Manual
Table Of Contents
- HD96-24 Overview
- Chapter 1. Introduction
- Chapter 2. HD96-24 Overview
- Chapter 3. System Setup
- Initial set-up procedure
- Unpacking the equipment
- Ventilation
- Racking the I/O
- Connection instructions
- System components
- Powering the system
- Switching on the HD96-24
- To switch off the HD96-24 surface
- Setting up the ID of the unit(s)
- To set up the ID of a I/O unit
- I/O Box Update
- Connection to the internet
- Hardware Connections
- Chapter 4. Before You Start
- Chapter 5. About the Control Surface
- Chapter 6. Navigation
- Navigating via the surface detail area
- Navigating via the GUI Menu Bar
- Side Bar Menu
- Widgets and Rotary Controls
- Workflow Modes Overview
- Overview
- Side Bar Pop Op Display
- Tags and Pops
- Clipping Channels
- Bus Setup and Outputs Management
- Meter Bridge
- Channel View
- Console View
- FOH View
- Automation View
- Navigating via Touch Screen Faders
- Navigating via the Layer Overview/Channel Strips area
- Navigation via Global Assignable Shortcuts area
- Navigation via Pinned Fader and Assignable Controls
- Flip Mode
- One Shot Pot
- Clipped Channels, fault finding a problem channel
- Console Layout Configuration (Navigation)
- Creating a Custom Layout
- Chapter 7. Patching
- Chapter 8. Basic Operation
- Scene and show management (Automation)
- Clear the Console
- Saving and Loading show files to a USB memory stick
- Saving and Loading show files to the mCloud
- Save & Mark
- Rollback
- Load Options
- Automate patching preferences:
- Naming Page
- Channel Tags
- Channel Configuration (Config)
- Setting a Pre-Amp’s input gain
- Linking & Stereo
- Patching
- Direct Output
- Options
- Configuration Pages for Outputs
- Linking & Stereo (Outputs)
- Patching (Outputs)
- Direct Input
- Options
- Oscillator (Output Widget)
- Setting the HPF and LPF
- Input equalisation
- True Audition
- Output processing
- Input Dynamics Processing (Dynamics Section)
- Using VCA & POP groups
- How to configure a VCA/POP group:
- Alternative way to assign VCA/POP groups
- Routing to master stereo outputs
- Manchino Multi Edit Page (Basic introduction)
- Security (locking mode)
- Chapter 9. Stereo Linking
- Chapter 10. Panning
- Chapter 11. Soloing
- Chapter 12. Chapter 12: Muting
- Chapter 13. Monitors and Shout Configuration
- Chapter 14. Graphic EQ (GEQ)
- Chapter 15. Internal Effects
- Effects overview
- Working with channel inserted effects
- Effects Browser
- Effect Rack
- Effect Sub-slots
- Effects Rack Safes
- FX Mode
- Effect Programs
- Reverbs:
- TC Electronic VSS4 Reverb
- TC Electronic VSS3 Reverb
- TC M350
- Ambience Reverb
- Vintage Room Reverb
- Chamber Reverb
- Hall Reverb
- Plate Reverb
- Delays:
- Midas Delay
- Stereo Delay
- TC 2290 Delay
- KT 1176 Limiting Amplifier
- KT Bus Compressor
- R-Comp
- Smart Dynamics Processor
- Dual De-Esser
- DSR De-esser
- PIE (Prime Input Expander)
- Stressor Compressor
- Dual Band & Brickwall limiter.
- Midas U Flange
- Midas U Phase
- Pitch Shifter
- Chorus
- Rotor Motor
- Distortion/Exciter:
- Enlightenment Bass
- Glow
- Tape Saturation
- UNCL.HD MULTIBAND DISTORTION
- M Harmonics
- Chapter 16. Talk and Mute Groups
- Talk Groups
- Mute groups
- Using copy and paste
- Copy and Paste rules and restrictions
- Channels Versus Scenes
- Copy and Paste Parameters
- About the Assignable Rotary
- Controlling the Assignable rotary controls
- Pinned Channels
- Flip Target
- Global Assignable Shortcuts
- Assignables Types: Automation
- Assignables Types: Groups.
- Chapter 19. Automation (Scenes and Shows)
- Chapter 20. Show Editor (Recall and Store Scope)
- Chapter 21. Events (Automation)
- Chapter 22. Crossfade Events
- Chapter 23. TBC
- Chapter 24. File Management
- Chapter 25. Multiple Consoles and Other Devices
- Chapter 26. Preferences (Console Configuration)
- Chapter 27. Delay Compensation (Latency)
- Chapter 28. Panel Connections
- Chapter 29. Inputs
- Input channel routing
- Input channel areas of the control surface
- Input Widget Area
- The following processing sections are available:
- Channel View Workflow
- Side Bar Area
- Channel View
- Sends Overview
- Send Detail Area
- Input channel delay
- Aux return mode
- Effects Insert
- Input Metering
- Input Inserts
- Options - Processing Order
- Safes
- Mic Amp Input Gain
- Dynamics and mode descriptions
- Compressor
- Compressor modes
- Corrective mode (exponential peak - fast)
- Adaptive mode (exponential RMS - accurate)
- Creative mode (linear peak - slow)
- Vintage mode (adaptive peak - bright)
- Compressor Graph
- Ratio
- Knee
- Gate
- Ducker
- Sidechain
- EQ
- Phase (All Pass Filter) Controls
- Mixes
- Input channel Pick Off points
- Masters Section and Pan Control
- LCD Displays
- Chapter 30. Outputs
- Outputs on Channel Banks
- GUI channel strips
- Master Section on the control surface
- Output metering
- Bus trim (GUI only)
- Compressor (Dynamics)
- EQ (Equaliser)
- Mute, safes, level and solo
- Output channel name
- Output channel source/destination (GUI only)
- Stereo linking
- Output Configuration Patching
- Safes
- Insert
- Output channel delay
- Processing Order
- Mixes
- Masters
- Outputs macro interrogation control
- Flexi-Aux
- Chapter 31. GUI Menu (Side Bar Menu)
- Chapter 32. Configuring a virtual soundcheck
- Chapter 33. Manchino (Multi Edit Page)
- Chapter 34. Update Manager
- Chapter 35. Channel AI
- Chapter 36. Specifications
151 HD96-24-CC-TP User Manual
Item Control Function
1 Tap - Button Tap tempo button. Requires a minimum of 3 taps to attain an accurate tempo.
2 Global - Button Follows the global tap tempo when active and allows the surface tap button to be used
3 Mode - Button Switches between BPM and ms in the display.
4 Delay Time - Display Shows the current delay time in either BPM or ms depending on settings
5 BPM/ms - Display Shows current tempo display mode.
6 Down Arrow - Button Moves the tempo down by either 1 ms or 0.1 BPM depending on mode.
7 Up Arrow - Button Moves the tempo up by either 1 ms or 0.1 BPM depending on mode.
8 X2 - Button Doubles the current ms or divides by 2 if in BPM mode.
9 Tempo - Control
Adjust the tempo with a pop up rotary control (can be locked to screen). 1ms - 2 s or 1 BPM - 2000
BPM. X2 Double the maximum possible time.
10 Low Freq Cut - Control Swipe the graph to change the low frequency cuto point. 10 Hz - 500 Hz
11 High Freq Cute - Control Swipe the graph to change the high frequency cuto point. 200 Hz - 20 kHz
12 Low Freq Cut - Rotary Control Press number for rotary control of low frequency cuto point.
13 High Freq Cut - Rotary Control Press number for rotary control of high frequency cuto point.
14 Low Freq Cut Post FB - Button Places the low cut lter after the feedback tail.
15 High Freq Cut Post FB - Button Places the high cut lter after the feedback tail.
16 Bypass - Button Bypass the delay, signal still runs through the eect.
17 Mix - Control Adjusts the wet/dry balance. Turn fully right for a completely wet signal.
18 Feedback - Control
Adjusts the amount of negative/positive feedback applied to delay. Controls the number of repeats.
Range is from 0% to 100%.
19 Input - Meter 29 LEDs which show stereo input metering.
20 Output - Meter 29 LEDs which show stereo output metering.
TC 2290 Delay
The TC 2290 is a classic studio and live sound delay unit which is widely viewed as one of the best delay eects ever made.
Insert vs Aux Eect
The TC2290 can be inserted directly into an eect slot on a single channel, which passes the entire signal through the eect. In this case, note that the direct input
signal becomes mono before it is panned, either statically or modulated. This occurs when the PAN/DYN section DIRECT button is engaged.
However, the TC2290 can also be added to an aux bus and one or more channels can send a portion of their signal to this bus to be processed by the eect. The output
of the eect is then mixed back in with the rest of the tracks. This diers from an insert eect in that the TC2290 isn't aecting the track's entire signal, so the direct
signal cannot be modulated using the MOD buttons in the PAN/DYN section. In this setup, the Mix parameter should always be set to 100%.
Mono/Stereo Operation
The TC2290 can be used both as a mono instance on mono channels and a stereo instance on stereo channels.
In the case of a mono out instance, the output signal is made by outputting the left plug-in channel only. In this case, panning should not be used.
Meters
The meter section gives feedback about the incoming and outgoing audio signals. The input level displays the audio as it enters the plug-in and is not aected by
adjustments to the input level control or any other parameter. The output meter is aected by the results of the eect as well as the output level control parameter.
Glob. Tap
The TC 2290 can follow the global tap tempo set from the console. When engaged the Delay Time control adjusts the divide parameter from: 1/16T, 1/16, 1/16 dotted,
1/8T, 1/8, 1/8 dotted, ¼T, ¼, ¼ dotted, ½T, ½, ½ dotted, 1T, 1, and 1 dotted. This is a great way to create “Dub” eects when using T or dotted timings.