X2

140 Titles and effects
Mix: This controller sets the mi
you can quite easily move a sig
x ratio between the original and the edited signal. For rooms,
nal further into the room by increasing the amount of effect.
ments, but you can (and should) choose which
preset you want to use for which instrument.
ignal and repeats it.
he period of time between the individual echoes. The more the control is
t, the faster the echoes will follow each other.
e dial completely to the left, there is
M original sound (dry signal) is
Timestretch and pitchshift
The last four presets are intended for use in an AUX channel of the mixer and are set to
100%.
Presets
The presets are primarily sorted by instru
Delay
This effect is like an echo which delays the s
Delay: This sets t
turned to the lef
Feedback: This adjusts the number of echoes. Turn th
no echo at all; turn it completely to the right and there are seemingly endless repetitions.
ix: This fader determines how much of the unprocessed
subjected to the echo (wet signal). Application of this effect in an AUX bus requires the
controller to be set to 100% (all the way to the right).
This effect device changes the object’s spee
Pitch: This control changes the pitch indepe
Tempo: This control changes the tempo independent of the pitch ("timestretching"). The
object acts as if it were compressed or stretched on the track.
s are used to numerically enter the pitch or speed change. Only
e pitch and speed.
•
Standard: Timestretching and pitchshifting in standard quality. This method is suitable
for mprove
audio quality.
nts.
al instruments, pauses, speech, and
singing. Beat markers are not evaluated.
s more
d and/or pitch.
ndent of the object’s speed ("pitchshifting").
Tones/BPM: These field
MAGIX Soundpool files are suitable for numerical entries, since these contain information
about th
Setup: This button opens a setup dialog where you can select various pitchshifting and
timestretching procedures.
audio material without a pronounced beat. Beat markers are evaluated to i
•
Smoothed: Timestretching and pitchshifting for audio material without pulsing eleme
The method is suitable for polyphonic orchestr
In this case, a considerably more complex algorithm is used which require