User manual
Table Of Contents
- Copyright
- Preface
- Table of Contents
- Support
- More about MAGIX
- Introduction
- Overview of the program screen
- Track window and constant control elements
- Import
- Cut sound – Working with objects
- Remove
- Enhance
- Export
- File Menu
- Edit Menu
- Effects Menu
- Options menu
- Standard mouse mode
- Cut mouse mode
- Zoom mode
- "Delete objects" mode
- Draw volume curve mouse mode
- 2 tracks
- Stereo display
- Comparisonics waveform display
- Activate Volume Curves
- Overview track
- Lock all objects
- Play parameter
- Units of measurement
- Mouse Grid Active
- Auto crossfade mode active
- Display values scale
- Path settings
- Tasks menu
- Online menu
- Help menu
- Keyboard layout and mouse-wheel support
- Activate additional functions
- Appendix: MPEG Encoder Settings
- MPEG glossary
- MPEG-4 encoder settings
- Index
Remove 67
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DeRumble: Here you can activate a special filter for deep-frequency
rumbling noises. Examples of such distortions are mechanical noises
from old record players, wind, and subsonic noises in microphone
recordings.
Preset: All the DeNoiser's settings, i.e. the noise sample applied and
the settings of the processing section can be saved as a preset for
later use.
Dehisser
The Dehisser was especially designed to eliminate the band noise,
which is all so typical for analogue tape recordings, micro-preamps or
AD-transducers.
Noise Level: Here you will have to determine as exactly as possible
the noise level at which the Dehisser starts to work. If you choose a
level that is not high enough, the band noise will not be completely
eliminated. In such a case you will notice tweeting sounds (the so
called "melodic band noise"). An excessive value will result in a dull
sound as part of the band noise and part of the original audio signal
recording will be eliminated by the Dehisser as well (for example: air
intake sounds of brass instruments) (see Artifacts (view page 68))
If the noise level on your recording is low, you should experience no
problems while adjusting it.
Adaptive: The value for the noise level parameter is set automatically
by determining the hiss contained in the signal. If the noise level value
is changed, its effect is then relative, i.e. the resulting value is
determined from the automation as well as the noise level fader
settings.
One advantage is that you no longer have to set the noise level value
manually and that this value can also be adjusted later if the noise
share fluctuates, for example, if you use music tracks with differing
hiss levels within one project.










