User manual

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as described in the ‘Flange’ section above, audition the effect on some
tracks. Note how using the Spread control in a Mono to Stereo or Stereo
conguration increases the overall stereophonic effect of the chorus.
Switching from Chorus 1 and 2 with the remaining settings xed allows the
user to get acquainted with the types of sounds these modes produce.
• Vibrato - using the same settings as in the ‘Flange’ section above, move the
Mix control to 100 so only the output of the modulated delay line is heard.
Because there is no un-delayed signal in the output mix, the sound appears
to only change in pitch, creating a vibrato effect.
Chorus Modulation from Dynamic Section
Often the best chorus or ange effect is one who’s sound is NOT periodic -
that is to say the modulation of the delay line and thickening of the sound is
audible, but not a repeating pattern. Using the Dynamic section of the Chorus
conguration can create great ange and chorus effects using the input audio
as the modulation source. Combining this technique with a small amount of
modulation from the Auto section can create very realistic voice doubling and
multi-player effects.