Technical Data
Mark Levinson №53 Reference Monaural Power Amplifier
Technology Background
Overview
Mark Levinson was founded in 1972 to produce the first solid-state electronics that
sonically outperformed the finest tube electronics of the era. In 1993, the Mark Levinson
№33 Reference Monaural Power Amplifier was hailed by audiophiles and music lovers
around the world as the ultimate power amplifier. Now, the Mark Levinson №53 debuts
– the first switching technology amplifier to sonically outperform the finest Class A or AB
amplifiers.
Cosmetically similar to its predecessor, the №53 is the first Mark Levinson Reference
Monaural Amplifier to incorporate multi-stage very high speed switching amplifier
technology, dispensing with the conventional Class AB power output stage in favor of
Interleaved Power Technology (IPT), which features a patented
1
circuit design that
provides significant advantages over prior switching amplifier topologies.
PWM Limitations
Switching amplifiers aren’t new (the earliest design originated back in 1932 and was
vacuum tube-based), and offer significant advantages over conventional designs in
terms of thermal and power efficiency, and operational stability. However, while they are
popular in industrial electronics and professional sound reinforcement applications,
switching amplifier technology had yet to be refined enough to be on par with the best
conventionally configured audiophile power amplifiers.
Challenges that needed to be addressed include high frequency noise components that
are a result of the PWM process. Analogous to digital audio quantization noise, these
high frequency residual components need to be filtered with a sharp slope brickwall filter,
which can have unwanted consequences such as phase alteration and high frequency
ripple in the audio passband.
In-band distortion can also be higher than desirable, especially compared to reference
class audiophile amplifier designs.
Another area of concern is a limited frequency response range, an important
consideration in the era of modern wideband high resolution audio formats, including
SACD, Dolby TrueHD and DTS-HD Master Audio. These formats support up to 192 kHz
sampling, allowing an audio passband that extends to over four times that of standard
resolution formats such as CD.
1
Covered under one or more U.S. patents, including #5,657,219, #6,297,975 B1, #6,504,348 B2,
#6,556,053 B2, #6,909,321 B2







