User manual
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Figure 7: Panel Controls
1. PGM A Illuminated Button <white>
2. MIDI A Activity Window <red>
3. MIDI INput Jack
4. MIDI B Activity Window <red>
5. Ext. CV OUTput
6. Ext. Gate OUTput
7. PGM B Illuminated Button <white>
8. TEMPO INput
9. TEMPO Activity Window <red>
10. CLocK OUTput
11. Stepped Random OUTput
12. Voltage MATH: CHannel 1 INput
13. Voltage MATH: CHannel 2 INput
14. Voltage MATH: CHannel Attenuvertor
15. Voltage MATH: Activity Window <red> / <green>
16. Voltage MATH: CHannel 1 OUTput
17. Voltage MATH: CHannel 2 OUTput
18. Oscillator: Triangle Wave OUTput
19. Oscillator: Square Wave OUTput
20. Oscillator: Pitch Panel Control
21. Oscillator: Pitch Fine Tune
22. Oscillator: LINear FM INput Attenuator
23. Oscillator: 1/V OCTave INput*
24. Oscillator: LINear FM Input
25. Overtone: Panel Control
26. Overtone: CV INput Attenuator
27. Multiply Panel Control
28. Multiply: CV Input Attenuvertor
29. Multiply: Activity Window <orange>
30. Overtone: CV INput
31. Multiply CV INput
32. Slope: Cycle Illuminated Button <white>
33. Slope: Rise Panel Control
34. Slope: Fall Panel Control
35. Slope: Activity Window <green>
36. Slope: Vari-Response
37. Slope: End of Cycle (EOC) Activity Window <yellow>
38. Slope: Rise/Fall Time CV INput
39. Slope: End of Cycle (EOC) Gate Output
40. Slope: Trigger INput
41. Slope: CV OUTput
42. Contour: Onset Panel Control
43. Contour: Sustain Panel Control
44. Contour: Decay Panel Control
45. Contour: Activity Window <green>
46. Contour: Vari-Response
47. Contour: Decay Time CV INput
48. Contour: End of ONset (EON) Activity Window <yellow>
49. Contour: Gate INput
50. Contour: End of ONset (EON) OUTput
51. Contour: CV OUTput
52. Balance: CHannel External INput
53. Balance: CV INput
54. Balance: Attenuator
55. Dynamics: Attenuator
56. Dynamics: Activity Window <orange>
57. Headphone/Line OUTput: Level Control
58. Headphone/Line OUTput: TRS Stereo Audio Signal, 3Vpp
59. Dynamics CV INput
60. Dynamics OUTput: Modular level Audio Signal, 10vpp
61. Oscillator: Calibration Trimmer**
*This input is designed with analog sequencers in mind, and can be expected to track reasonably well over a 4-octave range. For wider range or more precision
in tracking, the MIDI input is preferred.
**Only recommended for analog synth technician. Aects Tuning and MIDI Calibration.