Technical information

APPENDIX 12
The user interface is a pleasure to use, with logical groupings of faders, easy-
to-read legends, a large rotary control for the reverb duration, and a bank of
eight buttons arranged vertically. The bank of buttons lets you select di erent
pages of controls. The selected controls are then displayed in the lower half of
the user interface, with the wet and dry Mix controls always displayed at the
left of each page.
The Control Pages
1. The Main controls include faders for wet and dry levels; a generous pre-
delay that can delay the wet or dry signal by up to 500 msec; a control
for the overall attack of the impulse response; along with low-frequency
and high-frequency EQ faders; and a pair of boost/cut controls marked LF
Colour and HF Colour.
2. The Equalizer page has three bands of parametric EQ that can be applied
in various locations as determined by the  ow diagram page.
3. The Delay 1 and Delay 2 pages are identical. These both feature a delay
time that can be synced to the session tempo, with groove control, and
with controls for feedback, pan, and level. The reverb can be routed in a
number of ways with the delay lines, and a three-band EQ can be inserted
anywhere in the signal path. The delay lines are each 3 seconds long.
4. The Tweak page lets you delay more in the left or right channel and apply
a low-pass  lter to the delayed result. This gives a psychoacoustic e ect of
the sound being closer or further away or even behind you. You can also
pan the reverb to left or right independently and add extra reverb density
to the signal if desired.
Figure A12.32
Revolver presets.