X5
Table Of Contents
- Copyright
- Preface
- Support
- Before You Start
- Introduction
- Quick start
- Edit mode
- Work screens
- Video recording
- Objects
- Markers
- Multicam editing
- Title
- Effects
- Apply effects to objects
- Preview rendering
- Video effects in the Media Pool
- Movement effects in the Media Pool
- Stereo3D in the Media Pool
- Audio effects in the Media Pool
- Design elements in the Media Pool
- My Presets in the Media Pool
- Additional Effects
- Animate objects, effect curves
- Create effects masks
- Attach to picture position in the video
- Create overlay graphic/animation
- Image stabilization
- Image improvements for the entire movie
- Image improvements for individual objects
- Stereo3D
- Audio editing
- Edit disc menu
- Burn disc
- Export movie
- Video as AVI
- Video as DV-AVI
- Video as MPEG video
- Video as MAGIX video
- Video as QuickTime movie
- Uncompressed movie
- Video as MotionJPEG AVI
- Movie as a series of individual frames
- Windows Media Export
- Video as MPEG-4 video
- Export as media player
- Audio as MP3
- Audio as wave
- Export as transition...
- Single frame as BMP file
- Single frame as JPG
- Animated GIF
- Export movie information as EDL
- Upload to Internet
- Upload to Internet (MAGIX Online Album)
- Export to device
- Output as media player
- Output as video file
- Settings for and management of video projectors
- Special functions and wizards
- Menus
- Context menu (right click)
- Problems and solutions
- Online functions
- Keyboard shortcuts
- Activate codecs
- Annex: Digital Video and Data Storage
- MPEG-4 encoder
- Appendix: MPEG Encoder Settings
- MPEG glossary
- Glossary
- If you still have questions
- Index
104
• Click the button in the source's
monitor's transport control for the
start of the section (in point).
Note: To insert the complete material, an in point doesn't need to be inserted into
the source monitor. Source in will now be the start of the source material.
• Select the insert mode "Overview (view page 49)" to overwrite the
material in the arranger behind the in point.
• Or use one of the two ripple modes (single-track ripple or multi-track
ripple) in order to cut the material at the position of the in point and
move it to back.
"Overwrite" mode does not change the total length of the project. The new material is
only inserted at the position of the in point:
The ripple modes move the old material in the range together with the objects behind
it to the end of the inserted material. This changes the total length according to the
length of the object:
Variation 2: Destination in/destination out
This variation functions based on exactly the same principle, only instead of setting in
points in both monitors, out points are placed. The new material is placed in the
arranger prior to the out point in this way. This variation enables you to work from
back towards the front to define the scene transition.










