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ManualsBrandsMagix Xara ManualsApplicationsSamplitude
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Table Of Contents
EFFECTS MENU 481
analyzed, but the size of the area to be analyzed can be adjusted by dragging with the
mouse on the range in the arranger.
Sound cloner controls
Learn: A frequency analysis is calculated at the playback position. A dialog opens in which
the result can be saved as a special match preset.
File: The sound clone's reference is created with the selected object. Real-time effects are
ignored in this mode when defining the reference.
FX input: The input at the effect is used as a reference. Real-time effects looped before the
FFT filter which is used as a cloner are accounted for in this mode when defining the
reference.
Inverse: With this function, the sample data within the selected range is inverted along the
amplitude axis, i.e. negative values become positive and vice-versa.
Inverse: If this switch is activated, you will hear only the part of the signal that is changed
by the algorithm.
Bypass: The algorithm is removed from the signal route. In this way, the unedited signal
can be compared to the result of the algorithm.
FFT filter/spectral analysis (offline)
With the FFT Analysis Filter you have a high-quality tool at your disposal which can be used
to solve typical problems in elegant and partially completely new ways. The FFT Analysis
Filter is a combination of a high-quality FFT Spectral Analyzer and an FFT Filter. The
calculated frequency response curve can be edited using a freehand tool and then sent to
the audio material. The realtime preview function allows you to work in an intuitive and
time-saving manner.
Some areas of application of this tool are:
• Checking and correction of the frequency response of your recording or mix.
• High-precision frequency measurement, for instance, for verifying the tuning of
instruments.
• High-precision filtering: From the finest nuances to full sample distortion without any
changes to the phase response. Phase distortion effects like a worsening of the impulse
response or of the room impression are minimized with this. Linear-phase filters do not
have their own sound.
• Sub-bass precision correction in the low-frequency range between 10 and 50 Hz with
any increase or dampening without the effects that usually occur with filters of this kind.
Ideal for bassy pop music or for removing rumbling or footsteps.
• Selectively dampens or raises the level of individual instruments or pitches from
recordings.
• Formant filter
• Dynamic filtering: Transition between two filter curves for filter switch effects, hiding
frequency variables, and much more.