11.0

EFFECTS MENU 601
Here you will find freely positionable handles for the
sound sources ("L" and "R") as well as two
microphones ("L mic" and "R mic"). For instance, if
you increase the distance between the source and
the microphone ("near/far") you will hear the signal
move away from you, the delays increase, the
sound characteristics become more "diffused" and
more complex in total. At the same time, the
previously prominent early reflections will disappear.
This tool alone contains a high potential and can also be automated.
Furthermore, in HQ mode you can
also influence the dampening of
highs as well as the reverberation
time of the bass section.
When interacting with the high band, realistic room modelling is possible, e.g. wall
surfaces. For instance, a room with wooden panels on the walls always has a poorer bass
response than the same room with concrete walls, as the wood (also due to possible gaps)
may also resonate and absorb the energy of long-wavelength basses. The same also
applies to the furnishing of a room. Furniture, shelves, etc. are traps for basses.
Parameters of the HQ room/reverb models: Generally identical to those of regular
rooms/reverbs.
Exception: "ER:absoption" and "ER:tail" are not available (see explanation above).
Also available are:
• Low damp: Strong dampening of the bass range.
• low freq: Start frequency of bass dampening.
MIDI cc setup:
The MIDI CC setup is a relatively simple routing matrix, whereby
8 of the available freely configurable MIDI controllers can be used
to configure 8 parameters.
Every "Controller" field corresponds with a "Destination" field. You can then select a MIDI
controller directly from one of the lists or use the learn function.
If you activate one of the learn buttons, any upcoming external controller movements will
be used to get the MIDI CC number. This way you can learn one source destination pair
after the other.