11.0

178 EFFECTS AND PLUG-INS IN AN OVERVIEW
Simple, monophonic delay effect
Parameters
- Time: Delay time controlled by musical measure (sync) or free
- Feedback: Repetitions
- Damping: High damping of the repetition
• Stereo delay (tempo sync / millisec.)
Stereophonic repetition, adjustable separately per side
Parameters
- Left / Right: Delay times, synced or free running
- Feedback: In contrast to mono delay, no repetition takes place in the middle position of
the feedback controller. When turned to the left, the type of delay is that of the so-called
"ping-pong" variety, i.e. the signal, is sent alternately so that it jumps from one channel to
the other. When turned to the right, the delay effect is "dual mono", in which case left and
right sides act as two independent time-delay units.
• Chorus
Produces a typical "floating/shimmering sound" by modulated detuning of a signal to
"thicken up" its sound or spread it across the stereo field. Detuning is achieved by a short
delay, the length of which can be varied by the modulation. This produces the so-called
"Doppler" effect.
Parameters
- Time: Delay time in milliseconds. This can be understood as the "base" modulation which
is stretched or compressed by the modulator.
- Rate: Modulation speed
- Depth: Modulation amplitude. Low values modulate only a little; higher values create a
clear vibrato.
• Flanger
Algorithmically similar to chorus, but different in that the delay time is significantly lower and
delay works with repetitions (feedback). A flanger sounds more "cutting" and up-front than
a chorus.
Parameters
- Rate: Modulation speed
- Feedback: Delay feedback
- Depth: Modulation of amplitude
• Phaser