OPERATORS MANUAL Midas, Klark Teknik Building, Walter Nash Road, Kidderminster. Worcestershire. DY11 7HJ. England. Tel:+44 1562 741515 Fax:+44 1562 745371 Email: midas.info@uk.telex.com Website: midasconsoles.com MIDAS Heritage 1000 Operators Manual DOC02-H1000 Issue 1.1 - February 2003 Due to a policy of continual product improvement, specification and features may be subject to change without notice.
IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE AVIS: RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR These symbols are internationally accepted symbols that warn of potential hazards with electrical products.
Walter Nash Road, Kidderminster, Worcestershire. DY11 7HJ. England Tel: (44) (0) 1562 741515.
ATTENTION! The following special limitations apply to the console and must be observed in order to maintain safety and electromagnetic compatibility performance: POWER CONNECTION The console should only be operated with the power supply connected to ground via its mains supply connector. CONTROL CONNECTIONS The console should only be operated with high quality screened control cables. All connector shells should be of metal construction so that they provide a screen when they are plugged into the console.
HERITAGE 1000 CONNECTORS R MIDI In Pin 2: Ground Pin 4: In+ Pin 5: In- MIDI BUS IN Input / Output XLR Pin 1: Ground Pin 2: Hot Pin 3: Cold MIDI Thru Pin 2: Ground Pin 4: In+ Pin 5: InIN OUT THRU Midas Can Bus RS-232 Pin 2: Receive Data Pin 3: Transmit Data Pin 5: GND RS-232 MIDI Out Pin 2: Ground Pin 4: In+ Pin 5: In- CAN BUSS Pin 1: +18V (100mA max) Pin 2: Can low Pin 3: OV Can Pin 4: Can High Pin 5: -18V(100mA max) Input Send / Return Tip: Hot Ring: Cold Sleeve: Ground
CONTENTS Midas HS1001 Mono Input Module Midas HS1004 Stereo Input Module Midas HS1011 Group Module Midas HS1012 Stereo Aux Group Module Midas HS1021 Master Module Midas HS1041 Matrix Module Midas HS1033 Automation Module Heritage Menu Overview V2.
input B 48V 35 25 gain 15 60 PAD O treble 5k 10k 2k 20k 3k gain 1k freq hi 400 mid 0.3 8k 0.6 2 0.6 0.1 0.3 lo 0.
The INPUT B switch disconnects the main XLR input from the channel and replaces it with the second (B) input. The B input is also an XLR but it is normalled through a ¼ inch jack socket which provides a input for signals which require protection against accidental 48 volt connection. All inputs can be used for Mic or Line level signals and the input B switching facility provides an easy way to activate a back up source for critical B The treble FREQ.
0 1 level on +6 PRE PRE on 0 level 2 +6 0 3 level on +6 PRE PRE on 0 level 4 +6 0 5 level on +6 PRE The aux PRE switches change the signal sent to the aux busses from post fader to pre fader. PRE on 0 level Aux 7,8,9 and 10 can be configured as stereo level and pan if required by pressing the stereo switch on the appropriate group modules. The AUX controls (1 to 10) give continuous adjustment of the level sent from the input channel to the aux busses.
The PAN defaults to control the channel placement within the master stereo mix and has a constant power law. i.e. - 3dB at the centre position. The PAN to groups switch changes all group bus assignments to operate via the stereo pan pot. The recessed AUTOMATION DISABLE switch sets the module to a default routing state with all aux sends ON and all audio group and VCA group assignments OFF.
left 48V O 25 35 gain left right 15 60 PAD O right 0 treble 5k 15 15 0 20k 1k freq hi-mid 2k 15 15 HI Q 400 8k 0 freq lo-mid 500 15 15 HI Q 100 0 2k freq bass 100 20 15 15 400 freq EQ high pass EQ 60 160 20 400 0 level 1 +6 PRE PRE c level on on 0 2 r l 0 level 3 +6 PRE PRE c level on on 0 4 r l 0 level 5 +6 PRE PRE c level on on 0 6 r l 0 level 7 +6 PRE PRE c level on on 0 8 r l 0 level 9 +6 PRE PRE c level on
The 48V switch connects 48 volt phantom power to both of the XLR input connectors. This is suitable for a condenser microphone or DI box. The left PHASE switch activates a 180 degrees phase change within the left input amplifier. The right PHASE switch activates a 180 degrees phase change within the right input amplifier. left 25 35 gain left 60 PAD O 0 treble 5k The treble FREQ control gives continuous adjustment of the frequency range that the treble equaliser acts on from 1K to 20K.
0 level 1 +6 PRE c level PRE on 0 2 l r 0 level 3 +6 PRE The aux PRE switches change the signal sent to the aux busses from post fader to pre fader. on c level on PRE on 0 4 l r 0 level 5 +6 PRE c level on PRE on 0 6 l r 0 level 7 +6 PRE c level on PRE on 0 8 l r 0 level 9 +6 PRE c level on PRE on 0 10 l r 7 The AUX controls (1 to 10) give continuous adjustment of the level sent from the input channel to the aux busses.
The LEFT TO BOTH switch takes the left input and routes it to all left and right outputs; cutting the right input signal. The RIGHT TO BOTH switch takes the right input and routes it to all left and right outputs; cutting the left input signal. Pressing both of the above The BALANCE (pan) control is used to balance the relative levels of the left and right channel signals that are sent to the master stereo mix. The control has a constant power law, i.e.
+21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak meter 9 aux auxiliary master select TALK reverse O aux group MUTE SAFE 0 +10 level SOLO fader swap 9 master ST master MONO master SIS C pan l r group MUTE aux SAFE 10 5 0 5 10 15 20 o o 25 30 40 50 SOLO vca MUTE auto disable SAFE 10 5 0 5 10 15 20 o o 25 30 40 50 group MIDAS HS1011 9 MIDAS HS1011 Group Module
+21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak The TALK switch connect the master module talkback systems to the individual aux send busses. The master module can route it's oscillator, pink noise, external input or talk mic. meter 9 aux auxiliary master select TALK reverse O aux group 0 +10 level SOLO 9 10 The PHASE switch activates a 180 degrees phase change within the post fader aux signal path.
master ST master MONO l/r master lcr C pan The PAN defaults to control the channel placement within the master stereo mix and has a constant power law. i.e. - 3dB at the centre position. SIS l r group MUTE aux SAFE 10 The ST switch connects the post fader group signal to the master stereo bus via the pan control. The MONO switch connects the post fader group signal to the mono master bus.
vca MUTE auto disable The SAFE switch removes the VCA virtual fader and mute from snapshot automation control. SAFE 10 The VCA MUTE switch acts on the post fader signals of any input channels which are assigned to the VCA master. The switch can be controlled from snapshot automation. The recessed AUTOMATION DISABLE switch disconnects the entire module from automation control. The switch is not intended for normal console operation and it should only be used in the event of local automation failure.
+21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak meter aux 10 auxiliary master select TALK reverse O stereo aux aux group MUTE SAFE 0 +10 level SOLO fader swap 10 ST master master MONO SIS master C pan l r group aux MUTE SAFE 10 5 0 5 10 15 20 o o 25 30 40 50 SOLO vca MUTE auto disable SAFE 10 5 0 5 10 15 20 o o 25 30 40 50 group MIDAS HS1012 13 MIDAS HS1012 Stereo Aux Group Module
+21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak The TALK switch connect the master module talkback systems to the individual aux send busses. The master module can route it's oscillator, pink noise, external input or talk mic. The master STEREO AUX switch on groups 8 and 10 change the appropriate input module aux sends to be used as stereo level and pan pairs.
master stereoST group MONO master l/r master lcr C pan The PAN defaults to control the channel placement within the master stereo mix and has a constant power law. i.e. - 3dB at the centre position. SIS l r group aux MUTE SAFE 10 The ST switch connects the post fader group signal to the master stereo bus via the pan control. The MONO switch connects the post fader group signal to the mono master bus.
The VCA MUTE switch acts on the post fader signals of any input channels which are assigned to the VCA master. The switch can be controlled from snapshot automation. The SAFE switch removes the VCA virtual fader and mute from snapshot automation control. vca MUTE auto disable SAFE 10 The recessed AUTOMATION DISABLE switch disconnects the entire module from automation control. The switch is not intended for normal console operation and it should only be used in the event of local automation failure.
left center mono +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak right +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak bus peak MIDAS HS1021 Masters Module master left right pfl +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 +21 +18 +15 +12 +9 +6 +3 0 -
left +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak center mono right +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak bus peak master left pfl +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak bus peak bus peak monitor tape input 0 The LAMP BRIGHTNESS co
The MONO SOLO TRIM adjusts the incoming solo level before sending it to the monitor output. The control range is from +6dB to off with a center 0dB calibration point. The FREQ. control gives continuous adjustment of the oscillator frequency from 50Hz to 5K. The generator LEVEL control gives continuous adjustment of the signal generator peak output signals from +10dBu to off.
The SOLO ON / CLEAR switch and indicator has two functions; it illuminates when any solo switch is active and when pressed it clears any active solo switches. The SOLO ADD MODE switch allows multiple channel access to the solo busses. When the solo add mode is off the action of pressing a solo switch will cancel any previously active solo. Multiple solos such as stereo left and right signals can be monitored in this mode of operation as long as the solo switches are pressed at approximately the same time.
l u +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak bus peak TALK TALK 0 ext +6 aux 1-6 MTX 0 1 +6 0 2 +6 0 3 +6 0 4 +6 0 5 +6 0 6 aux 7-10 +6 MTX 0 7-8 +6 0 9-10 l +6 0 r c 0 +6 +6 MUTE SAFE level 0 +10 SOLO upper to lower LINK 0 ext +6 aux 1-6 MTX 0 1 +6 0 2 +6 0 3 +6 0 4 +6 0 5 +6 0 6 +6 aux 7-10 MTX 0 7-8 +6 0 9-10 +6 0 l r 0 +6 c +6
l u The TALK switches connect the master module talkback systems to the individual matrix busses. The master module can route it's oscillator, pink noise, external input or talk mic. +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 +21 +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 -24 -27 -30 -33 -36 bus peak bus peak TALK TALK The MATRIX METERS monitor the peak signal level of the matrix post fader outputs.
aux 7-10 The AUX 7-10 TO MTX switch allows matrix inputs 7 through to 10 to be sourced from the aux outputs instead of the group outputs. MTX 0 7-8 +6 0 9-10 l The CENTER (mono) rotary control give continuous adjustment of the levels sent from the mono master output to the matrix busses. The level adjustment is from + 6dB to off. +6 0 r c 0 +6 The LEFT/RIGHT dual concentric rotary controls give continuous adjustment of the levels sent from left and right master outputs to the matrix busses.
lock n-1 vca 1 mute 2 a s 3 s 4 I g 5 n 6 k e 7 y s 8 9 s-group aux a b active system MIDAS HS1033 Automation Module 10 solo in place (hold 3 seconds) automutes 1 2 3 4 5 6 7 8 9 10 virtual (hold 3 fader seconds) fast scenes automation system store midi system insert delete copy check cancel confirm act act/scene c/o last scene down up now next headphones MIDAS HS1031 24
ASSIGN KEYS AND MODE SWITCHES. The LOCK switch will toggle state each time it is pressed. When the LOCK switch is illuminated all assignment changes are disabled and virtual fader operation is locked (either on or off). The console will automatically revert to a locked state if no assignment controls are operated within a 90 second period. The VCA, MUTE, GROUP and AUX switches set the current assignment/display mode for the input module assign LED's.
The SOLO IN PLACE switch sets the console to solo in place mode. In this mode any input solo that is pressed activates a mute of all the other channels. To protect against accidental operation the solo in place switch must be pressed for 3 seconds before it will operate. The mute safe switches on the input channels can be used to protect channels from this function if desired.
SNAPSHOT AUTOMATION SYSTEM. Snapshots can be stored in the automation system as ACTs or SCENEs. There is no difference between an ACT or a SCENE apart from the numbering; scenes are just sub sets within acts. The SYSTEM switch gives the operator access to the system menu. Navigation of the menu is achieved by using the UP/DOWN switches to select an entry and then pressing CONFIRM to execute the selected function or sub menu. To exit a menu or sub menu press CANCEL.
Operating the STORE key will store the current console assignments and settings to the snap shot being displayed on the numeric display. The MIDI key allows the operator to edit the snap shot MIDI information. On entering this mode the operator will be presented with a menu of the four MIDI messages that are stored within each snap shot, its operation is similar to the system menu.
VCA MASTER FADER AUTOMATION. The fader automation operates in two main ways:REAL FADER MODE and VIRTUAL FADER MODE. vca MUTE In REAL FADER MODE all of the internal VCA systems are controlled by the real (physical) faders. The automation system can assist in the control of the real faders by prompting the operator using the 11 LED's next to each fader.
The differences between virtual fader recall and store are explained in more detail in the chart below:- Recall Mode Store Mode Recall a new scene and leds will indicate the current virtual fader positions. Note that that these leds always indicate the actual fader setting that is controlling the audio. Recall a new scene and leds will indicate the current virtual fader positions. Note that that these leds always indicate the actual fader setting that is controlling the audio.
Any virtual fader can be isolated from further scene recall by pressing the SAFE switch. After the switch is pressed it will also be possible to “pick up” the virtual fader at the recalled position and adjust it using the real fader (exactly the same as for store mode). Any subsequent scene recall will have no effect on the virtual fader position. Any virtual fader can be isolated from further scene recall by pressing the SAFE switch.
Heritage Menu Overview Ver 2.06 (Key this symbol denotes a CONFIRM button press ) Menu Button Menu 1st Level Menu 2nd Level SYSTEM MENU LOCK TOTL A-LK RCAL STOR SYST TIME All automation and assignment functions are disabled. Only Assignment functions are available Only recall and assignment functions are available. Scene storage, editing, recall and assignment operation available. All Functions are available.
Store Menu If storing new scene When storing a new scene there are no options available, the scene will be stored with the fastest cross fade speed and the display will revert back to default. Store Menu When Overstoring When Overstoring an existing scene the following options are available. OVERSTORE OVR/STOR The scene is over stored and display reverts back to scene number XFADE The cross fade speed can be set from 0.
Unlocking the Console: To unlock the mixing console press the SYSTEM menu button. Using the up/down keys scroll through the menu until LOCK is displayed, press CONFIRM. Using the up/down keys scroll through the menu until the desired level of unlock is displayed on the screen, then press the confirm button. Locking the Console: To lock the mixing console press the SYSTEM menu button. Using the up/down keys scroll through the menu until LOCK is displayed, press CONFIRM.
Storing a Scene Cont. Selecting a memory number and storing the memory: a/ The numbers in the display can be altered as follows. Select either Act or Scene using the ACT/SCENE C/O switch. You will see either act or scene illuminate below the display. b/ The digits can then be altered between 00-99 using the UP and DOWN keys. This function is looping so if you are on 00 you can go directly to 99 by scrolling down.
Editing the Cross fade Value of a Scene: a/ Recall the scene you wish to copy by selecting the scene number and pressing the NOW button. b/ Press the STORE button, and using the UP and DOWN buttons scroll through the display until XFADE is shown, press CONFIRM. c/ The current cross fade speed stored with the screen will be displayed. Using the UP and DOWN buttons select the required cross fade speed. d/ Press CONFIRM to store this new speed with the scene.
Midi In Assignment: Setting The Console to Respond to Midi Changes: The console settings can be accessed via the “AUTO” submenu after pressing the “System” button. This submenu option is only available when in “SYS” Lock-Mode. After selecting “AUTO”, there are two further sub-menus: 1. ENAB -(ENABle), this is the master switch for this function and can be set to “YES” or “NO”. Toggling this switch will not delete the other setup parameters for this function. 2.
MIDI “NOTE” to numerical value lookup table OCTAVE -2 -1 0 1 2 3 4 5 6 c 0 c# 1 d 2 d# 3 e 4 f 5 f# 6 g 7 g# 8 a 9 a# 10 b 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 02 03 04 05 06 7 8 NOTE 108 120 109 121 110 122 111 123 112 124 113 125 114 126 115 127 116
Linking Heritage Consoles together Via CAN: A maximum of 6 consoles can be linked via the CAN bus connector located at the rear of the Heritage consoles. Any mixture of any Heritage consoles may be linked H3000,H2000 or H1000.. They are linked using a cable the description of which is given on the next page.
40 3 4 Issue 1 2 3. 1. 2. Item Date 01-12-99 Notes/ECN Released to Production Male XLR From: N/A Connector (n/a ) Drawn: Checked: Approved: NA CAN_L 0V CAN CAN_H NA CHASSIS NA 7.
41 These 16 inputs can be replaced on an individual basis with the dual matrix module 32 Input channel Back Panel Heritage 1000
Rear Panel Left View Rear Panel Centre View Rear Panel Right View 42
HERITAGE 1000 FRAME MEASUREMENTS 810mm 31.9” 1700mm 66.9” Thru Out 340mm 13.4” 140mm 5.
44 8 Inputs 16 Inputs Inputs 16 Inputs 56 input frame 2450mm 96.5” 40 input frame 1950mm 76.8” 48 input frame 2200mm 86.6” 24 input frame 1450mm 57” 32 input frame 1700mm 66.
HERITAGE 1000 SPECIFICATION OVERVIEW AND STATISTICS. 1. The 1000 is a 26 buss console with an additional 13 x 8 output matrix. The busses are as follows:10 6 2 1 1 1 1 audio groups mono aux stereo aux stereo master mono master stereo AFL mono PFL TOTAL = 10 = 6 = 4 = 2 = 1 = 2 = 1 = 26 2. The 1000 has 10 automute sub groups and 10 VCA sub groups which include VCA sub group muting. 3. The 1000 has 48 input channels. 4.
7. The 1000 has 71 long throw faders for mix control. 8. The 1000 has a total of 1539 automated switch functions as follows:480 480 480 48 10 10 10 10 8 3 input channel aux virtual assign switches input channel VCA sub group virtual assign switches input channel mute sub group virtual assign switches input channel mute switches audio sub group mute switches aux mute switches auto mute switches VCA master mute switches matrix mute switches master mute switches 9.
HERITAGE 1000 TECHNICAL SPECIFICATIONS. Input Impedance Mic 2k Balanced Line 20k Balanced Mic Continuously variable from + 15dB to + 60dB Mic + Pad Continuously variable from - 15dB to + 30dB Line Level Inputs 0dB Mic + 6dBu Mic + Pad + 31dBu Line Level Inputs + 21dBu Mic (gain + 40dB) > 80dB Mic + Pad (gain 0dB) > 50dB Frequency Response (20 to 20kHz) Mic to Mix (gain + 40dB) + 0dB to - 1dB Noise (20 to 20kHz) Mic EIN ref.
Output Impedance Maximum Output Level Nominal Signal Level Equaliser All Line Outputs 50 Ohms Balanced Source to drive > 600W Headphones To drive > 8W All Line Outputs + 21dBu Headphones + 21dBu Mic - 60dBu to + 10dBu Line 0dBu Headphones + 10dBu Hi pass Slope 12dB / Oct Hi pass Frequency Continuously variable - 3dB point from 20Hz to 400Hz Treble Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB Treble Shelving Freq.
49 VCA BUSSES 1-10 NOISE REFERENCE SLATE INPUT (TEST BUS) MIC/LINE JACK INPUT “B” MIC/LINE XLR INPUT “B” MIC/LINE XLR INPUT “A” 48V PHANTOM B input SET 1 2 3 a s 4 s 5 I 6 g 7 n8 9 10 DC TRIM TRANSFORMER BALANCING OPTION SET SET LEDS MAY FUNCTION IN ANY ONE OF FIVE WAYS AS SHOWN. FUNCTION IS DEPENDANT ON ASSIGN MASTER SWITCHES.
50 STEREO AUX BUS TALK SELECTED AUX BUS AUX INJECT GROUND REF.
51 MONO RIGHT LEFT GROUP 10 GROUP 9 GROUP 8 GROUP 7 GROUP 6 GROUP 5 GROUP 4 GROUP 3 GROUP 2 GROUP 1 AUX 10 AUX 9 AUX 8 AUX 7 AUX 6 AUX 5 AUX 4 AUX 3 AUX 2 AUX 1 TALK C/O LOWER aux 1-6 UPPER aux 1-6 C/O +6 +6 0 0 C/O LOWER aux 7-10 C/O UPPER aux 7-10 +6 +6 0 0 +6 7-8 +6 0 7 TO 10 +6 0 1 TO 6 7-8 0 7 TO 10 +6 0 1 TO 6 upper to lower + _ LINK - + - + + _ ext SEND +6 0 +10 dB INSERT POINT +6 0 +10 dB INSERT POINT POST PRE DEFAULT IS PRE LINK
52 + _ MONO INJECT MONO BUS + _ +10 dB -13dB RIGHT TAPE INPUT -10dB + _ + +10 _ dB -13dB -10dB + _ RIGHT TAPE OUTPUT RIGHT STEREO BUS RIGHT STEREO INJECT LEFT TAPE INPUT LEFT TAPE OUTPUT LEFT STEREO BUS LEFT STEREO INJECT +10 0 +10 0 to MONO tape input +10 dB +10 dB to ST tape input - + - + - + SEND SEND SEND RETURN RETURN RETURN 5 0 5 5 0 5 5 0 +10 dB +10 dB PRE +10 dB mute mute stereo to mono ON mute left - + bus peak +21 +18 +15 +12 +9 +6 +3
53 SOLO IN SIS MONITOR MONO SOLO MONO BUS SOLO MONO INJECT SOLO MONO OUTPUT SOLO RIGHT BUS SOLO RIGHT INJECT SOLO RIGHT OUTPUT SOLO LEFT BUS SOLO LEFT INJECT SOLO LEFT OUTPUT MONITOR STEREO RIGHT MONITOR STEREO LEFT MONITOR TAPE RIGHT MONITOR TAPE LEFT + _ + _ + _ - + - + - + ST TAPE - +6 mono solo 0 stereo solo +6 stereo monitor source 0 0 + SOLO + led dim - 0 lamp dim +6 dB +6 dB +6 dB solo SIS 60 PFL ON CLEAR PINK talk +10 local monitor bus peak bu
54
input input B 35 25 48V B 35 25 gain gain 15 10k 2k gain 20k 3k 1k 10k 2k gain 20k 3k 1k freq freq hi 400 mid 0.3 8k 0.6 2 0.6 0.1 0.3 lo 0.1 mid 300 2 800 8k 0.6 lo 0.
