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Titles and effects 141
processing time. The
wit
material can now also be used on very large factors (0.2...50)
f
exa
dis
or finished mixes).
chshifting via splitting and
the beats or transients.
available (patched). In MAGIX Music Editor, a patching tool is provided for users to set
the markers themselves
divided into individual b ow audio level before each beat or
note.
•
Beat marker stretching: Beat-synchronous timestretching and pitchshifting in standard
quality. The material is stretch
attacks at the beat mar
generated in real time (a ilable (patched).
This method is suitable for rhythmic material that can not be divided into individual beats
or notes because the beats or notes overlap each other.
are
used at the beats or transients. The markers can be generated in real time (automatically)
ythmic
ecause the beats or notes
be used sparingly on less powerful systems.
for all types of audio material. Beat markers are evaluated to improve
audio quality. This method requires so much processing time, that a real-time application
ed
•
Monophonic voice: Timestretching and pitchshifting for vocal solos, speech, or solo
rial must not contain background noise, and excessive reverb may
al the audio quality is
very high. In ad not be
hout causing strong artifacts. The material is "smoothed", which makes the sound
ter and emits it at an adjusted phase level. This smoothing is hardly audible, for
so
mple, with speech, singing or solo instrumentation. Problems in the shape of
tortions may arise with more complex spectra (sound mixes from various instruments
•
Beat marker slicing: Beat-synchronous timestretching and pit
temporal repositioning. Exactly set beat markers are required at
The markers can be generated in real time (automatically) or read from the WAV file if
. The algorithm is suitable for rhythmic material that can be
eats or notes. This requires a l
ed between beat markers positions so that the beats or
ker positions are not impaired by stretching. The markers can be
utomatically) or read from the source file if ava
•
Beat marker stretching (smoothed): Beat-synchronized timestretching and
pitchshifting in high audio quality even with extreme time extension. Beat markers
or read from the WAV file if available (patched). This method is suitable for rh
material that can not be divided into individual beats or notes b
overlap each other. This method requires a lot of processing time which is why it should
•
Universal HQ: Universal methods for timestretching and pitchshifting in very high audio
quality. Suitable
is recommended only in exceptional situations. Using the apply function is recommend
instead.
instruments. The mate
als
o be detrimental to the use of this method. With suitable materi
dition, the formats remain when pitchshifting. Beat markers will
evaluated.
•
Resampling: Pitch shift and tempo cannot be changed individually. This method
requires considerably less CPU time.