master and matrix channels, regardless of whether or not they have an active insert. With this
option switched on, the outputs of any exi aux, aux, master or matrix channels using inserts will be delayed relative to the equivalent channels not using them.
7. Aux Channel > Send/FX Return - This option compensates the inputs to master and matrix paths for the signal path between an aux through an eect, and
back through a return to the master and matrix channels. Tip - If no eects are used between the aux and aux return channels, switch this option o so that
overall system latency will be reduced. If any eects are used between any auxes and returns, switch this option on.
8. Flexi / Aux Bus Compensation - This allows exi aux to be time compensated to auxes for stem style mixing.
9. Master > Matrix Post-Processing - You have a choice of tap-o point, so you can choose to send either a pre-master or post-master channel processed signal
to the matrix channels. This is a global setting and aects all master -> matrix contributions.
Insert compensation
If a channel insert is active, it takes a nite amount of time for the signal to be sent through an internal or external eect and returned to the channel. Therefore,
with no insert compensation, channels with inserts assigned are delayed more than channels that don’t have an insert assigned to them. If two correlated signals with
dierent delays are mixed together, this can produce comb ltering.
To avoid the comb ltering eect, the HD system insert compensation works by delaying all channels except the ones that have inserts assigned. In practice, the actual
delay used for compensation depends on the type of insert (internal/external) and its location (stage/FOH). Each channel type or layer within the control centre, such
as, input, aux, master or matrix, has its own parameter controlling the delay compensation for that layer. This provides the user with the maximum exibility and
allows the control centre to be congured for the lowest latency for a given application.