OPERATORS MANUAL Klark Teknik Group Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel: +44 1562 741515 Fax: +44 1562 745371 Email:Sales@ktgplc.com Websites: www.midasconsoles.com www.klarkteknik.com MIDAS Legend 3000 Console Operators Manual DOC02-L3000 Issue 1.2 - March 2004 Due to a policy of continual product improvement, specification and features may be subject to change without notice.
IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE AVIS: RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR These symbols are internationally accepted symbols that warn of potential hazards with electrical products.
Walter Nash Road, Kidderminster, Worcestershire. DY11 7HJ. England Tel: (44) (0) 1562 741515. Fax: (44) (0) 1562 745371 Company Registration No: 2414018 abc abc S I G N A L P R O C E S SI N G B Y D E F I N I TI O N DESIGNED FOR A PURE PERFORMANCE DECLARATION OF CONFORMITY We, Klark Teknik Group (UK) Plc of, Klark Teknik Building, Walter Nash Road, Kidderminster, Worcestershire, DY11 7HJ.
ATTENTION! The following special limitations apply to the console and must be observed in order to maintain safety and electromagnetic compatibility performance: POWER CONNECTION The console should only be operated with the power supply connected to ground via its mains supply connector. CONTROL CONNECTIONS The console should only be operated with high quality screened control cables. All connector shells should be of metal construction so that they provide a screen when they are plugged into the console.
LEGEND 3000 CONNECTORS Terminator Consoles can be linked using the Midas Can Bus. Depressing the terminator defines the end of the chain and prevents any possible unwanted signal being sent back up the chain.
CONTENTS Midas L3001 Mono Input Module Input Pod FOH EQ MON EQ Midas L3011Mix Output Module Meter Section Talk Back Section Mix Section VCA Master Section Midas L3021 Master Module Aux Return Section Group Section Matrix Section Automation Central Control Section Assign Keys and Mode Switches Snapshot Automation System Monitor Section Master Section Automation System Control Automation System System Layout Menu Overview V1.
48V PAD hi-pass 160 60 12 O 6 +25 +35 20 3 +15 +60 gain 0 400 3 -6 0 6 MON treble 5k 10k -15 +15 18 2k 0 20k -6 MON 1k 3k -15 400 8k Midas L3001 Mono Input Module +15 0.4 hi-mid front of house 0.1 2 0.4 EQ 300 1k 100 2k lo-mid 2 0 -6 MON 50 0.
Input Pod The 48V switch connects 48 volt phantom power to the XLR mic input connector. This is suitable for a condenser microphone or DI box. A parallel line input is also provided via a jack which is protected from application of 48V. The PAD switch gives 30dB of attenuation to the input signal which will allow the connection of high output microphones or line level signals. There is a global disable for the 48V on the Talk Back section -see page12.
FOH EQ The HI PASS filter control is continuously adjustable from 20Hz to 400Hz. The MON switch connects the treble EQ to operate in the monitor signal path as well as the front of house signal path. The HI PASS switch connects the filter in the input channel signal path before the insert point and equaliser. hi-pass 60 160 20 400 NOTE:- the signal path beyond this point is split into two - FOH and MON.
MON EQ The hi mid FREQ. control gives continuous adjustment of the frequency range that the hi mid equaliser acts on from 400Hz to 16KHz. 4k 1k hi-mid 2 400 0 16k The HI MID control gives continuous adjustment of boost and cut from + 15dB to - 15dB with a 0dB centre detent. -6 The lo mid FREQ. control gives continuous adjustment of the frequency range that the hi mid equaliser acts on from 50Hz to 2KHz.
0 0 The AUX controls (1 to 12) give continuous adjustment of the level sent from the input channel to the aux busses. The level adjustment is from + 6dB to off. All aux busses can be globally assigned to derive signals from the FOH signal path or MON signal path. The switch to do this is located on the mix output module.
c The PAN defaults to control the channel placement within the master stereo mix and has a constant power law. i.e. - 3dB at the centre position. The PAN switch changes all group bus assignments to operate via the stereo pan pot. pan l lcr stereo image PAN The SIS switch enables the spatial imaging system which operates in conjunction with the pan control to produce a left, centre, right master mix.
The MON MUTE switch mutes the monitor input channel signal path at all points after the insert send. The switch can be controlled from snapshot automation. monitor MUTE 10 5 MUTE 0 The FOH MUTE switch mutes the front of house input channel signal path at all points after the insert send. The switch can be controlled from snapshot automation. f.o.h. 5 10 10 20 30 40 50 5 The MON and FOH FADERS give independent adjustment of the monitor and front of house input channel levels from + 10dB to off.
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1 3 2 5 4 6 8 7 10 9 12 11 12 12 12 12 12 12 12 12 12 12 12 12 9 9 9 9 9 9 9 9 9 9 9 9 6 6 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6 6 6 6 6 6 6 6 9 9 9 9 9 9 9 9 9 9 9 9 12 12 12 12 12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 15 15 15 15 18 18 18 18 18 18 18 18 18 18 18 18 mixes LC 311 Midas L3011 Mi
Meter Section The METER monitors the peak signal level of the post fader mix outputs.
dimmers littlite Talk Back Section T h e L A M P BRIGHTNESS control is a dimmer for the console littlites. The LED BRIGHTNESS control is a dimmer for the console surface led's. led oscillator The PINK switch overrides the oscillator by giving a pink noise output. 100 1k 50 5k PINK frequency The GENERATOR ON switch connects the signal generator output to the console's internal talk busses and to the talk external output XLR.
The talk LEVEL gives continuous adjustment of the post limiter signals from +10dB to off. talk back The TALK XLR socket accepts balanced 150 Ohm microphone signals. The microphone amplifier gain is factory set to 50dB and operates in conjunction with a peak limiter which is set to +10dBu. 0 NEUTRIK gain 1 2 3 ON mic The talk to GRP 1-4 switch connects the talk mic and generator circuits to group 1,2,3 and 4 busses.
The ambience GAIN control gives continuous adjustment of the ambient mic amplifier gain from + 15dB to + 60dB. +35 +25 +15 gain +60 +48 The hi mid FREQ. control gives continuous adjustment of the frequency range that the hi mid equaliser acts on from 400Hz to 8KHz. The TREBLE control gives continuous adjustment of the treble equaliser boost and cut from + 15dB to - 15dB with a 0dB centre detent. The 48V switch connects 48 volt phantom power to the ambienceXLR mic input connector.
A large led display illuminates when signals are present on the return talk back to prompt the operator to solo the signal. +25 The return talk back GAIN control gives continuous adjustment of the talk back mic amplifier gain from + 15dB to + 60dB. 48V phantom power is connected to this XLR input connector. The return talk back SOLO switch connects the talk signal onto the solo busses so that it can be monitored.
Mix Section The MON switch acts globally across a single mix bus. It changes the input module and stereo aux return module sends so that they derive signal from their monitor signal paths in place of their front of house signal paths. 1 2 MON The TALK switch connects the talk mic and generator circuits to the mix bus. MON 0 0 +6 +6 ambience TALK The TREBLE control gives continuous adjustment of boost and cut from + 15dB to - 15dB with a 0dB centre detent.
The lo mid WIDTH control gives continuous adjustment of bandwidth from 0.1 to 2 octaves with a 0.4 octave centre point. 2 0.4 300 The LO MID control gives continuous adjustment of boost and cut from + 15dB to - 15dB with a 0dB centre detent. 100 2 1k 300 1k 2k 100 2k 6 +15 -15 +15 100 50 50 20 100 200 20 0 6 The bass FREQ. control gives continuous adjustment of the frequency range that the bass equaliser acts on from 20Hz to 200Hz. The bass equaliser has a shelving response.
The MUTE switch mutes the mix output. The switch can be controlled from snapshot automation. MUTE MUTE SOLO SOLO 10 The MIX FADER provides continuous adjustment of mix levels from + 10dB to off. 5 0 5 10 20 30 40 50 dB 1 mix 17 2 The SOLO switch sends mix signals to the MON PFL/AFL busses and the FOH PFL/AFL stereo busses.
VCA Master Section The VCA MUTE switch acts on the pre and post fader signals of any input channels which are assigned to the VCA master. The switch can be controlled from snapshot automation. If desired the MUTE can be changed to operate as an independent AUTO MUTE switch. This is setup in the SYSTEM menu on the central automation control. MUTE MUTE SOLO SOLO vca 1 vca 2 10 The VCA MASTER FADER controls the output level of any input channels which are assigned to the VCA master from +10dB to off.
1 3 2 5 4 6 8 7 c l ambience (solo level) r 12 12 12 12 12 12 12 12 12 12 12 12 9 9 9 9 9 9 9 9 9 9 9 9 6 6 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6 6 6 6 6 6 6 6 9 9 9 9 9 9 9 9 9 9 9 9 12 12 12 12 12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 15 15 15 15 18 18 18 18 18 18 18 18 18 18 18 18 LC 321 mast
Aux Return Section The METER monitors the peak signal level of the Group, Stereo Return or Matrix signals. Selection is made via the Meter Selector switches on the talk back section of the output module.
The STEREO EFFECTS RETURN LEVEL control provides nominal adjustment of input signals from +10 to off. The treble FREQ. control gives continuous adjustment of the frequency range that the treble equaliser acts on from 2KHz to 20KHz. The treble equaliser has a shelving response. 0 stereo effects return +10 1 10k 5k 0 2k 20k treble The hi mid FREQ. control gives continuous adjustment of the frequency range that the hi mid equaliser acts on from 600Hz to 8KHz. 1k5 600 8k The lo mid FREQ.
The AUX controls (1 to 12) give continuous adjustment of the level sent from the stereo effects return to the aux busses. The level adjustment is from + 6dB to off. All aux busses can be globally assigned to derive signals from the FOH signal path or MON signal path. The switch to do this is located on the mix output module. The MON MUTE switch mutes the stereo effects return monitor signal path at all points. The switch can be controlled from snapshot automation.
The PAN defaults to control the channel placement within the master stereo mix and has a constant power law. i.e. - 3dB at the centre position. The FOH MUTE switch mutes the front of house stereo effects return signal path at all points. The switch can be controlled from snapshot automation. MUTE The SOLO switch sends stereo effects return monitor channel signals to the MON PFL/AFL busses and sends front of house stereo effects return signals to the FOH PFL/AFL stereo busses.
Group Section The PAN defaults to control the placement of the group signals within the master stereo mix and has a constant power law. i.e. - 3dB at the centre position. The MONO switch connects the post fader group signal to the mono master bus. The MUTE switch mutes the group signal path at all points after the insert send. The switch can be controlled from snapshot automation.
Matrix Section The METERS directly above the matrix section are used to monitor the peak signal levels of the Masters and Solo Monitors. Meter selection defaults to Master L, C, R and Ambient input but when a solo is active the meters show FOH solo L, C, R and Monitor solo levels. If the solo is monitored pre fade the meters follow this selection also and provide pre fade metering (in mono). Matrix metering is provided for in the Mix output section.
The MATRIX SEND rotary controls (1 to 8) give continuous adjustment of the levels sent from the group outputs to the matrix busses. The level adjustment is from + 6dB to off. 1 3 0 0 +6 2 +6 0 0 +6 4 +6 0 5 0 +6 6 +6 0 The LEFT/RIGHT rotary controls give continuous adjustment of the levels sent from left and right master outputs to the matrix busses. The level adjustment is from + 6dB to off.
Automation Central Control Section Assign Keys And Mode Switches The VCA FOH, VCA MON, GROUP and AUX switches set the current assignment/display mode for the input module assign LEDs. As a default these switches interlock so that only one mode can be viewed at a time, however if they are pressed down for more than 0.5 second the interlock is removed. This is used for "clear mode" (see below).
Snapshot Automation System The SOLO IN PLACE switch sets the console to solo in place mode. In this mode any input solo that is pressed activates a mute of all the other channels. To protect against accidental operation the solo in place switch must be pressed for 3 seconds before it will operate. The LOCK switch will toggle state each time it is pressed. When the LOCK switch is illuminated all assignment changes are disabled.
The system menu contains LOCK which defines the level of console operation. These levels are: TOTL All automation and assignment functions are disabled A-LK All assignments work but automation is dissabled. RCAL Only recall and assignment functions are available. STOR Scene storage/editing, recall and assignment are operational SYST All functions are available. The COPY, DELETE and INSERT keys allow the operator to edit the snapshot sequence in the following manner:- lock INSERT.
lock s-i-p (hold 3secs) active system a b store insert Snapshots can be stored in the automation system as ACTs or SCENEs. There is no difference between an ACT or a SCENE apart from the numbering; scenes are just sub sets within acts. The ACT/SCENE C/O switch is used to select the acts or scenes in conjunction with the UP/DOWN switches. An appropriate indication, "ACT" or "SCENE", will be illuminated to indicate this status. The LAST, NOW and NEXT switches recall snapshots to the console surface.
Monitor Section The SIS switch routes solo signals to the mono and stereo local monitor outputs with full left, centre, right imaging. This overrides any signals sent from other sources when ever a solo is active on the console. The MONO SOLO TRIM adjusts the incoming solo level before sending it to the monitor output. The control range is from +6dB to off with a centre detented 0dB calibration point. The STEREO SOLO TRIM adjusts the incoming solo level before sending it to the monitor output.
Master Section The BALANCE control provides a bus trim for the left and right master signal paths (prior to the insert point). c l r balance The stereo master MUTE switches cut the post fader output signals but CAN NOT be used as part of the console snapshot system. MUTE MUTE The mono master MUTE switch cuts the post fader output signal fader but CAN NOT be used as part of the console snapshot system.
Automation System Control 33
Legend Automation System Overview The Legend Automation System allows the storage of the following function settings scene by scene: FOH Master VCA Assignment Monitor Master VCA Assignment Input Automute Assignment I/P Channel Mute Assignment Aux Return Mute Assignment FOH Output Mute Assignment Group Output Mute Assignment Matrix Output Mute assignment Master VCA Mute Assignment 4 Midi Out Messages per Scene Midi Message the scene will be recalled System Layout The Mute switches may either be selected as
Legend Menu Overview Ver 2.00 Key This symbol denotes a CONFIRM button press This symbol denotes a SYSTEM button press This symbol denotes a MIDI button press Menu Button Menu 1st Level Menu 2nd Level SYSTEM MENU LOCK TOTL RCAL STOR SYST All automation and assignment functions are disabled. Only recall and assignment functions are available. Scene storage, editing, recall and assignment are available. All Functions are available.
Selecting the Different Lock States of the Console To Lock Assignments 1 The LOCK switch toggles state each time it is pressed. When the LOCK switch is illuminated all assignment changes are disabled. The console will automatically revert to a locked state if no assignment controls are operated within a 90 second period. To start assigning controls disable this button.
Assigning Functions 1 The ASSIGN KEYS are used to change settings between INPUT VCA FOH (VCA MON if held for 3s), MUTE FOH (MUTE MON if held for 3s) , AUDIO GROUP or AUX assignment in conjunction with the SET switch on each channel. 2 To un-lock the assignment function first press the LOCK Mute/ Group lock s-i-p switch so that the LED is off. active system mon mute (hold 3secs) (hold 3secs) a b mute v.c.a.
Assigning VCA’s To The FOH Signal Path Mute/ mon mute Group lock (hold 3secs) s-i-p (hold 3secs) active system a b mute v.c.a./ mon vca aux / check (hold 3secs) store insert 1 2 3 4 midi system delete copy check cancel confirm 5 6 7 8 10 11 12 3 To assign a VCA to the FOH signal path you must first press the VCA button so that its LED is illuminated. This indicates that the 10 LED’s on the input channel now indicate assignment of VCA’s to the FOH signal path.
Assigning Automutes To The FOH Signal Path 1 To use Automutes on the FOH or Monitor signal path, you must first select AUTO as the MUTE type in the SYSTEM Menu: Press SYSTEM and using the UP/DOWN buttons scroll to MUTE, press CONFIRM Using the UP/DOWN switches select AUTO on the display and press CONFIRM. The Mute switches above the Master VCAs are now configured as Automute masters. Mute/ mon mute Group lock (hold 3secs) s-i-p (hold 3secs) active system a b mute v.c.a.
Assigning VCA’s To The MON Signal Path Mute/ mon mute Group lock (hold 3secs) s-i-p (hold 3secs) active system a b mute v.c.a./ mon vca aux / check (hold 3secs) store insert 1 2 3 4 5 6 7 8 midi system delete copy check cancel confirm act scene act/scene down c/o 9 10 11 12 last now 2 To enter ASSIGNMENT mode first press the LOCK switch (to un-lock the assignment system). So that the LED is off.
Assigning Automutes To The Monitor Path 1 To use Automutes on the FOH or Monitor signal path, you must first select AUTO as the MUTE type in the SYSTEM Menu: Press SYSTEM and using the UP/DOWN buttons scroll to MUTE, press CONFIRM Using the UP/DOWN switches select AUTO on the display and press CONFIRM. The Mute switches above the Master VCAs are now Automute masters. Mute/ mon mute Group lock (hold 3secs) s-i-p (hold 3secs) active system a b mute v.c.a.
Scene Storage Once the console operational surface has been set up, you will now be ready to store the scene into the Automation System. To do this follow these steps: Mute/ mon mute Group lock (hold 3secs) 1 Ensure that the console is Unlocked into wither SYST or STOR. s-i-p (hold 3secs) active system a b mute v.c.a./ mon vca aux / check (hold 3secs) store insert 1 midi system delete copy 2 2 Using the Up/Down swithces select the Act/Scene number where you wish to store the scene.
Recalling Scenes: There are 3 methods by which scenes can be recalled: 1/ Stepping through existing scenes using the LAST and NEXT switches. This steps through the scenes in numerical order. 2/ Select the Act/Scene number using the ACT/SCENE, UP and DOWN switches. When the correct scene number is displayed, press the NOW switch and the scene will be recalled.
Editing Midi Output Message: 1/ Pressing the MIDI switch places you in the MIDI menu. 2/ Using the UP and DOWN switches scroll through OUT01 to 04 until the required message is reached. (On the Legend there are a maximum of 4 MIDI out messages that can be sent per recalled scene). Press CONFIRM. 3/ Using the UP and DOWN switches scroll through the menu until the screen reads the MIDI Out protocol you wish to send and press the CONFIRM switches. 4/ The window will read CH00.
Setting The Console To Respond To MIDI Changes: The console may be programmed to recall scenes when receiving either MIDI Program Changes, Note On or Note Off messages. The protocol you wish console to respond to may be selected using the following method: Note : To access this menu you must be in ‘SYS’ Lock Mode. Enabling The Console To Respond To MIDI: 1/ Press the SYSTEM menu switches and scroll down to AUTO, press CONFIRM. 2/ Scroll to ENAB -(ENABle).
Programming A Scene To Respond To A Specific MIDI Message: To program a scene to respond to a MIDI message the following steps must be followed: 1/ Recall the scene you wish to program to respond to the MIDI message. 2/ Press the STORE switches. The screen will flash OVR/STR, using the UP and DOWN switches scroll to the MIDI protocol chosen in the system menu, either PRCH, N_ON, NOFF or SNGP and press CONFIRM.
Console Memory Storage to Another Media. The internal console memory can be stored either by a MIDI SYSEX dump or RS-232 down load to the Klark Teknik Utilities program Lsutils (this will require a Null Modem Cable). MIDI Sysex Dumps: To store and recall the memory of a console to and from a MIDI device (such as an MDF3 MIDI Filer) or the windows software application available from Midas . 1/ Select the SYSTEM menu, using the UP and DOWN switches select DATAand press CONFIRM.
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Frame sizes and Dimensions 49
105.00mm 4.133” 50 920.02mm 36.22” 871.89mm 34.33” 37.10mm 1.46” 114.92mm 4.52” 15° 90.20mm 3.55” These weights are approximate 72.02mm 2.84” 685.48mm 26.99” Weight (out of flight case): 28 channel 24 mono / 4 stereo 71kg 156.5lbs 36 channel 32 mono / 4 stereo 85kg 187.4lbs 44 channel 40 mono / 4 stereo 100kg 220.5lbs 52 channel 48 mono /4 stereo 114kg 251.3lbs 63.96mm 2.52” Legend 3000 Frame sizes and Dimensions 15° 257.88mm 10.15” 350.12mm 13.78” 2185.00mm 86.02” 2135.00mm 84.
Rear Panel Configuration 51
52 Midas Legend 3000 Rear Panel (32 mono channel)
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Edac Wiring Diagrams 55
56 Way Edac Connector Details = Individual Screens INPUTS 1 Mic In1 2 Mic In 2 3 Mic In 3 4 Mic In 4 5 Mic In 5 6 Mic In 6 7 Mic In 7 8 Mic In 8 9 Direct Out 1 10 Direct Out 2 11 Direct Out 3 12 Direct Out 4 13 Direct Out 5 14 Direct Out 6 15 Direct Out 7 16 Direct Out 8 This wiring pattern is the same for all input edacs.
Block Diagrams 57
VCA BUSSES 1-10 RETURN INSERT POINT SEND EDAC MULIPIN MIC/LINE JACK INPUT “B” MIC/LINE XLR INPUT “B” MON 48V PHANTOM 400 20 SET 100 50 1 2 3 4 5 6 7 8 9 10 +15 +6 -15 -6 0 bass - + PAD VCA BUS SELECT MON 0.
59 0 3 0 3 12 15 18 12 15 18 6 3 3 9 6 6 6 9 9 12 9 2 12 18 15 12 9 6 3 0 3 6 9 12 4 18 15 12 9 6 3 0 3 6 9 12 5 18 15 12 9 6 3 0 3 6 9 12 6 ST GRP groups(st.
60 TALK EXTERNAL REAR PANEL INPUT TALK BACK MIC INPUT RIGHT TAPE INPUT LEFT TAPE INPUT MIC REAR PANEL INPUT + _ + _ 3 +48V mic 2 1 NEUTRIK +48 PHANTOM +15 +25 +15 +35 +60 +40 +60 gain +25 mono +6 0 stereo bass +6 0 0 +6 +15 +20 +20 2k 1k 300 100 8k 3k 400 1k +20 +6 +15 treble 0 -15 -6 -15 -6 +6 +15 +6 ON MONO ST +15 lo-mid hi-mid 0 0 rev tb -15 -6 -15 -6 SOLO level +6 0 TAPE INPUT LEFT TAPE INPUT RIGHT MONO BUS LEFT BUS RIGHT BUS AMBIEN
61 AUTOMATION CAN BUS RETURN MIX INSERT POINT SEND TALK BUSS BUS INJECT (EDAC) MONITOR BUSS FOH BUS AMBIENCE MIC - + TALK +6 ambience 0 MON -15 6 2k 5k 0 -15 +15 6 +15 6 8k 3k 1k 0 2 0.3 6 400 20k 10k 1 -15 6 100 300 0.
RETURN MASTER RIGHT INSERT POINT SEND MASTER MONO INJECT (EDAC) MASTER MONO BUSS RETURN MASTER RIGHT INSERT POINT SEND MASTER RIGHT INJECT (EDAC) MASTER RIGHT BUSS MASTER LEFT BUSS MASTER LEFT INJECT (EDAC) SEND MASTER LEFT INSERT POINT RETURN - + - + + - 62 l balance c r 10 5 0 5 10 5 0 5 +10dB +10dB +10dB MUTE MUTE - + - + - + LEGEND 3000 MASTERS MODULE BLOCK DIAGRAM ISSUE 1 DATE 6 - 02 - 02 EDAC MASTER MONO OUTPUT MASTER MONO MONITOR FEED MASTER RIGHT MONI
63 RIGHT LINE INPUT LEFT LINE INPUT 6 20k +15 10k treble 2k SIGNAL PATH KEY = ANALOGUE SIGNALS = AUTOMATION SIGNALS +6 -15 5k -6 8k +15 3k hi-mid 600 -15 1k5 -6 0 0 1k2 +15 500 lo-mid 100 -15 250 -6 LEGEND 3000 STEREO EFFECTS RETURN BLOCK DIAGRAM ISSUE 1 DATE 7 - 02 - 02 stereo effects return 1 0 0 200 +15 100 bass 20 -15 50 -6 0 SEND RETURN INSERT POINT EQ +10dB SET LEDS ARE USED TO ASSIGN THE STEREO EFFECTS RETURN TO GROUPS DEPENDANT ON ASSIGN MASTER SWITCHES.
AUTOMATION CAN BUS GROUP TALK BUSS GROUP BUSS GROUP INJECT (EDAC) SEND GROUP LEFT INSERT POINT RETURN +10dB MUTE LEGEND 3000 GROUP MODULE BLOCK DIAGRAM ISSUE 1 DATE 6 - 02 - 02 + - 64 l SOLO pan c r SIS - + SOLO MONO ST METER FEED MATRIX BUS GROUP OUTPUT (EDAC) GROUP OUTPUT LEFT SOLO BUS CENTER SOLO BUS RIGHT SOLO BUS PFL BUS MONITOR PFL BUS MONITOR AFL BUS MONO BUS RIGHT BUS LEFT BUS
65 RETURN INSERT POINT SEND MUTE AUTOMATION EXTERNAL INPUT C R L 8 1 TALK - + +6 0 +6 0 +6 0 +6 0 +6 0 +6 ext c r l 8 1 0 +10 0 +10dB SOLO MUTE MTX meter select - + LEGEND 3000 MATRIX MODULE BLOCK DIAGRAM ISSUE 1 DATE 06 - 02 - 02 LEFT SOLO BUS RIGHT SOLO BUS CENTRE SOLO BUS FOH PFL MONITOR PFL MONITOR AFL METER MATRIX OUTPUT
+6 +6 SOLO ADD SOLO CLEAR SOLO ACTIVE -3dB -3dB stereo SOLO CLEAR ADD PFL solo LOGIC CODE mono SOLO +6dB +6dB +6dB -3dB VCA VCA VCA -3dB MUTE monitor +10 0 +10 0 - + - + - + phones MUTE LEGEND 3000 MONITOR MODULE BLOCK DIAGRAM ISSUE 1 DATE 8 - 02 - 02 MONITOR PFL BUS mono solo 0 stereo solo 0 TAPE ST MONO MONO SIS -3dB input output f.o.h.
Specification and Overview 67
LEGEND 3000 SPECIFICATION OVERVIEW AND STATISTICS. 1. The Legend 3000 is a 29 buss console with an additional 12 x 6 output matrix. The busses are as follows:8 audio groups 12 mono aux 1 stereo master 1 mono master 1 stereo AFL 1 mono PFL 1 mon AFL 2 monitor solos TOTAL = = = = = = = = 8 12 2 1 2 1 1 2 = 29 2. The Legend 3000 has 10 VCA sub groups which include VCA sub group muting. 3.
LEGEND 3000 TECHNICAL SPECIFICATIONS. Input Impedance Mic Line 2k Balanced 20k Balanced Input Gain (all faders at 0dB) Mic Continuously variable from + 15dB to + 60dB Mic + Pad Continuously variable from - 15dB to + 30dB Line Level Inputs 0dB Maximum Input Level Mic Mic + Pad Line Level Inputs + 6dBu + 31dBu + 21dBu CMR at 1kHz Mic (gain + 40dB) Mic + Pad (gain 0dB) > 80dB > 50dB Frequency Response (20 to 20kHz) Mic to Mix (gain + 40dB) + 0dB to - 1dB Noise (20 to 20kHz) Mic EIN ref.
Nominal Signal Level Mic Line Headphones - 60dBu to + 10dBu 0dBu + 10dBu Equaliser FOH & MON input Hi pass Slope Hi pass Frequency 12dB / Oct Continuously variable - 3dB point from 20Hz to 400Hz Treble Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB Treble Shelving Freq. Continuously variable - 3dB point from 2KHz to 20KHz Hi Mid Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB Hi Mid Freq.
MIDAS L3750 Power Supply 71
Power on / off switches Front View The POWER indicators show the status of all rails on the power supplies. IEC sockets DC power connector Fuses SUPPLY VOLTAGE 100-240V~ 50-60Hz 375W FUSE T 6.3A 250V MADE IN KIDDERMINSTER ENGLAND psu 1 SUPPLY VOLTAGE 100-240V~ 50-60Hz 375W FUSE T 6.3A 250V C US psu 2 Rear View 465.00mm 18.3” 482.60mm 19” Dimensions and Weights Specifications Width: 482.6mm 19.00” Height 2U: 88.50mm 3.48” Depth: 372.0mm 14.65” Depth (incl. connectors): 418.0mm 16.
Input Crib Sheet Inputs to Input No Notes: 73
