Manual
Table Of Contents
- HD96-24 Overview
- Chapter 1. Introduction
- Chapter 2. HD96-24 Overview
- Chapter 3. System Setup
- Initial set-up procedure
- Unpacking the equipment
- Ventilation
- Racking the I/O
- Connection instructions
- System components
- Powering the system
- Switching on the HD96-24
- To switch off the HD96-24 surface
- Setting up the ID of the unit(s)
- To set up the ID of a I/O unit
- I/O Box Update
- Connection to the internet
- Hardware Connections
- Chapter 4. Before You Start
- Chapter 5. About the Control Surface
- Chapter 6. Navigation
- Navigating via the surface detail area
- Navigating via the GUI Menu Bar
- Side Bar Menu
- Widgets and Rotary Controls
- Workflow Modes Overview
- Overview
- Side Bar Pop Op Display
- Tags and Pops
- Clipping Channels
- Bus Setup and Outputs Management
- Meter Bridge
- Channel View
- Console View
- FOH View
- Automation View
- Navigating via Touch Screen Faders
- Navigating via the Layer Overview/Channel Strips area
- Navigation via Global Assignable Shortcuts area
- Navigation via Pinned Fader and Assignable Controls
- Flip Mode
- One Shot Pot
- Clipped Channels, fault finding a problem channel
- Console Layout Configuration (Navigation)
- Creating a Custom Layout
- Chapter 7. Patching
- Chapter 8. Basic Operation
- Scene and show management (Automation)
- Clear the Console
- Saving and Loading show files to a USB memory stick
- Saving and Loading show files to the mCloud
- Save & Mark
- Rollback
- Load Options
- Automate patching preferences:
- Naming Page
- Channel Tags
- Channel Configuration (Config)
- Setting a Pre-Amp’s input gain
- Linking & Stereo
- Patching
- Direct Output
- Options
- Configuration Pages for Outputs
- Linking & Stereo (Outputs)
- Patching (Outputs)
- Direct Input
- Options
- Oscillator (Output Widget)
- Setting the HPF and LPF
- Input equalisation
- True Audition
- Output processing
- Input Dynamics Processing (Dynamics Section)
- Using VCA & POP groups
- How to configure a VCA/POP group:
- Alternative way to assign VCA/POP groups
- Routing to master stereo outputs
- Manchino Multi Edit Page (Basic introduction)
- Security (locking mode)
- Chapter 9. Stereo Linking
- Chapter 10. Panning
- Chapter 11. Soloing
- Chapter 12. Chapter 12: Muting
- Chapter 13. Monitors and Shout Configuration
- Chapter 14. Graphic EQ (GEQ)
- Chapter 15. Internal Effects
- Effects overview
- Working with channel inserted effects
- Effects Browser
- Effect Rack
- Effect Sub-slots
- Effects Rack Safes
- FX Mode
- Effect Programs
- Reverbs:
- TC Electronic VSS4 Reverb
- TC Electronic VSS3 Reverb
- TC M350
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Delays:
- Midas Delay
- Stereo Delay
- TC 2290 Delay
- KT 1176 Limiting Amplifier
- KT Bus Compressor
- R-Comp
- Smart Dynamics Processor
- Dual De-Esser
- DSR De-esser
- PIE (Prime Input Expander)
- Stressor Compressor
- Dual Band & Brickwall limiter.
- Midas U Flange
- Midas U Phase
- Pitch Shifter
- Chorus
- Rotor Motor
- Distortion/Exciter:
- Enlightenment Bass
- Glow
- Tape Saturation
- UNCL.HD MULTIBAND DISTORTION
- M Harmonics
- Chapter 16. Talk and Mute Groups
- Talk Groups
- Mute groups
- Using copy and paste
- Copy and Paste rules and restrictions
- Channels Versus Scenes
- Copy and Paste Parameters
- About the Assignable Rotary
- Controlling the Assignable rotary controls
- Pinned Channels
- Flip Target
- Global Assignable Shortcuts
- Assignables Types: Automation
- Assignables Types: Groups.
- Chapter 19. Automation (Scenes and Shows)
- Chapter 20. Show Editor (Recall and Store Scope)
- Chapter 21. Events (Automation)
- Chapter 22. Crossfade Events
- Chapter 23. TBC
- Chapter 24. File Management
- Chapter 25. Multiple Consoles and Other Devices
- Chapter 26. Preferences (Console Configuration)
- Chapter 27. Delay Compensation (Latency)
- Chapter 28. Panel Connections
- Chapter 29. Inputs
- Input channel routing
- Input channel areas of the control surface
- Input Widget Area
- The following processing sections are available:
- Channel View Workflow
- Side Bar Area
- Channel View
- Sends Overview
- Send Detail Area
- Input channel delay
- Aux return mode
- Effects Insert
- Input Metering
- Input Inserts
- Options - Processing Order
- Safes
- Mic Amp Input Gain
- Dynamics and mode descriptions
- Compressor
- Compressor modes
- Corrective mode (exponential peak - fast)
- Adaptive mode (exponential RMS - accurate)
- Creative mode (linear peak - slow)
- Vintage mode (adaptive peak - bright)
- Compressor Graph
- Ratio
- Knee
- Gate
- Ducker
- Sidechain
- EQ
- Phase (All Pass Filter) Controls
- Mixes
- Input channel Pick Off points
- Masters Section and Pan Control
- LCD Displays
- Chapter 30. Outputs
- Outputs on Channel Banks
- GUI channel strips
- Master Section on the control surface
- Output metering
- Bus trim (GUI only)
- Compressor (Dynamics)
- EQ (Equaliser)
- Mute, safes, level and solo
- Output channel name
- Output channel source/destination (GUI only)
- Stereo linking
- Output Configuration Patching
- Safes
- Insert
- Output channel delay
- Processing Order
- Mixes
- Masters
- Outputs macro interrogation control
- Flexi-Aux
- Chapter 31. GUI Menu (Side Bar Menu)
- Chapter 32. Configuring a virtual soundcheck
- Chapter 33. Manchino (Multi Edit Page)
- Chapter 34. Update Manager
- Chapter 35. Channel AI
- Chapter 36. Specifications
228 HD96-24-CC-TP User Manual
Clocking
In order for the HD96-24 to function correctly, Clocking must be synchronised and stable. The HD96-24 can utilise it's own internal clock or synchronise from an
external source.
Setting the Clock source to Master utilises the internal clock. (Primary & Secondary settings do not apply).
Setting the Clock source to Slave will utilise either the Primary or Secondary selected sources. Options for these sources are available in the lists. You can choose clock
source from Word Clock, AES3, Local AES50 or Snake connections.
Depending on the Manual/Automatic Setting, Manual will force the selection to the chosen Primary or Secondary setting. If the clock is dropped with the chosen
source, it will remain searching for the clock at this source unless manually changed.
When switched to automatic, the console will attempt to sync to the primary clock. If no clock is found after a short while (approximately 4-10 seconds) it will switch
to the secondary option. If this happens to fail as well it will revert to primary and process will start again and continue until a stable clock is found.
Tip: One of the options in the Secondary list is 'internal'. This setting is useful as a backup to a primary source selection When set to Automatic, should the primary
source fail, the clock will revert to the secondary - Internal (which is equivalent to the Master Clock).
As default the console is set to Slave, if it receives no clock it defaults to the internal clock. When the console is set to be slave it can slave from FOH AES3 ports,
HyperMAC ports, SuperMAC ports, Word Clock, AES3 with a secondary slave option available should the 1st fail. Clocking can come via 3 sources:
1. Console
2. I/O Stage Box
3. Other device (via AES3 or Word Clock Input).
Metering Preferences
The Metering Preferences section of the Preferences screen provides global parameter adjustment of all of the
meters on the control surface.
Meter Delay control adjusts the meter delay time, in the range 0 to 2 seconds. For example, if the control surface is at the FOH position, this function allows you to
synchronise the meters with the audio being heard. This is because the sound from the artist on the stage will take a certain amount of time to reach you, whereas the
meters pick up that sound at source. Click the Delay Enable box to select this function. The delay time is displayed in milliseconds (ms).
Meter Decay control adjusts the time it takes the meters to fall, in the range 10 to 25 milliseconds.
Pre Fader option can be used to switch the output channel meters to pre-fader.
Redundancy
HyperMAC redundancy sets both HyperMAC ports to mirror each other for true redundancy. A KT AS80 will be required to use this function.
SuperMAC redundancy sets all 4 local AES50 ports to mirror each other for true redundancy, 1&2 and 3&4. This only works for DL15x, DL231 and DL25x I/O devices.
Spectrum Analyser
FFT size - Controls the resolution of the analyser, higher value gives more precise frequency detection but slower response rate
Overlap - Refresh rate of analysis. Higher values give better response rate.
Windows - Dierent windows types have dierent properties. Each window represents a trade-o between frequency resolution, amplitude roll o and noise oor.
Hamming and Hanning windows are suitable for most applications as they have good frequency resolution and reduce noise leakage, Hanning provides better
elimination of noise.
Blackman-Harris is similar to Hamming and Hanning but has a less steep noise reduction if greater frequency content is required.
Rectangular provides no noise reduction which is suitable for broadband frequency content.