Manual

ManualsBrandsMidas ManualsDigital MixersLive Digital Console Control Centre with 144 Input Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case

171

172

173

174

175

176

177

178

179

180

Table Of Contents

HD96-24 Overview
Chapter 1. Introduction
- About this Manual
- Training
- System Firmware Version
- Touchscreen
- Warranty and Registration
- Service and Support
- Commonly Used Terms and Definitions
Chapter 2. HD96-24 Overview
- Introducing the HD96-24 Digital Mixing System.
- Overview
- Key features
- Applications
- System Components
- System Busses
- Processing
- Audio Physical Connections
- Network
- mCloud Network
- HD96-24 software
- Graphic User Interface (GUI)
- System Card Expansion
Chapter 3. System Setup
- Initial set-up procedure
- Unpacking the equipment
- Ventilation
- Racking the I/O
- Connection instructions
- System components
- Powering the system
- Switching on the HD96-24
- To switch off the HD96-24 surface
- Setting up the ID of the unit(s)
- To set up the ID of a I/O unit
- I/O Box Update
- Connection to the internet
- Hardware Connections
Chapter 4. Before You Start
- Principles of operation
- Operating modes
- Hints and tips
- Setting up a User Profile
- Saving your work
- Saving a show versus storing a scene
- Shutting Down the Control Surface Correctly
- mCloud system
- mCloud support
- Initial Setup
- Setting up a User Profile
- Safe Mode
Chapter 5. About the Control Surface
- Overview of the Control Surface
- Control Surface Layout
- Channel strip layout
- Global Assignable Shortcuts
- Channel Detail Area
- Front and rear panel connections
- External interfaces and peripheral devices
Chapter 6. Navigation
- Navigating via the surface detail area
- Navigating via the GUI Menu Bar
- Side Bar Menu
- Widgets and Rotary Controls
- Workflow Modes Overview
- Overview
- Side Bar Pop Op Display
- Tags and Pops
- Clipping Channels
- Bus Setup and Outputs Management
- Meter Bridge
- Channel View
- Console View
- FOH View
- Automation View
- Navigating via Touch Screen Faders
- Navigating via the Layer Overview/Channel Strips area
- Navigation via Global Assignable Shortcuts area
- Navigation via Pinned Fader and Assignable Controls
- Flip Mode
- One Shot Pot
- Clipped Channels, fault finding a problem channel
- Console Layout Configuration (Navigation)
- Creating a Custom Layout
Chapter 7. Patching
- Introduction
- Terms used in patching:
- About the Patching screen
- Adding new I/O Devices
- Configuring the I/O rack devices
- To edit an I/O device:
- Removing I/O Devices
- Internal Patch Points
- Internal Patching Destinations
- Internal FX
- CM-1 Port Patching
- Patching tips
- Channel Detail and Action Area
Chapter 8. Basic Operation
- Scene and show management (Automation)
- Clear the Console
- Saving and Loading show files to a USB memory stick
- Saving and Loading show files to the mCloud
- Save & Mark
- Rollback
- Load Options
- Automate patching preferences:
- Naming Page
- Channel Tags
- Channel Configuration (Config)
- Setting a Pre-Amp’s input gain
- Linking & Stereo
- Patching
- Direct Output
- Options
- Configuration Pages for Outputs
- Linking & Stereo (Outputs)
- Patching (Outputs)
- Direct Input
- Options
- Oscillator (Output Widget)
- Setting the HPF and LPF
- Input equalisation
- True Audition
- Output processing
- Input Dynamics Processing (Dynamics Section)
- Using VCA & POP groups
- How to configure a VCA/POP group:
- Alternative way to assign VCA/POP groups
- Routing to master stereo outputs
- Manchino Multi Edit Page (Basic introduction)
- Security (locking mode)
Chapter 9. Stereo Linking
- Input Linking & Stereo page
- Aux Linking & Stereo page
- Linking the Master Channels
Chapter 10. Panning
- Stereo panning
Chapter 11. Soloing
- Solo Button Functions
- Using Solo A/B
- Solo Hierarchy
- VCA Solo
- Solo In Place (SIP)
- Solo Management
- Solo System Configuration
- Sources
- Summing
- Solo System
Chapter 12. Chapter 12: Muting
Chapter 13. Monitors and Shout Configuration
- Monitor Configuration (A and B)
- Delay
- Talkback Ducker and Limiter
- Talk and Oscillator Configuration Page
- Talk Osc Routing
- Oscillator
- Shout Mixer Configuration
- Matrix Mixer
- Shout Inputs
- Shout Outputs
- Assignment Page
- Presets
Chapter 14. Graphic EQ (GEQ)
- Overview of the GEQs
- Features
- Controls
- Proportional-Q Vs Constant-Q Response
- GEQ Filters
- GEQ Patching
Chapter 15. Internal Effects
- Effects overview
- Working with channel inserted effects
- Effects Browser
- Effect Rack
- Effect Sub-slots
- Effects Rack Safes
- FX Mode
- Effect Programs
- Reverbs:
- TC Electronic VSS4 Reverb
- TC Electronic VSS3 Reverb
- TC M350
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Delays:
- Midas Delay
- Stereo Delay
- TC 2290 Delay
- KT 1176 Limiting Amplifier
- KT Bus Compressor
- R-Comp
- Smart Dynamics Processor
- Dual De-Esser
- DSR De-esser
- PIE (Prime Input Expander)
- Stressor Compressor
- Dual Band & Brickwall limiter.
- Midas U Flange
- Midas U Phase
- Pitch Shifter
- Chorus
- Rotor Motor
- Distortion/Exciter:
- Enlightenment Bass
- Glow
- Tape Saturation
- UNCL.HD MULTIBAND DISTORTION
- M Harmonics
Chapter 16. Talk and Mute Groups
- Talk Groups
- Mute groups
- Using copy and paste
- Copy and Paste rules and restrictions
- Channels Versus Scenes
- Copy and Paste Parameters
- About the Assignable Rotary
- Controlling the Assignable rotary controls
- Pinned Channels
- Flip Target
- Global Assignable Shortcuts
- Assignables Types: Automation
- Assignables Types: Groups.
Chapter 19. Automation (Scenes and Shows)
- About Automation
- Master Scene
- Auto-save
- To create or manage a show:
- Automation controls
- Scene Creation and Recall
- Playlists
- Safes
- Scene Equaliser True Audition Preview
Chapter 20. Show Editor (Recall and Store Scope)
- About the Show Editor
- Parameters Mode Overview
- Recall Scope Mode
- Store Scope Mode
Chapter 21. Events (Automation)
- About Events
- About the Edit Event window
- MIDI
Chapter 22. Crossfade Events
Chapter 23. TBC
Chapter 24. File Management
- Show Manager
- Preset Manager
- Spreadsheet Import
Chapter 25. Multiple Consoles and Other Devices
- Sharing A and B mic preamp inputs
- Ultranet
- Using External USB Equipment
- Using External Displays
Chapter 26. Preferences (Console Configuration)
- Monitor Configuration
- Talk & Oscillator Configuration
- Solo Bus Configuration
- DSP Configuration
- Clocking
- Metering Preferences
- Redundancy
- Spectrum Analyser
- Hardware Configuration
- General Configuration
- License Information
- Console Registration
- Network Configuration
- Time Zone Configuration
Chapter 27. Delay Compensation (Latency)
- To access the delay compensation options
- Insert compensation
- GUI Delay Compensation Presets
- Master to Matrix Post-Processing
Chapter 28. Panel Connections
- Front Panel Connections
- Rear Panel Connections
Chapter 29. Inputs
- Input channel routing
- Input channel areas of the control surface
- Input Widget Area
- The following processing sections are available:
- Channel View Workflow
- Side Bar Area
- Channel View
- Sends Overview
- Send Detail Area
- Input channel delay
- Aux return mode
- Effects Insert
- Input Metering
- Input Inserts
- Options - Processing Order
- Safes
- Mic Amp Input Gain
- Dynamics and mode descriptions
- Compressor
- Compressor modes
- Corrective mode (exponential peak - fast)
- Adaptive mode (exponential RMS - accurate)
- Creative mode (linear peak - slow)
- Vintage mode (adaptive peak - bright)
- Compressor Graph
- Ratio
- Knee
- Gate
- Ducker
- Sidechain
- EQ
- Phase (All Pass Filter) Controls
- Mixes
- Input channel Pick Off points
- Masters Section and Pan Control
- LCD Displays
Chapter 30. Outputs
- Outputs on Channel Banks
- GUI channel strips
- Master Section on the control surface
- Output metering
- Bus trim (GUI only)
- Compressor (Dynamics)
- EQ (Equaliser)
- Mute, safes, level and solo
- Output channel name
- Output channel source/destination (GUI only)
- Stereo linking
- Output Configuration Patching
- Safes
- Insert
- Output channel delay
- Processing Order
- Mixes
- Masters
- Outputs macro interrogation control
- Flexi-Aux
Chapter 31. GUI Menu (Side Bar Menu)
Chapter 32. Configuring a virtual soundcheck
Chapter 33. Manchino (Multi Edit Page)
- Linecheck Page
- Equaliser Page
- Equaliser Multiple Select view
- Compressor Page
- Compressor Multiple Select View
- Gate Page
- Gate Multiple Select View
- Naming Page
- Manchino Sends Page
- Sends Unfold Channels
- Manchino Safes
Chapter 34. Update Manager
- Console Updater
- Surface Updater
- I/O Box & Device Updater
Chapter 35. Channel AI
- What is Channel AI?
- How to Turn Channel AI on
- How to profile a channel
- Adaptive Configuration Suggestions
- Individual component processing
- Trim suggestions
- EQ Suggestions
- Compressor suggestions
- Gate suggestions
- Spill
- Confidence
Chapter 36. Specifications

176 HD96-24-CC-TP User Manual

Midas U Phase

The phaser eect consists of one, or if congured for dual operation, two stereo phasers connected in serial/parallel according to mode setting. This eect is fabulous

at adding beatlesque creative movement to vocals.

Item Control Function

1 Modulation meter A Pair of 25 orange LED segments are used to show the modulation on each channel.

2 Input meters Two rows of 24 LEDs, which show input metering.

3 Rate control (channels 1 and 2) Controls the rate of modulation in Hz. Range is from 0 Hz and 40 Hz.

4 Manual control (channels 1 and 2) Sets the sweep oset for performing manual sweep. Range is from 500 Hz to 24 kHz.

5 HI EQ control

Adjusts the amount of HF (high EQ) cut or boost applied to the eect output (in dB). Range is from

-12 dB to +12 dB with 0 dB at top centre.

6 LO EQ control

Adjusts the amount of LF (low EQ) cut or boost applied to the eects output (in dB). Range is from

-12 dB to +12 dB with 0 dB at top centre.

7 Mode button

Selects the operating mode: single; dual series; dual parallel; linked series; or linked parallel. When

linked, modulation of phasers 1 and 2 are linked.

8 Sweep button Sets the modulation waveform shape.

9 Stages button Selects the number of all pass stages, which sets the number of notches in the frequency response.

10 Depth control

Controls the intensity of the eect by setting the depth of phasing lters. Range is from 0% to

100%.

11 Spin control Adjusts the amount of relative phase of left/right modulation. Range is from 0% to 100%.

12 Feedback control

Adjusts the amount of negative/positive feedback applied to the delay. Controls the number of

repeats. Range is from -100% to +100%, with 0% at top dead centre.

13 Blend control Adjusts the mix between dry (0%) wet (100%).

14 Gain control knob Adjusts the signal level (dB). Range is -±20dB, with 0dB at top centre.

15 Out meters Two rows of 24 LEDs, which show output metering.

16 Power button Switch the Phaser eect on and o. Illuminates red to indicate eect is on.